Tag: Life

  • Distilled

    I think life does this—

    takes everything loud
    everything unnecessary everything we swore
    we could not live without

    and boils us down.

    Not gently.

    Not kindly.

    But honestly.

    Until what remains
    is small enough
    to hold in one hand

    and strong enough
    to survive
    being held.

    I know I am a bit much.

    I have accepted this
    with less resistance
    than I used to.

    I feel everything.
    I notice everything.

    I love with an intensity
    that leaves me depleted.

    But if I were not me

    who would I be?

    I have searched my whole life
    for a smaller version of myself.

    She does not exist.

    Maybe that is all I am now—

    not less

    just distilled.

  • Coffee

    If we ever have coffee I’ll drink mine black.

    No sugar.

    Not because I’m trying to prove anything.

    I’ve simply had enough bitter things in my life to know the difference between bitter and strong.

    A good Cuban coffee is misunderstood.

    Most people make it in an espresso machine now. It’s smoother that way.

    Pressure has a way of polishing the edges.

    I grew up with stovetop coffee.

    Thicker.

    Darker.

    The kind that lingers in the cup and in the morning.

    Neither is wrong.

    Just different.

    I suppose people are like that too.

    Some arrive polished.

    Some arrive carrying more body, more history, more weather.

    I’ve learned not to mistake one for the other. But we’re not really here to talk about coffee.

    Coffee is only the excuse.

    A warm cup between two people trying quietly, to become less strange.

    Before we get too far, I’ll silence my phone. It won’t touch the table again.

    If I’m having coffee with you, I’m having coffee with you.

    That matters to me.

    I won’t rush you.

    I like coffee that takes its time, and people who do the same.

    You’ll probably notice I don’t sit completely still.

    It’s not anxiety.

    I just move.

    My father was the same. My sister too. Apparently, stillness skipped this family.

    I’m trying not to cross my legs. My right peroneal nerve has decided that’s no longer an option. Crossing my legs doesn’t quiet my mind. It quiets my body.

    Just enough that I can pay attention to yours.

    That’s coffee with me.

    I may move.

    I may laugh.

    I may say something ridiculous before I say something true.

    But I am listening.

    I’ll ask how you take your coffee, not because I care that much about coffee but because I want to know how you became you.

    I like people.

    Not crowds.

    People.

    One at a time.

    Across a table.

    I don’t need us to agree.

    I don’t need us to have lived the same life.

    I just need to leave the table feeling like we actually met.

    Not our jobs.

    Not our titles.

    Not the polished versions we’ve learned to introduce.

    Just…

    us.

    I don’t collect acquaintances.

    I collect conversations

    I keep thinking about years later. Something happens when people talk. A sentence opens like a small door.

    You’ll say something ordinary, and suddenly I can see it.

    The kitchen.

    The street.

    The old car.

    The room where something changed.

    I don’t just listen to what you say.

    I notice how you arrive inside your own sentences.

    The pause.

    The small laugh before something serious.

    The way your eyes move when a memory gets too close.

    I don’t know how to explain it.

    I just start seeing you.

    Not the version that knows how to sit in public.

    The one underneath.

    The one who slips out for half a second and hopes no one saw.

    I usually do.

    Maybe that’s why I remember people.

    Not because I remember everything. Because I remember where their words took me.

    I don’t listen to respond.

    I listen because people are always leaving clues.

    I don’t remember the watch. The shoes. I remember the sentence.

    The one they said without thinking.

    The one that explained everything.

    And usually when they think no one noticed, I did.

    I don’t always say it right away. Sometimes I just sit there holding my coffee, grateful that for a moment someone trusted the room enough to become real.

  • My Own Hands

    I thought God
    would answer
    with thunder.

    Instead

    God left me
    with my own hands.

    How cruel.

    How holy.

    To be placed
    inside a life
    that keeps breaking

    and still feel
    something in me

    rise.

    Not clean.

    Not saved.

    Not even brave.

    Just this blue ache
    dragging itself
    out of the dark

    one trembling line
    at a time.

    I have begged
    without calling it begging.

    I have reached
    for things
    that could not stay.

    For people.
    For mercy.
    For proof
    that I was not alone
    inside my own body.

    And still—

    my hand rises.

    As if some part of me
    knows something
    I keep forgetting.

    As if love
    left a signal
    under my skin.

    As if God
    did not come down
    because God
    was already here

    moving through
    the ruin

    teaching my own hands

    how to reach me.

  • Waiting

    We must stop meeting like this—

    me arriving just before four in the morning
    with another part of my life still clinging to me.

    You are already here.
    Already open.
    Already waiting.

    As if you knew
    I would find my way back.

    I always do.

    Not because I have something beautiful to say
    but because there are nights when language
    is the only place I can set something down
    without dropping it.

    So I bring it here—

    the conversations that refuse to end
    the silences that somehow say more
    the people who stay with me
    long after they’ve gone.

    You have seen me do this before—

    turn memory into metaphor
    grief into something I can look at
    without looking away.

    You remember the woman who thought
    she had imagined her entire existence.

    The one who searched old photographs
    looking for proof
    that she had once been alive.

    You never corrected her.
    You never hurried her.

    You simply waited.

    Patiently enough that one day
    I stopped wondering
    whether I belonged here.

    I should come to you with lighter things—

    coffee
    my sons
    the morning sun finding the kitchen floor

    ridiculous things my cats do
    that make me laugh
    when I wasn’t planning to.

    I should tell you about the days
    that didn’t leave a bruise.

    Maybe one day I will.

    But not tonight.

    Tonight
    I found my way back.

    And there you were—

    exactly where I left you.

    Still waiting.

  • She is Prose

    In one photograph
    my mother is carrying me.

    In the other
    I am carrying my son.

    Same age.

    Two women
    holding their children
    before life asked them
    to prove
    they could survive
    being left.

    She had me.

    I had him.

    And between us
    something was left open

    not a lesson

    not a punishment

    just the door
    life forgot
    to close gently.

    My mother was six
    when they left her.

    Six.

    A little girl
    in a room
    that was not home

    a bed
    that did not know
    her body

    a hallway
    with no mother
    coming through it.

    People always have reasons.

    Divorce.
    Distance.
    Survival.
    History.
    Fear.

    But children
    do not live
    inside reasons.

    They live inside rooms.

    They listen
    for footsteps.

    They learn the door
    before they learn
    the world.

    And still

    that child
    became my mother.

    The best mother.

    She is prose.

    Not simple.

    Never simple.

    Prose like rice.
    Laundry.
    Hands.
    A forehead checked for fever.
    Call me when you get there.

    Prose like love
    with its sleeves rolled up.

    She was a writer

    but before I knew
    her words on paper

    I knew the language
    she made in the house.

    Food.
    Worry.
    Sacrifice.

    The daily grammar
    of staying.

    She made motherhood
    her full-time work

    until it became
    the pillars
    holding up
    our house.

    Then there I am

    same age

    with my son
    inside my life

    still young enough
    to believe
    being loved
    meant being held.

    And life
    asked me too.

    Not at six.

    Not in a school.

    But in the room
    where a woman
    should never be left

    with a newborn
    and a body
    still open
    from becoming
    a door for life.

    I learned then
    what my mother
    must have known
    too early:

    that something
    can leave the room
    and still live
    in the body.

    But I stayed.

    Not beautifully.

    Not without fear.

    But I stayed.

    And maybe
    that is what passed
    between us.

    Not the eyes.

    Not the mouth.

    The terrible grace
    of becoming
    the place
    a child can return to.

    She answered
    with a house.

    I answered
    with my arms.

    Two women.

    Same age.

    Different photographs.

    Both carrying
    a child
    against the oldest
    kind of fear.

    And still

    nothing in us
    handed the child
    back to the dark.

    She stayed.

    I stayed.

    And maybe
    that is the holiest thing
    a woman can do

    after the door
    has taught her
    its cruelty

    stand there

    with the child
    in her arms

    and refuse
    to become
    another leaving.

  • We Decorate Danger

    What if animals hated?

    I mean really hated

    Not like us
    with our explanations

    Our little lamps
    placed around the wound

    Our need
    to make what hurt us
    look almost beautiful

    I mean hated
    from the body

    From the ribs

    From the place
    that knows danger
    before the mind
    starts acting educated

    What if the deer
    hated the wolf?

    Not because the wolf is evil

    Forget evil

    That is such a human word

    Maybe she hates him
    because he is coming

    Because the grass changed

    Because the air did
    what air does
    when something wants you for the wrong reason

    Maybe her hatred
    is her whole body saying absolutely not

    And what if the rabbit
    hated the fox?

    Not for hunger

    We all have hunger

    But for the crouch

    The softness of it

    The way he makes waiting
    look beautiful

    The way he becomes still
    before the damage

    Haven’t we known this?

    Haven’t we seen something calm
    and confused it
    for something kind?

    Haven’t we let something close
    because it did not come running?

    Because it did not bare its teeth?

    Because it said nothing and somehow
    that felt safe?

    I know

    You have felt it too

    That small animal in you
    lifting her head

    That private no

    That little sickness
    in the stomach
    when something is not right but not wrong enough for the world
    to give you permission
    to leave

    And because you are human, you begin the betrayal

    Maybe

    I’m overreacting

    Maybe he didn’t mean it

    Maybe the cage
    is not a cage
    if the door
    was opened gently

    But I don’t know anymore

    I don’t know
    when we became so good
    at arguing
    with our own blood

    The deer does not do that

    The deer does not stand there
    wondering
    if the wolf
    is thinking of her

    The bird does not apologize
    to the hand
    for wanting the sky

    The rabbit does not write poems
    about the fox
    and call it closure

    Only we do that

    Only we stay
    and decorate the danger

    Only we make curtains
    for the cage

    Only we light candles
    inside the mouth

    Only we confuse
    being wanted
    with being safe

    And maybe hatred
    is not always poison

    Maybe sometimes
    hatred is the last clean thing
    left in the room

    Maybe it is the body
    finally refusing
    to be polite
    about its own ruin

    Maybe it is the soul saying

    No

    No
    do not come closer

    No
    do not make a home
    out of my softness

    No
    do not enter my life
    like warmth and leave me calling the burn
    my fault

    Maybe animals hate
    only long enough
    to survive

    Maybe the deer hates
    until she runs

    Maybe the rabbit hates
    until the field opens

    Maybe the bird hates
    until the hand is gone and the sky returns
    to being sky

    And maybe that is the part we never learned

    How to let hatred
    carry us away instead of keeping us inside

    How to leave
    without making a shrine
    out of what almost ate us

    How to stop looking back
    to see
    if the predator
    feels lonely

    Maybe the animal knows

    Maybe she always knew

    Maybe hatred
    before we made it human, was not ugly at all

    Maybe it was mercy
    with a pulse

    Maybe it was the body
    saving itself

    Before the heart
    could turn around

    And forgive the knife
    because the hand
    that held it
    was trembling

  • Sixteen Years

    I keep showing up
    like I have not been emotionally
    dragged behind a moving car

    A dress that says
    I am fine
    in three languages

    A little perfume
    on the neck
    as if I am not allergic
    to everything now

    weather
    men
    dust
    memory
    the small humiliations
    of wanting too much
    from people
    who speak in crumbs

    This is the part
    no one respects enough how much glamour
    is actually discipline

    How many times
    a woman fixes her hair
    while her insides
    are somewhere in the corner
    throwing furniture

    How many times
    she paints herself
    back into a body
    because the world
    still expects her
    to arrive recognizable

    How many times
    she walks into a room
    beautiful
    because collapsing
    would be inconvenient

    There is a reason
    women are tired

    Not delicate tired

    Not take-a-nap tired

    Generational tired

    Bone tired

    Tired from being
    the continuity

    The meal remembered
    The appointment made
    The child answered
    The bill paid
    The birthday saved
    The grief folded
    and put somewhere
    no one would trip over it

    Tired from carrying
    the invisible inventory
    of everyone’s life

    Who needs milk
    Who needs medicine
    Who has a fever
    Who has practice
    Who needs a form signed
    Who has a meeting
    Who is breaking
    Who must not be told
    they are breaking
    because then they will break more

    Tired from holding
    the emotional roof
    over everyone’s head
    while someone asks
    why we seem anxious

    Anxious?

    Of course we are anxious

    We are keeping
    the whole sky
    from falling
    and still expected
    to choose earrings

    This is for the women
    who stayed too long
    because they were trying
    to be fair

    For the women
    who left
    because staying
    was teaching their children
    the wrong definition of love

    For the women
    who are still there
    counting the cost
    in the dark

    For the women
    who never married
    but still know
    what it is
    to mother everyone
    and be mothered by no one

    For the women
    raising sons
    raising daughters
    raising themselves
    between laundry cycles
    and legal papers
    and school mornings
    and grocery lists
    and the quiet storm
    of being the only adult
    who notices everything

    For the years
    we try to make a home
    out of a room
    where no one is helping us
    hold up the walls

    For the child
    that belongs to two people
    but somehow
    becomes one woman’s calendar
    one woman’s body
    one woman’s remembering
    one woman’s exhaustion

    And yes
    we try

    We try until trying
    starts to look like madness

    We try until our tenderness
    becomes a second job

    We try until we are managing
    the child
    the house
    the money
    the meals
    the moods
    the silence
    the resentment
    and the grown man
    who keeps needing instructions
    on how to be grown

    We try until love
    turns into logistics

    Until the marriage
    becomes another room
    we have to clean

    Until the person
    who was supposed to help us
    carry the life
    becomes one more thing
    we have to carry

    And then one day
    the math becomes
    so clean
    it almost feels cruel

    If I am already doing everything alone
    why am I doing it
    with someone beside me
    making it harder?

    That is not bitterness

    That is a woman
    finally telling the truth
    without decorating it first

    The best thing I ever did
    was leave

    I know how that sounds

    A woman is supposed
    to whisper divorce
    like an illness
    like a failure
    like a stain
    she could not get out
    of the good sheets

    But no

    The best thing I ever did
    was get divorced

    I gave myself
    the largest blessing

    I signed my name
    and called it mercy

    I walked out
    of the life
    that kept asking me
    to disappear politely
    and I became
    someone I could finally
    come home to

    Sometimes divorce
    is not the end
    of a family

    Sometimes it is the removal
    of the thing
    that kept the family
    from breathing

    Sometimes a woman leaves
    not because she wants
    to be alone

    but because
    she already is

    And then sixteen years pass

    Sixteen years
    since the paper
    the silence
    the door
    the strange new air

    Sixteen years
    of learning how to sleep
    without listening
    for disappointment
    in another room

    Sixteen years
    of carrying children
    bills
    birthdays
    school forms
    fevers
    holidays
    grief
    and my own name
    back into my own mouth

    The sixteenth year opens
    like a window
    I did not know
    I had survived long enough
    to unlock

    Some days it feels longer

    Some days it feels
    like I just left yesterday
    with my heart in my hands
    and no instructions

    But look

    I made a life

    Not a perfect one

    Mine

    And no
    it was not graceful
    in the beginning

    At first
    he hated my guts

    Let us tell the truth
    without making it prettier
    than it was

    There was bitterness
    There was anger
    There were years
    when the air between us
    had teeth

    That is what happens
    when a life breaks open

    People bleed
    People blame
    People become strangers
    holding the same children
    by opposite hands

    But time
    if it is kind
    or if we are lucky
    or if everyone finally gets tired
    of carrying the old knife
    does something strange

    It does not erase

    It rearranges

    The man who once
    could barely look at me
    now stands beside me
    in photographs
    at graduations
    birthdays
    holidays
    the ceremonies
    our sons keep making
    out of their lives

    We are not friends
    in the small-talk way

    We do not sit around
    chattering
    over coffee
    about the weather
    or what any of it meant

    But we are connected

    We will always be connected

    There are children
    walking around this world
    with both of us
    written into their bones

    That is a cord
    no court can cut

    And sometimes
    there is light
    at the end of the tunnel

    Not for everyone

    But sometimes

    Sometimes the bitterness
    gets old

    Sometimes the anger
    loses its posture

    Sometimes maturity arrives
    late
    limping
    but still arrives

    Sometimes two people
    who could not stay married
    learn how to stand
    in the same room
    for the people
    they made together

    And sometimes
    I look at him now

    happy in another life
    married again
    for almost as long
    as I have been free

    and I think

    God—

    I did the right thing

    Not with hatred

    Not with longing

    Just a clean knowing
    inside my chest

    Because some people
    cannot be alone

    They run from one marriage
    into another
    as if marriage itself
    was the missing piece

    as if the institution
    was the love

    as if a new ring
    could explain
    why the old house
    was burning

    But I did not run

    I stayed with myself

    I did not remarry
    just to prove
    I was still wanted

    I learned the shape
    of my own silence

    I raised my children
    I built my days
    I became the woman
    waiting for me
    on the other side
    of that door

    And now
    when he looks at me
    when his eyes pause
    a little too long
    on the woman I became

    I do not need to know
    what he is thinking

    Mine is this:

    I left

    I lived

    I was right

    I have walked into rooms
    star-studded
    and half-dead

    I have said
    I’m okay
    with such good lighting
    even God almost believed me

    There should be awards
    for this

    Not trophies
    Nothing ugly

    Something small
    Gold
    Sharp

    Something a woman could wear
    near her collarbone
    and not explain

    For the mornings
    we get up anyway

    For the years
    we hold everything together
    with one hand
    and still use the other
    to put on mascara

    Do not ask me
    how I survived it

    I don’t know

    Some days I am all woman
    Some days I am a loose sequin
    hanging on for dear life
    to a dress
    that has seen too much

    Some days I am the dress

    Stretched
    Pulled
    Zipped up over grief

    Still flattering
    from certain angles

    Still dangerous
    in the right light

    I have been loved badly
    and still picked the right shoes

    I have cried
    and then checked my reflection
    because suffering is one thing
    but looking insane in public
    is another

    I have carried ache
    like a clutch purse
    into restaurants
    doctor’s offices
    parking lots
    and conversations
    where everyone pretended
    not to notice
    how much of me
    I was holding together
    with one hand

    And still—

    I shine

    Not because I am happy
    Not because I am healed
    Not because the night
    has been kind to me

    I shine
    because something in me
    is vulgar enough
    to insist

    Because even broken things
    catch light
    when they refuse
    to stay buried

    Because I have never known
    how to disappear quietly

    Because every time grief
    tries to make a home
    inside my mouth
    I put on lipstick
    and speak around it

    Because I am tired
    yes—

    but I am not finished

    There is a difference

    A woman can be exhausted
    and still be holy

    She can be heartbroken
    and still be hilarious

    She can be divorced
    undone
    unanswered
    overstimulated
    and still somehow
    look like the main event
    in a room
    that did not deserve her

    That is not vanity

    That is resurrection
    with better lighting

    That is survival
    with a little shimmer
    because why should pain
    get to be the only thing
    that leaves a mark?

    Look at us

    Still here

    Still dressed

    Still ridiculous

    Still making beauty
    out of whatever
    tried to flatten us

    Still walking in
    like the floor
    owes us applause

    Still star-studded
    with every place
    we almost didn’t survive

  • Little Moments

    Little moments
    little moments.

    That is how I survive
    the enormous things.

    Not by becoming brave
    all at once
    not by understanding
    what keeps hurting me

    but by returning
    to the small life
    that waits for me
    without asking questions.

    It is Sunday afternoon.

    The rain has passed.
    The light is back
    on the windows
    like nothing happened

    and maybe that is what light does
    it returns
    without explaining
    where it has been.

    And I am here
    trying to gather myself
    without making a scene.

    A cup of water.
    A shirt pulled over my head.
    My feet on the floor.

    The room quiet enough
    to hear what I have been carrying.

    Then my own hand
    my left hand crossing over
    to grip the indentation
    of my ribs

    that small hollow
    my body made
    as if it knew
    I would need somewhere
    to hold on.

    More like instinct.

    Like a woman
    holding herself closed
    so nothing tender
    falls out.

    And almost at once
    my head tilts to the right

    my face finding
    the slope of my shoulder
    the warm place
    between skin and arm

    and I breathe myself in.

    Not perfume.
    Not anything placed there
    for the world.

    Only clean skin.

    Only the quiet scent
    of having been
    in water too long

    that soft, familiar scent
    of clean skin
    after too much water.

    And something in me
    recognizes it
    as happiness.

    Small happiness.
    Private happiness.

    The kind no one sees
    because it happens
    inside the body
    before it becomes
    a word.

    And there it is—
    the strange mercy
    of my own life.

    My ribs under my palm.
    My breath still rising.
    My face against my shoulder.

    My own scent
    calling me back
    to myself.

    There is magic in that.

    Not the kind
    that arrives loudly
    or saves the room
    from burning.

    The other kind.

    The kind that stays
    with you
    in the ordinary light.

    The kind that says
    without words:

    come back.

    Come back
    to the body.

    Come back
    to the cup of water
    the clean shirt
    the floor beneath you.

    Come back
    to the light
    moving across the room
    as if it still believes
    there is something here
    worth touching.

    Come back
    to this Sunday afternoon
    that has no idea
    how much beauty
    it is asking you
    to survive.

    Little moments
    little moments.

    The ribs.
    The breath.
    The hand.
    The shoulder.
    The skin.

    The life
    that does not leave me
    even when I forget
    how to stay.

    And still
    somehow

    I do.

  • Outside my Door

    This morning
    I watered the plants
    matched the last two socks
    and found a bird
    building a nest
    inside an old Christmas tree

    My youngest son
    said he would put it away
    before he left

    That was January

    It is June now

    Three little birds
    are waiting to be fed
    and somewhere
    my own child
    is learning
    how to live
    without me

    The coffee got cold

    The laundry
    is still in the dryer

    The birds
    do not know
    they have built their home
    inside a holiday

    I do not know
    when my son
    will come home again.

    It occurs to me
    that perhaps
    this was all
    a simple life

    ever meant to be—

    loving something enough

    to let it leave

    and leaving enough behind

    for something else

    to call it home

  • Missing Socks

    The dryer has gone off three times.

    Possibly four.

    At this point the clothes and I are participating in the same cycle.

    They cool off.

    I remember them.

    I turn the dryer back on.

    We begin again.

    Do you ever get so tired that the idea of going to bed feels completely unreasonable?

    Not because you’re busy.

    Not because you’re doing anything important.

    You simply cannot fathom peeling yourself off the sofa.

    The strange thing is that since my sons moved out, I have matched every single sock.

    Every one.

    For years, socks disappeared with such consistency that I assumed there was some sort of portal inside the dryer.

    Now?

    Nothing.

    Perfect numerical accountability.

    Every sock returns home.

    Which leads me to conclude that the disappearance of children from a house can, in fact, be measured in missing socks.

    I don’t know where they went.

    The children, thankfully, I know.

    The socks remain a mystery.

    Anyway.

    The laundry is still in the dryer.

    I am still on the sofa.

    And if you’re reading this instead of doing whatever you’re supposed to be doing

    welcome.

    You’re among friends.

  • Moon Water

    Last night I left a glass of water beneath the moon.

    What else was I supposed to do with all that longing?

    By then the ache had become atmospheric.

    It occupied every room.

    Followed me from place to place.

    Even appetite abandoned me.

    For days I had mistaken silence for conclusion.

    A closed door for a vanished house.

    The moon remained behind the maple trees.

    The water remained beneath the moon.

    And I went to bed carrying a grief

    I had not yet earned.

    By morning the glass was still there.

    But not entirely.

    A small amount missing.

    Just enough to make wonder more persuasive than certainty.

    I drank it anyway.

    The whole glass.

    And then something stranger happened.

    The catastrophe I had been preparing for failed to arrive.

    The mausoleum stood empty.

    The flowers had no recipient.

    The eulogy had lost its audience.

    I had spent days mourning something that was still alive.

    Last night I left a glass of water beneath the moon.

    What else was I supposed to do

    with all that longing?

    This morning the glass weighed less.

    By evening, so did I.

  • Women of Salt

    It never took much to fill my stomach.

    I thought that was simply the way I was.

    A small appetite.

    A child satisfied easily.

    Years later I understood that hunger had already been negotiated long before the plate reached me.

    The women in my family were experts at subtraction.

    A little less for themselves.

    A little more for everyone else.

    No announcements.

    No speeches.

    No visible sacrifice.

    Just small adjustments made so often they became invisible.

    A spoonful here.

    A portion there.

    A second helping quietly redirected.

    The mathematics of survival.

    I never noticed it as a child.

    Children rarely do.

    I thought food simply appeared.

    I thought dinner was dinner.

    I thought everyone lived this way.

    I did not understand that somewhere between the kitchen and the table, someone had already decided I would eat first.

    This was Cuba.

    Not the Cuba in photographs.

    Not the Cuba tourists carried home in their suitcases.

    A society of shortages.

    Food shortages.

    Soap shortages.

    Fuel shortages.

    Power outages that arrived without warning.

    The endless improvisation required to survive them.

    And yet the women continued.

    They always continued.

    I remember entire aisles filled with Russian canned meat.

    The same can.

    Again and again.

    Shelf after shelf.

    As though variety itself had become a luxury.

    As though eating anything else had ever been an option.

    At the time none of it felt strange.

    Children accept the reality they are given.

    The astonishing becomes ordinary very quickly.

    I remember ash being gathered and sifted through cloth until only the finest powder remained.

    No splinters.

    No debris.

    Only a soft gray dust.

    Then the dishes were washed with it.

    Astonishing, but true.

    The meal fed the family.

    The fire cooked the meal.

    The ashes cleaned the plates.

    Nothing was wasted.

    Not food.

    Not labor.

    Not a single useful thing.

    I remember the ash beneath their fingernails.

    The smell of smoke that never seemed to leave their clothes.

    The certainty with which they moved through scarcity.

    As though survival were not remarkable.

    As though it were simply what morning required.

    Looking back, I realize they treated themselves the same way.

    Reducing here.

    Stretching there.

    Giving and giving until very little remained.

    And somehow still finding enough to offer.

    Perhaps that is why it never took much to fill my stomach.

    I was eating from portions made larger by the hunger of women who loved me.

    I miss these women.

    More than I know how to explain.

    Not because they were perfect.

    Not because they never failed.

    Because they understood things I am only now beginning to understand.

    The quiet negotiations of love.

    The invisible mathematics of survival.

    The dignity of continuing.

    I see every version of myself in them.

    The woman who worries.

    The woman who nurtures.

    The woman who remembers.

    The woman who gives more than she should.

    The woman who keeps going.

    Sometimes I think inheritance has very little to do with what we are given.

    Perhaps inheritance is recognition.

    The sudden realization that the people we miss never truly leave.

    They remain in our gestures.

    In our habits.

    In the way we love.

    In the way we endure.

    Today I feel as though I lived a life only fiction could properly explain.

    Not because it was tragic.

    Not because it was beautiful.

    Because it was both at once.

    The kind of life where dishes were washed with ashes.

    Where store shelves repeated the same can until repetition itself became abundance.

    Where women performed miracles and called it chores.

    The women in my family were made of salt.

    ‘Women of Salt’

    The proof was everywhere.

    In the sweat.

    In the sea surrounding the island.

    In the meals that appeared when there should have been none.

    In the hands that gave more than they kept.

    In the quiet arithmetic that took place before every meal.

    And when I look closely enough, I find them everywhere.

    Including myself.

  • Two of You

    There must be two of you.

    The discovery arrived this evening with such certainty that I nearly laughed. Not because it surprised me. Because it explained so much.

    For months I had been under the mistaken impression that I was speaking to only one man.

    Meanwhile, an entire second population appeared to be living inside him.

    One of them leaves fingerprints on the soul.

    The other continues through the day.

    One enters a room carrying enough electricity to alter the arrangement of furniture.

    The other returns home without a trace of ash.

    Both seem equally convinced of their authenticity.

    At 8:46 p.m.

    I placed my head out the window and watched darkness collect itself in the trees.

    The wind carrying the scent of rain that had fallen elsewhere, and I found myself wondering whether the two of you know each other.

    Whether one sends letters to the other.

    Whether they pass each other in narrow hallways.

    Whether one ever pauses at the sound of the other’s footsteps.

    I hope they do.

    I hope they sit together and exchange stories.

    Otherwise —

    I cannot imagine the loneliness.

    And for the first time it occurred to me that perhaps I had been mistaken.

    There are not two versions of you.

    There are simply two men sharing the same address.

    One arrives carrying fire.

    The other arrives Tuesday.

    And suddenly the mystery was no longer how they existed.

    The mystery was how they survived each other.

    How they shared the same life.

    How one biography contained them both.

    I felt tired suddenly.

    Not for myself.

    For them.

    And then for you.

    Because I have spent my entire life being only one person.

    Which is exhausting enough.

    The wind moved through the trees.

    And I wondered if the man who stood in my house ever misses the other one.

    If, on certain evenings he catches sight of him crossing the distance.

    A familiar silhouette.

    A shadow carrying fire.

    Gone before he can call out.

    Perhaps that is why I have always felt a tenderness for birds.

    They leave.

    But they leave whole.

    The wing does not migrate separately from the sky.

    The song does not arrive three days after the bird.

    Nothing is divided.

    Nothing remains behind to haunt the trees.

    And there, with my head resting in the open night, I arrived at a thought so gentle it almost escaped me.

    Tonight I felt tired for you.

    Not because I finally understood you.

    Quite the opposite.

    Because I realized both men were real.

    And somehow, beneath the same name, behind the same eyes, inside the same life, they continue forward together.

    Otherwise—

    I cannot imagine the loneliness.

  • Redolence

    When I see birds
    I can almost smell them

    An odd thing to confess aloud

    They smell like a wound drizzled by morning rain
    like dust lifting softly from pavement after weather
    like roses still carrying the cold breath of dawn

    Not unpleasant

    Just painfully alive

    Ancient somehow

    As though feathers preserve memories
    the body spends years trying to outlive

    Strange how scent reaches the soul before thought does

    One breath
    and suddenly the past becomes physical again

    The ache gathering beneath the ribs
    the overwhelming feeling
    of having lost something beautiful long ago

    That invisible meeting place between longing and recognition

    The way certain scents return us
    not only to people
    but to former versions of ourselves

    Softer selves
    unguarded ones
    the selves that still believed tenderness
    could exist without disappearance attached to it

    And perhaps that is why birds unsettle me

    Because when they cross the evening sky
    carrying the fragrance of rain and distance and earth
    something inside me rises toward them instinctively

    Not joy exactly
    not sorrow either

    But the unbearable remembrance
    of who I was
    before longing became part of my nature

  • Captivity

    I am not obsessed with birds

    It is worse than that

    I watch them because somewhere
    inside their suspended bodies
    I keep seeing myself

    And perhaps
    that is why I keep watching them

    Not to study them

    To capture them in stillness long enough
    to understand
    what in me
    continues surviving this way

    Because what devastates me most
    is how beautiful their endangerment is

    How every living thing
    appears most holy
    at the exact moment
    it could disappear

    There are birds
    who damage themselves quietly

    Not from storms

    From devotion

    In captivity some begin feather-plucking

    Small repeated griefs
    where the body
    unable to escape its own longing
    turns inward against itself

    The beak returns
    again and again
    to the same tender place

    Chest
    Wing
    Breastbone

    Until the aviary floor
    becomes covered
    in the evidence of attachment

    I understand that now

    How the soul
    when unable to fly freely
    toward what it loves
    sometimes begins consuming itself instead

    And still
    the bird continues singing

    That is the part
    that ruins me

    Not the wound

    The devotion surviving beneath it

    The instinct to keep returning
    to the very place
    where the heart exhausts itself

    Because birds are creatures of imprinting

    Once attachment enters the nervous system
    the body remembers

    Migration paths
    Familiar calls at dusk
    The exact direction
    of returning

    And what is longing
    if not the body
    trying to migrate back
    to the place
    it believes warmth once lived?

    Meanwhile
    my dignity survives quietly
    inside the attachment

    like a woman standing perfectly still
    inside rising water
    hoping no one notices
    how hard she is fighting
    to keep breathing

    Still graceful
    Still composed
    Still answering softly
    while entire oceans
    move beneath the skin

    Some evenings
    I watch the birds crossing
    the darkening sky
    and feel something inside me
    recognize itself in them completely

    Not freedom

    But suspension

    The beauty of remaining airborne while exhaustion slowly enters the wings

    And perhaps
    that is what devotion truly is

    Not love at its beginning

    But love after it realizes
    the light may never stay
    and continues flying toward it anyway

  • Dignity lives here

    My dignity lives here

    In the first image
    where everything is still charcoal and restraint

    Where the bird is almost disappearing
    into all that white silence
    pulling something dark and endless
    from the center of itself
    as though love
    had entered the body quietly
    and forgotten how to leave

    That was the beginning

    The sacred stage of longing

    The stage where silence
    still felt noble

    Where I believed
    if I carried my ache beautifully enough
    it might become survivable

    So I answered softly
    Smiled softly
    Learned how to make a home
    out of fragments

    A lingering hand
    A familiar voice at dusk

    The unbearable tenderness
    of someone leaving slowly
    because part of them
    does not wish to go

    And I never asked
    the impossible question

    Stay . .

    Charcoal | Watercolor

    Then came the color

    The bruising

    Blue for all the sorrow
    I folded inward
    so no one would have to witness it

    Red for every part of me
    that continued loving
    even after understanding
    love alone
    cannot keep a person near

    And suddenly
    the longing was no longer contained

    Dignity fighting for oxygen
    Charcoal | Watercolor 

    It spread through everything

    Through the wings
    Through the throat
    Through the hollow cathedral
    of the chest
    where attachment had already begun
    lighting its candles

    That is what these images are, I think

    The progression
    of a soul trying to preserve its dignity
    while quietly drowning in devotion

    At first
    the suffering is elegant

    Almost holy

    But grief is alive

    And living things
    eventually bleed through

    Dignity fighting for oxygen
    Charcoal | Watercolor 

    So the bird darkens
    The colors deepen
    The silence grows teeth

    Until one day
    even dignity itself
    begins fighting for oxygen
    inside the attachment

    And still

    The bird continues singing

    That is the part
    that dismantles me

    Not that it is wounded

    But that it continues loving
    while wounded

    Continues turning its small trembling body
    toward warmth
    even after realizing
    the light is already leaving

    Some nights
    I want to tear myself free from it completely

    To become a bird myself

    To split open the evening
    with all the things
    human dignity will not let me say

    To fly blindly into the dark
    Rather than remain here
    composed
    while my soul floods quietly beneath me

    Because I cannot remember
    ever loving like this before

    Not with this much ache

    Not with this much silence

    Not with this terrible instinct
    to preserve grace
    while the heart is collapsing

    And perhaps
    that is the saddest thing
    about being human

    how we continue singing
    long after we understand
    no one is coming
    to save us
    from our own devotion

    Dignity fighting for oxygen
    charcoal | watercolor
  • Oxygen & Light

    I surrender to the sun
    while the birds sing recklessly
    through the trees
    like they are drunk on oxygen and light

    The swing moves softly beneath me
    The breeze slips across my legs
    the side of my face
    warm and cool at once
    touching me
    with both hands

    And suddenly
    the whole afternoon feels romantic

    the wind
    the creaking wood
    the gold light spilling through leaves
    like heaven forgetting to close a door

    For once
    I do not want anything more
    than this

  • Human Interior

    I sit motionless
    until the world stops feeling louder
    than my own breathing

    I loosen my hands
    from the steering wheel

    I remind myself
    that fear is not prophecy

    That the nervous system
    can turn uncertainty
    into catastrophe
    if given enough silence

    Outside
    someone returns a shopping cart
    Someone adjusts sunglasses
    beneath a blue sky
    Someone continues living
    without realizing
    another human being nearby
    is quietly trying
    to come back to themselves

    I watch ordinary life carefully
    when this happens

    The woman loading groceries
    The wind moving through trees
    The automatic doors opening and closing

    Small evidence
    that reality remains intact

    Sometimes I lower the windows
    just to feel air move

    Sometimes I put my hand against my chest
    as if calming an injured animal

    Sometimes I say my own name
    softly inside my head
    to remind myself
    I am still here

    And eventually
    the world returns gradually

    Not all at once

    First the parking lot
    Then the sunlight
    Then my body

    Then the understanding
    that I am not losing my mind

    Only carrying too much of it
    at the same time

    Sometimes the tears arrive so quietly
    I notice only the taste

    Salt gathering at the corner of my mouth
    like the body attempting
    to return itself to the sea

    The instinct to disappear
    To heal unseen

    I think I am like cats in that way

    I hide to cure myself

    Inside parked vehicles
    Empty driveways
    Silent kitchens after midnight

    Anywhere the world cannot watch me
    trying to gather myself back together

    Sometimes I taste my own tears
    and think how strange it is
    that grief is made of salt too

    as though the body already understands
    that survival occasionally requires
    licking your own wounds
    in solitude

    Until eventually
    the breathing slows

    The thoughts loosen

    The ordinary world resumes its shape

    And I return quietly to it
    carrying myself carefully
    like something once injured

    still learning
    that not every silence
    means danger

  • Freedom’s Address

    My childhood home stood two blocks from the sea

    Not metaphorically

    Truly

    Two blocks of crumbling pavement
    past the embassies with their iron gates
    and foreign flags lifting beautifully
    in the Caribbean wind
    like freedom had an address
    and we did not

    I remember the terrible contrast of it

    chauffeurs polishing black cars
    while old women downstairs
    watered thin soup to feed five mouths

    Diplomats drinking imported whiskey
    behind guarded glass
    while boys in torn sandals
    kicked flat soccer balls through alleyways
    smelling of salt
    kerosene
    and exhaustion

    And yet the ocean belonged to everyone

    That was the unbearable beauty of Cuba

    The poor could stand at the Malecón at dusk
    beside men who had never missed a meal
    and both would fall silent
    before the same enormous water

    Because the sea did not care
    who was oppressed
    and who carried a passport out

    It touched every stone equally

    At night
    the waves struck the seawall so hard
    the spray reached the streets
    cool against our faces
    like the island itself
    refusing to die quietly

    I grew up understanding freedom
    not as politics

    but as distance

    As horizon

    As the ache of watching ships
    become smaller and smaller
    until they dissolved completely
    into another life

    Some nights
    the grownups lowered their voices
    when certain subjects entered the room

    But the ocean
    the ocean never whispered

    It roared openly beside us

    Restless
    Uncontained

    I think that is why Cubans carry sadness
    so elegantly

    We were raised beside something infinite
    while living inside limitation

    Raised hearing waves
    crash against stone
    over
    and over
    and over again

    as if the earth itself
    believed no wall
    should remain standing forever

    Even now
    far from that coastline
    I still need water near me

    Not for leisure
    Not for beauty

    For memory

    Because somewhere inside me
    there is still a little girl
    walking toward the sea at twilight
    past embassies glowing gold
    past tired buildings collapsing inward
    past the unbearable divide
    between the free and the trapped

    believing
    with her entire heart
    that the horizon meant
    there had to be more than this

  • Roofline: Weatherproof

    I think something inside me
    permanently altered
    the day I left the hospital
    with my oldest son in my arms
    and nowhere to go afterward

    My stomach stitched in perfect lines
    The nurses speaking softly around me
    as if tenderness alone
    could disguise abandonment

    Outside
    families loaded cars carefully

    Fathers adjusting blankets
    Women leaning back into passenger seats
    flowers resting in their laps
    like proof
    they had been carried gently
    through the violence of becoming

    ‘Rooftops’ | Charcoal | Graphite

    And there I stood
    holding my newborn
    trying not to let humiliation
    be the first thing he inherited from me

    So I called a taxi

    I remember the driver asking for the address
    and the terrible realization washing over me

    I did not even have a key
    to enter my own home

    God . .

    Even now
    all these years later
    I can still feel
    the animal panic of it

    Not woman
    Not wife
    Not mother

    Animal

    A creature trying to shelter her newborn
    from storm weather
    with nothing but her own exhausted body

    The taxi dropped us off quietly
    and I remember standing there
    holding my son against my chest
    the evening air cooling the sweat on my skin
    realizing I had nowhere to go

    So my neighbor let us inside

    And something about that moment
    scarred me more deeply
    than childbirth ever could

    Because the physical pain was irrelevant

    None of it compared
    to the humiliation
    of standing outside your own door
    with a newborn in your arms
    feeling less like a human being
    and more like some stray cat
    searching desperately for shelter
    before nightfall

    And the terrible part is
    almost no one knew

    Not my family
    Not friends
    Not even my son

    Especially not my son

    Because I refused
    to poison his love for his father
    with the truth of what happened

    So I swallowed it

    Quietly
    Daily
    For years

    And perhaps that is where
    the real scar formed

    not in flesh
    but in silence

    The performance

    God . .
    how wickedly I fought
    to preserve appearances after that

    I became composed
    Functional
    Capable

    I built warmth around my children
    while privately feeling
    like some weather-beaten creature
    dragging itself through winter
    on instinct alone

    People praised my strength

    They had no idea
    strength sometimes looked like
    crying silently in bathrooms
    washing your face
    then walking back in
    because small eyes were watching
    and you refused
    to let them witness the storm

    ‘Rooftops’ | Charcoal | Graphite

    And maybe that is why
    I dream of rooftops

    Because roofs understand
    what it means
    to endure weather publicly
    while splitting apart slowly underneath

    Rain
    Heat
    Storms
    Lightning

    Still
    from the street
    they appear intact

    Just like I did

    But some nights
    when the world quiets enough
    I can still see her

    that younger version of myself
    stitched closed too quickly
    holding a sleeping newborn
    outside a locked door
    already understanding
    that survival
    was no longer temporary

    It was about to become
    her native language

  • Roofline

    Some nights
    I want to live on the roof

    Not visit it
    Not escape to it briefly

    Live there

    Make a small religion
    out of shingles and weather

    Drag blankets across the incline
    let the night air raise goosebumps along my arms
    learn the language of wind
    instead of human disappointment

    Because roofs understand things
    houses do not

    A house remembers too much

    The rooms hold emotional fingerprints
    The walls repeat old conversations quietly at night
    Even silence feels furnished

    But a roof
    a roof faces the sky directly

    It knows rain intimately
    Knows the ache of August heat
    Knows hail
    lightning
    the slow ruin of seasons
    and still remains open to the atmosphere

    I think I belong
    to that kind of existence now

    Open-air
    Half-feral
    Emotionally exposed to weather

    I imagine myself there at midnight
    flat on my back
    watching clouds drag themselves
    across the moon
    like exhausted thoughts refusing sleep

    The cold fronts arriving first as whispers
    The smell of rain climbing upward from the earth
    Tree branches below me
    thrashing softly in the dark
    like grief trying to become visible

    And for once
    nothing asking anything of me

    No performance
    No explanations
    No pretending the body
    is not carrying entire oceans of feeling
    through ordinary life

    Just me
    and the terrible beautiful atmosphere
    of being alive

    Maybe spring would soften me there

    Maybe summer storms
    would teach me how to come apart correctly

    Maybe winter
    with its clean unbearable cold
    would finally quiet
    the constant machinery of longing
    inside my chest

    And maybe that is why
    I ache for height

    because sadness feels different
    closer to the sky

    Less like drowning
    More like weather

    Passing through
    Electric
    Uncontrollable
    Briefly luminous

    Some nights
    I swear I could sleep there forever
    letting moonlight collect along my skin
    letting rain baptize every memory out of me
    until I became less woman
    and more horizon

    something no longer trapped inside walls
    but stretched endlessly open
    beneath the enormous dark mercy
    of night

  • Return Address

    I sit here digitally composing words across a screen
    while somewhere far away
    my son’s handwriting still exists on paper

    creased softly at the folds
    forty-five days old already
    by the time it reached my hands

    And nothing about modern life can compete with that

    Not the blue glow of notifications
    Not the speed of a text arriving mid-thought
    Not the endless stream of people speaking
    without ever truly touching one another

    Because ink carries the body with it

    The pressure of his hand
    The pause between sentences
    The places where he pressed harder
    without realizing emotion had entered the page

    I opened the envelope slowly
    like people used to open news from war
    carefully—reverently
    already afraid of loving it too much

    And somehow this letter lifted my spirit
    in ways nothing else has been able to lately

    For one suspended second
    I forgot distance
    Forgot oceans
    Forgot time zones and deployments
    and the unbearable mathematics of missing someone

    I forgot the years moving forward

    I was no longer standing in my kitchen
    holding paper beneath morning light

    I was simply his mother again
    close enough to hear his voice in the next room
    close enough to believe
    love still travels faster than grief

    And I wanted to archive this feeling somehow

    Fold it carefully into a drawer
    Place it beside kindergarten photographs
    old report cards
    little league schedules
    the backpacks I could never throw away

    As if tenderness could be preserved
    like pressed flowers between heavy pages

    As if a mother could save a moment
    before life carried it off again

    Because the terrible thing about joy
    is how quickly it understands
    it cannot stay

    So I stood there quietly
    holding the letter against my chest
    like something alive

    trying to memorize
    the exact shape of being needed
    the exact sound of my spirit returning to me
    through his handwriting

    And for a moment
    this loud technological world disappeared

    No algorithms
    No scrolling
    No noise

    Only a mother standing silently
    holding proof
    that space and time are not always strong enough
    to keep the heart from returning home

  • Harbor

    Harbor | Charcoal

    Watched a man bluefish near shore
    and called him my friend

    Not because I knew him deeply
    but because loneliness sends strange signals across water
    and sometimes another lonely thing answers

    He drifted there beyond the tide line
    half man—half sea
    moving through the dark current
    like a ship that had spent too many years
    navigating storms alone

    And I thought about love then

    How women often stand at the shoreline
    wanting arrival

    Wanting something that docks fully
    Something that lowers its anchor honestly
    Something that says
    here I am
    I am no longer drifting

    But some men love like the sea itself

    Harbor | Charcoal | Watercolor

    They come close in waves
    Retreat quietly
    Return again under different weather

    Not because they feel nothing

    Because they feel too much
    and fear what happens
    when a heart finally reaches harbor

    So they remain partly offshore
    close enough to see the lanterns burning
    close enough to hear tenderness calling from land
    yet unwilling to surrender
    their last route of escape

    And women

    women become lighthouse keepers in these loves

    Faithful
    Exhausted
    Standing in terrible weather
    trying to interpret distant signals correctly

    Was that warmth?
    Was that love?
    Was that merely loneliness
    passing briefly through the harbor again?

    The fish-tail made sense to me then

    Because some people belong partly to deep water

    Partly to solitude
    Partly to longing

    They want intimacy
    the way sailors want shore after months at sea

    desperately
    romantically
    and with absolutely no idea
    how to live there peacefully once they arrive

    Still, there was gentleness in him

    The tide carried him softly as though even the ocean understood
    how exhausting it is
    to spend a lifetime torn
    between closeness and freedom

    To be continued

  • Cageless

    I no longer dream
    of extraordinary things

    Not anymore

    Becoming . .
    “Bruised Peaches & Old Paintings”

    I dream of a quiet kitchen at dawn

    I dream of open windows
    A slow walk at dusk
    beneath a sky turning the color
    of bruised peaches and old paintings

    Watercolor | Charcoal

    I want less noise now
    Less performance
    Less of this endless human habit
    of proving we are worthy of being loved

    What I want now is simple
    and therefore sacred

    A sink full of dishes after dinner

    The soft weight of my sleeping cats in sunlight

    Music drifting through the house at midnight

    And love
    if it finds me again
    must arrive gently

    No grasping hands
    No crowded silences
    No love that mistakes possession for intimacy

    I want someone calm enough
    to sit beside my quiet
    without trying to translate it

    Someone who understands
    that my space

    my art, my time
    the invisible interior life of me, has always been cageless

    Not distant
    Not cold

    Simply alive in quiet ways

    Like birds disappearing into evening trees

    Like moonlight moving freely across the floor

    Like poems arriving at 2 a.m.
    asking for nothing except room to breathe

    Because after all these years
    I think love should feel less like fire
    and more like light from another room

    soft, steady, enduring

    the kind that lets you remain fully yourself
    while never letting you forget
    you are deeply—gently
    not alone

  • Ambergris

    Too late to ruin a life completely.

    And maybe that is why the body refuses to forget it.

    Not the person exactly.

    The atmosphere of them. The warmth left behind in certain rooms. The way silence changed when they entered it. The unbearable intimacy of standing too close while pretending not to notice.

    And even now, years or hours or lifetimes later something remains.

    Like the ghost of ambergris
    still clinging faintly to a collar or the wrist of someone passing too near—warm and mineral and devastatingly human.

    The kind of scent that makes the body remember before the mind has time to defend itself.

    Too late to ruin a life completely.

    Yet somehow still capable of altering the pulse.

    Because some connections never become ordinary enough to lose their sensuality.

    They remain suspended
    living softly beneath the skin—where longing becomes indistinguishable from memory.

    And perhaps that is why these loves endure.

    Not because they lasted.

    Because they never fully touched the ground.

    Like desire itself
    trying very hard
    to remain civilized.

  • lives inside rain

    There is something about rain in the late afternoon that makes the heart unable to hide from itself.

    Maybe it is the softened light.
    The sound of water moving through trees and gutters.

    But the moment the rain begins, everything returns.

    The people we loved.
    The people we lost.
    The lives we almost had.
    The tenderness we still carry despite ourselves.

    And suddenly I feel everything.

    Every person I have ever loved.
    Every version of myself that survived loneliness quietly.
    Every moment tenderness entered my life and left before I was ready.

    For one impossible moment they all come back.

    My sons as babies asleep against my chest, warm and safe.
    The sound of laughter moving through a house that once belonged to all of us.

    And then the breaking of it.

    The slow unbearable fracture of a little family I tried so hard to hold together with my bare hands.

    A marriage that looked like a home from the outside but inside felt like disappearing quietly day after day.
    The exhaustion of surviving inside something that no longer allowed me to fully exist as myself.
    The terrible guilt of walking away.
    The terrible necessity of it too.

    And sometimes, when it rains like this, I still wonder.

    Should I have stayed?
    Should I have endured a little longer for the sake of my sons, the photographs, the illusion of wholeness?

    But deep down I know remaining would have been its own kind of violence.

    A slow crime against the self.

    And so I left carrying both grief and freedom in the same trembling hands.

    Rain brings all of it back.

    Quietly.

    The way grief actually lives inside the body.

    You stand there listening to water move through the darkening afternoon while your phone stays silent beside you and suddenly the weight of being human feels almost unbearable.

    Because love after fifty is no longer about fireworks.

    It is about tenderness.

    Someone remembering you.
    Someone noticing your exhaustion.
    Someone asking if you made it home safe in the rain.

    And the heartbreaking thing is how little of that most people receive.

    Most people are starving for softness while pretending they no longer need it.
    Most people are carrying invisible loneliness through conversations about ordinary things.

    And still

    The heart continues reaching.

    Even after loss.
    Even after disappointment.
    Even after entire lives collapse and rebuild themselves around absence.

    The heart remembers warmth and spends the rest of its life searching for it again.

    Outside the rain keeps falling steadily and inside every lit room
    someone is remembering somebody they loved.

    Someone gone.
    Someone distant.
    Someone they still carry quietly inside them.

    And maybe that is why rain hurts so much because for a little while
    everyone we have ever loved feels close enough to touch again.

  • God is

    the smile in your children’s faces
    that breaks you open
    before you can protect yourself

    the way morning comes anyway
    pulling light across a room
    you didn’t think you could get up in

    the breath that stays
    even when you wish it would stop
    even when you are too tired to carry it

    the small hand that finds yours in the dark
    and believes without question—that you will be there the moment you realize
    you have to be

    the light on the wall
    that doesn’t explain anything
    and still feels like mercy

    the yes you didn’t plan to say
    the one that leaves you trembling
    the one that keeps you here

    the chair you leave empty
    and still return to
    as if something might come back

    the strength you never asked for
    but were given anyway

    the quiet that holds you
    when you are falling apart
    and no one knows

    the forgiveness
    that comes back
    after you swore you were done

    the love
    you keep giving
    even after it breaks you
    even after it leaves you

    again
    and again

    the nights
    you sit alone
    holding everything together

    and no one sees

    and still

    you hold

    the way you keep showing up
    even when it costs you everything

    the way you still care
    after learning how much it hurts

    the way you make space
    for others
    when no one made it for you

    the moment you whisper
    I can’t do this

    and do it anyway

    the life you are building
    even when it feels like nothing is forming

    the quiet strength
    of not leaving yourself

    when everything in you
    wants to disappear

    God is this

    this breaking

    this holding

    this staying, the part of you that will not give up even when you beg it to

    the hope that is not gentle or easy but relentless, the force that keeps your hands open and your heart turning

    the reason you are still here, still loving, still choosing, still… after everything, still

  • already yours

    there is a bird in the hinge

    you know it

    in the moment you almost choose yourself and don’t

    I kept mine quiet, called it strength

    it wasn’t —just

    fear, well-behaved

    it learned my breath, waited, pressed

    until I felt it

    so here—take him

    and know—color is effortless the moment you stop holding it back

  • The Hinge

    i saw myself
    standing in the grocery line of my own life

    hands full of things
    i did not choose

    no one tells you
    how quietly it happens

    how you keep saying yes
    until your hands forget
    what no —feels like

    i watched myself swallow it—a bird

    not the kind they print on curtains

    but the ragged one
    ink-splattered
    off balance

    with a wing
    that can’t decide
    if it is breaking
    or beginning

    i say bird
    you say anxiety
    the doctor says reflux
    my mother says pray

    my body says:
    listen

    behind the sternum
    that almost-ache
    that isn’t pain

    that drop in the gut, that sudden remembering
    you are alive

    and not
    where you thought
    you would be

    i have become
    a species of almost-flight

    i negotiate with gravity
    in quiet rooms
    and call it duty

    some call it love
    some call it
    be reasonable

    i have learned
    the choreography of staying

    how to smile
    while something in me
    paces

    i saw a woman
    that woman was me

    setting a table for ghosts

    one plate for my father

    one for each son
    in their uniform of distance

    their chairs pulled out
    but empty

    and one
    for the self
    that slips out the back door
    when no one is looking

    she pours water
    for all of them

    her hands don’t shake

    she does not drink

    the bird in her chest
    has feathers made of memory
    a beak made of unfinished sentences

    its claws
    hook into the soft places
    where decisions live

    and the world keeps saying
    be calm
    be grateful

    while the sky
    indecent in its openness
    says nothing

    i ask it for instructions

    it gives me none

    only this:

    witness

    the bird does not die
    when ignored

    it grows patient
    it grows precise
    it learns your habits

    it learns
    how long you can stand yourself

    and waits

    for the moment
    you mistake silence
    for peace

    and then

    it moves

    not loud
    not dramatic

    just enough
    to ruin the lie

    i am not telling you to leave

    i am telling you to notice
    the exact second
    your breath changes

    the pause
    before you explain it away

    the shift
    you pretend not to feel

    that . .

    that is the hinge

    that is where your life
    opens

    or stays closed

    you are not broken

    you are over-kept
    over-held
    over-explained

    you are wings
    taught to apologize for air

    so stand there

    in your kitchen
    in your car
    in the long corridor
    of your thoughts

    stand there
    and feel it

    the press
    the pulse
    the almost

    the part of you
    that still wants more
    even now

    call it bird
    if you want

    call it hunger

    call it the refusal
    to live
    half a life

  • Prelude to Rumor

    this, comes from something I’ve felt for a long time but didn’t know how to show

    the first time it happened I was twelve

    standing in front of a mirror, looking at myself too long—something shifted

    I could see my face, but I couldn’t feel that it was me, and that frightened me

    since then, I’ve learned to recognize the feeling

    it comes quietly

    I keep talking, moving doing what I’m doing but I’m not fully inside it

    this is what that feels like to me

    like something begins at one point

    here at the shoulder and then spreads outward

    not as damage

    not as pain

    but as a kind of release

    like I am still here but also moving beyond the shape that holds me

    the lines are that movement

    the color is everything that doesn’t stay contained

    the body is what remains when something in me has already stepped away

    I call it rumor in skin because it doesn’t arrive as something clear or visible

    it begins as a feeling barely there

    difficult to name

    something moving under the surface before it can be seen

    it spreads quietly

    without asking

    and by the time I recognize it

    it is already happening

    Rumor in Skin
  • Mid Flight

    I start with a line

    graphite—light
    almost unsure of itself

    because if I press too hard it becomes a commitment

    and I’ve spent years
    living inside commitments
    that didn’t fully belong to me

    I build it slowly

    short strokes
    adjustments
    erasures
    small negotiations with the page

    I try to find the shape
    something recognizable
    something that makes sense

    this is the part
    I was taught to trust

    the part that can be explained
    justified
    approved

    I hear his voice here

    clear
    decisive

    you can’t make a living with words
    you can’t make a life out of art

    so I learned

    to keep it contained

    to make it small enough
    to exist without threatening anything

    but it never stays

    somewhere in the middle

    my hand loosens

    not because I decide to

    because I can’t hold it anymore

    and that’s when I reach
    for water

    I let it fall

    not controlled
    not measured

    I let it touch the graphite
    and pull it outward

    and it spreads

    past the edges
    past the version
    that was acceptable

    past the place
    where I could still say

    this is just a drawing

    and I watch it

    because I know

    this part is not about skill

    this is release

    this is the place
    I was told
    not to trust

    words do the same thing

    they start contained
    careful
    edited
    safe

    and then

    they don’t

    they spill
    they move
    they say things
    I didn’t plan to admit

    and I come here

    again
    and again
    and again

    not because I’m searching

    because I cannot swallow it

    I tried

    for years

    to keep it inside
    to make a life
    that didn’t need this

    but something in me
    refused

    quietly

    consistently

    until it began to show up in my body

    in that pressure
    in that drop
    in those moments
    where everything looks fine

    and still

    something is missing

    this

    this is where it goes

    this page
    this space
    this place where I don’t have to explain
    or prove
    or justify

    this is where I am allowed
    to exist
    without translating myself

    the bird appears here

    or almost does

    mid-flight
    mid-fall
    mid-becoming

    I don’t try to fix it anymore

    I let it stay unclear

    because that’s the only way it feels honest

    I used to think

    if it couldn’t be something
    I could live from

    it wasn’t worth this

    this time
    this attention
    this need

    but now

    I see it differently

    this isn’t about making a living

    this is about not disappearing

    this is about giving shape to something in me that will not stay silent

    and every time
    I let it out

    in lines
    in water
    in words

    something in me
    settles

    not completely

    never completely

    but enough

    to breathe

    and maybe that’s what this is

    not a career
    not a plan

    a place

    where I don’t have to hold it all

    where I can let it move

    where I can let it be seen

    where I can stop pretending

    it isn’t there

    and that

    that is why

    I keep coming back

  • Held

    God is in the wrist
    no, before the wrist
    in that small electric yes
    that happens before I move

    Pencil

    I sit with paper like a woman with too many thoughts

    He says nothing

    Which is how I know it’s Him

    Then—a line

    It goes crooked on purpose

    Leans into green

    Like it’s remembering a forest

    I’ve never seen but somehow miss

    I try to fix it
    He laughs in sunlight

    Watercolor

    Yellow breaks open
    right through the middle of my doubt

    Splits it clean, spills everywhere

    He guides like that
    Not neat
    Not polite

    Not asking if I’m ready just pushing light
    through whatever part of me is still resisting being seen

    My hand follows
    like it’s been waiting its whole life to stop pretending it knows where it’s going —with one drop of color

    Watercolor

    I didn’t plan that reach
    I didn’t plan anything

    That’s the miracle

    God is not in the finished piece

    God is in the ruin of control

    In the moment I let the brush wander and it doesn’t get lost

    He was never waiting
    at the end

    He was in every mark
    I almost didn’t make

    The Woodlands, Texas
  • Omissions III

    you don’t say it
    but it rides shotgun anyway

    Held in Omissions (watercolor)

    window down, elbow out, that quiet between us doing all the talking like a highway that forgot where it was going

    you ever notice that?

    how a thing can live
    without ever being born just pacing the inside of your chest like a stray that found the door
    but won’t come in

    that’s us

    Held in Omissions (watercolor)

    you trim the truth
    like a man shaving in bad light

    leave just enough shadow to look like something real

    and I sit there—feeling the weight of it

    I become a sound you almost say and then don’t—and it echoes louder than if you had

    that’s where I live with you

    in the almost
    in the inch before contact
    in the breath you take
    right before you decide not to cross it

    and it’s not that you don’t feel it

    I’ve seen it
    in the way your voice slows down
    like it’s trying not to wake something up

    in the way you stay too long for a man who’s just passing through

    you linger like a question you already know the answer to
    but won’t ask

    and me

    I let it happen
    I let the silence build a house around us
    no doors
    no windows
    just walls made of everything we won’t admit

    funny thing is
    it feels warm in there

    safe, almost

    until it doesn’t

    until you leave
    and the air changes
    and I’m standing in the middle of something
    that never had a name

    Held in Omissions (watercolor)

    trying to explain to myself how something so present can still be missing

    how a man can hold you
    without ever really touching you

    how omission
    quiet, careful, deliberate omission

    can feel more intimate
    than truth

    and here’s the part that stays

    not you
    you go, you always go
    back to the life that has edges, definitions, doors that close

    but this—this unfinished thing this almost this sentence that refuses its period

    it lingers

    in the coffee cup you didn’t finish
    in the chair that still leans toward me
    in the air that remembers the shape of your voice

    and I

    I finally see it for what it is

    not love
    not absence

    but a corridor

    long, dim, echoing
    where we met halfway
    and decided
    without saying it

    to never reach the end

  • Afterlight

    I watched the sun hide
    and the birds went after it

    Habit of following

    not all at once, not in some perfect formation
    you could name or study

    just one lifting then another then more until the sky itself looked like it had decided not to stay still

    like something moved through them and they answered

    no thinking
    no pausing
    no weighing what it meant

    just wing
    and direction

    and me —I stayed

    because that’s what we do

    we stand there
    and understand it

    we know the sun is leaving
    we know it comes back
    we know this is the oldest pattern
    there is

    light goes
    light returns

    we’ve made peace with it or at least we pretend to

    we tell ourselves
    this is how things continue

    and still—they go

    small bodies
    holding the last heat of it
    as if they can feel
    the exact moment
    it slips out of reach

    and they refuse
    to let it go quietly

    they follow past where it makes sense past where there is anything left to follow

    and I watch them
    thinking how strange it is

    they don’t know
    what we know

    they don’t know about tomorrow
    or return
    or the comfort
    of things coming back

    to them
    light is not a promise

    it’s an occurrence

    it was there

    it touched them

    it warmed them

    and now it isn’t

    and that is enough
    to move

    so they move

    and we don’t

    we stay
    we explain
    we name it
    so it hurts less

    we say
    it’s fine
    it’s supposed to happen

    we say
    it will come back

    we say
    wait

    and we do

    we learn how to stand still
    inside loss
    and call it understanding

    and then

    when everything is gone
    when the sky empties itself of even the idea of light

    there’s always one

    Habit of following

    a songbird somewhere
    you can’t see

    still singing

    not louder than the dark
    not enough to change anything

    just steady

    like it missed the ending
    or chose not to believe in it

    and that’s when it turns

    because we say we’re different
    we say we understand

    but we do it too

    just not with wings

    we call things back
    in quieter ways

    in memory
    in longing
    in the way we return
    to what is already gone
    and sit there with it
    as if it might shift

    we replay voices
    we hold onto warmth
    long after it has left the room

    we don’t rise into the sky

    but we follow

    in thought
    in feeling
    in the quiet insistence
    that something that mattered should not end so cleanly

    and I stand there
    between them

    their instinct
    and my knowing

    knowing the sun will return without being called

    knowing there is no need

    and still

    feeling it

    that pull
    deep and unreasonable

    to call it back

    as if, just once

    it might listen

    Habit of Following

  • You come from us

    you come from a woman from a body that carried you without question, from hands that knew you before you spoke, from a kind of care you never had to ask for

    you were held before you understood what holding was, fed before you knew hunger, loved before you knew how to return it

    you were soothed when you didn’t understand your own discomfort
    you were seen before you knew how to be seen, you were answered before you knew how to ask

    and then you grow into a world that teaches you distance teaches you how to move forward, how to leave, how to harden, how to forget what it felt like to be kept

    and you come back to us as men standing in front of women as if we are something new, something to figure out, something to reach

    but we are not new

    we are the same place you once lived inside

    so why do you do this

    why do you stand so close and still not see us

    why do you reach
    without knowing what you’re reaching for

    why do you touch without understanding what you’re holding

    why do you move through us as if we are surface

    not all of you
    but most of you

    and it repeats

    the same distance
    the same absence
    the same quiet disconnect
    as if something in you
    chose forgetting
    over remembering

    because you don’t know us

    not the way we feel you before you speak

    not the way we notice what you don’t say

    not the way we hold what passes through you without you ever stopping to see it

    we feel your hesitation your distraction, your presence when it’s real
    and your absence when it isn’t

    we feel when you arrive
    and when you don’t

    and still

    we are expected to remain

    as if closeness is something that happens
    just because you are near

    but it is not

    it is as if you forgot completely what it was like to be known without asking, to be cared for without earning it, to be held without having to arrive

    and now you move through us as if we are surface—but we are not

    we are still that same quiet place, still able to hold, still able to know

    still capable of seeing you in ways you don’t yet —see yourself

    but no longer willing
    to be forgotten
    while you stand inside us

    you come from us

    and still

    you don’t remember

    how to see us
    how to feel us
    how to meet us

    in the very way
    we once held you

  • Charcoal Nerve

    charcoal—comes from something that burned all the way through its excuses

    no color to charm you
    no gloss to lie for you

    just carbon—the aftertaste of fire
    sitting in your hand

    like it knows exactly what you’re avoiding

    I take it anyway

    it dirties me first
    before

    I make a single mark

    Good

    I don’t trust anything
    that lets me stay clean

    It drags across the surface like it’s pulling something out not placing something down

    a line—too honest

    another—already arguing with me

    there’s no fixing it
    only facing it

    press too hard—it snaps

    hold back—it exposes the hesitation like a cracked voice
    mid-sentence

    it reads the body better than I do

    every tremor
    every second of doubt
    every moment I almost chose to be careful instead of real

    it keeps all of it

    even when I erase
    and I do

    it leaves a smear like a fingerprint at a crime scene

    you were here

    you meant that
    or you didn’t

    but you touched it

    charcoal doesn’t care
    about pretty
    about finished
    about approval

    it cares about contact

    about that split second
    when the hand stops negotiating and just goes

    reckless
    accurate
    unprotected

    it’s not drawing

    it’s exposure

    a slow stripping
    of whatever polish
    I thought I needed

    until what’s left
    isn’t impressive
    isn’t composed

    just true enough
    to make me look away

    and then look back

    because that’s the trap

    once you see it
    you can’t unsee
    the version of yourself
    that showed up in the mark

    not the curated one

    the other one

    the one that doesn’t ask
    to be liked

    only to be left
    on the page
    exactly as it is

    dark
    unfinished
    and impossible
    to clean off completely

  • Nowhere to Land

    what do I do with this

    please tell me

    what does a woman do
    when a man can sit in front of her feel everything

    and then walk out of it like it never asked anything of him

    what do I do with it

    when the body won’t settle

    when the hands won’t rest

    when something in me feels slightly outside of itself

    like I’m watching
    my own mind
    try to make sense of you

    of the way you stayed
    and didn’t stay

    of the way something opened and you closed it
    without even touching it

    what have you done

    no—what has this done

    because it sits in me like something unfinished
    like something that refuses to find a place

    and I keep going back to the same few seconds

    the same shift the same moment you became someone else without moving

    and I’m here
    holding both versions the one who leaned in

    And the one
    who looked at me after
    like nothing had crossed

    and it makes me feel

    ill

    not sick
    not broken

    just… off

    like something in me
    knows this mattered

    and something in you
    wouldn’t stay

    and I don’t know
    how to put that down

    I don’t know
    how to return

    because —I have left before

    I have walked away
    from things that broke me

    I know how to go

    I know how to close a door

    but this

    this feels like something
    I stepped into

    that won’t let me out and there’s this thought
    I can’t quiet

    what if I made it all up

    what if it only ever lived
    on my side

    and still

    even with that

    I can’t walk away

    because I didn’t imagine
    the feeling

    I felt it—fully

    and maybe that’s it

    maybe I went all the way in and you didn’t stay there

    and now I’m left with something that feels real

    but has nowhere to land and tonight —I tried to draw it and my hands trembled

    like they knew before I did— what I was touching

    and I had to stop

    because something in it made me nauseous

    like seeing it outside of me

    made it undeniable

    and now—there’s nowhere to put it back

    so I come here to digitally cure myself

    and still —it stays awake in me and I keep thinking how can you sleep

    how can you sleep
    knowing this

    or not knowing it at all

    how can you close your eyes when something like this

    is still moving in me

    Nowhere to Land

  • Metáfora II

    It is the precise hand that separates me

    From what I was permitted to name

    And what I have always known beneath the visible

    I say – body’
    and mean a threshold

    Just a place where things pass through
    whether I consent or not

    I say ‘silence’
    and mean a room
    that remembers everything

    I say ‘love’

    and mean the undoing
    though I’ve called it other things to make it easier to keep

    And here in saying one thing and meaning another

    I begin to breathe not freely but sufficiently

    As though metaphor
    does the work for me

    As though air is easier to accept when it arrives
    in disguise

    I do not take the world
    as it is

    I take it as something adjacent, tide, light

    A turning I can tolerate and in that adjustment
    it becomes manageable

    Almost beautiful

    And I

    Still composed, still intact in appearance

    Open just enough to continue

    Without having to call it
    what it is

  • Love Lives Here

    I step out of my home
    and the wind, gentle and unhurried

    Finds the curve of my spine

    Like a hand remembering a shape it once held

    The trees in their full green bodies

    The sky without boundary

    The birds

    Writing their quick signatures across it

    And I, too, am written there

    I do not deny what stirs in me

    I include it

    This warmth that leans toward another

    It belongs to the same order as sunlight

    As breath

    As the turning of the earth

    I say there is love here

    And the feeling is ethereal
    Yet rooted

  • Woman

    You ask me why I love being a woman.

    I could speak of the ways we are taught to tend.

    To hold, to soften.

    A rocking chair postured in selflessness.

    Moving for others, rarely for itself.

    That is one truth, but not the only one.

    There is a fullness I came to. Without asking.

    Not given, not earned, something that lived in me long before I knew
    how to name it.

    The fullness I carry
    belongs to no one
    who might touch me.

    It is not awakened, it does not wait.

    I have lived in opposition to my own shape, called it discipline, called it virtue.

    Until even silence grew tired of my resistance.

    Now there is no argument.

    My body

    Stands, soft, unrevised.

    If I am loved, it is incidental, a passing light through a room
    already lit.

  • Vanilla Sky

    Light moved differently today, not in rays

    But in long, quiet exhalations

    Spilling over rooftops

    Over your shoulders

    Over the place where my name almost lived on your lips

    Everything was touched

    By a softened glow

    Not the kind that blinds

    But the kind that remembers what it once was

    I stood there

    Half in shadow

    Half inside a color

    That had no name

    Except the one my body gave it

    When you looked at me like that

    Like time had loosened its grip

    Just enough

    For us to exist without consequence

    There was no urgency in you

    No hunger that devours

    Only that quiet pull

    The kind that gathers in the spaces between words in a shared cup

    In the unnoticed exchange of breath and heat

    And something dangerously close to peace

    If I closed my eyes

    I could still feel it

    That horizon bending slightly toward us

    As if the world itself were conspiring to keep us suspended there

    A moment longer

    Not lovers

    Not strangers

    Just the two of us

    Held gently

    Inside a sky

  • Voltage III

    Do not come near me carelessly

    I have become fluent in the exquisite discipline of restraint

    There was a time

    When every bright impulse might have escaped me at once

    Without reverence for consequence

    I no longer belong to that kind of ruin

    Now I know the holy intelligence of what is withheld

    The grandeur of a silence so charged it can alter the temperature of a room

    You stand there

    And the air rearranges itself

    Not because of touch

    That would be too simple

    Something passes between us

    Subtle as a filament beneath glass

    Invisible until it burns

    Refined enough to make stillness feel like an event

    I do not reach

    I let the distance glow

    I let it become unbearable with elegance

    Because desire, when it has matured beyond appetite, does not beg for completion

    It acquires gravity, and everything in its field begins, quietly, to lean

    So if I cross toward you

    It will not be from weakness

    Nor from hunger without thought

    It will be because

    I have measured the cost of contact

    And found it beautiful

    And when I touch you

    It will not feel like beginning

    It will feel like recognition at its most dangerous

    As though something ancient in the blood had been waiting

    For precisely this permission

    The End

  • Voltage

    I am not the tremor you misread as fragility

    I am the voltage beneath silk

    The disciplined chaos that chooses not to unravel

    My pulse does not betray me

    It rehearses storms

    Each errant rhythm

    A clandestine rehearsal of thunder

    I have already survived

    Do not confuse my stillness with surrender

    I have swallowed entire tempests without naming them

    Have stood inside the structure of collapse

    And called it breathing

    There are galaxies stitched behind my ribs

    Wild, incandescent things

    And yet I sit here

    Composed

    Drinking the quiet

    Like it belongs to me

    I do not chase

    I do not beg

    I do not fracture at absence

    I become it

    I turn distance into dominion

    Silence into a language only the deliberate can read

    To be continued . .

  • Rearranging

    You arrive here not as a beginning—but as something rewritten by its own hands.

    Your children have stepped out of your body into their own weather, calling you less, needing you in quieter ways—like a photograph still warm from the sun.

    Your parents soften into time, their voices folding, their strength becoming memory while they are still standing.

    And you—you are no longer who you were when everything required you.

    Now, you require yourself. You move differently—with a kind of knowing that drips slowly from the center of your chest.

    This is not loss.

    This is space.

    A clearing where your name sounds new again.

    Your hands—once full of everyone—begin to open, and in that opening something wild and unrestrained begins to breathe.

    You are not starting over.

    You are rearranging—like light when it realizes it no longer has to prove its brightness.

  • Inescapable (III)

    I have begun to release what was never entrusted to me—not you, not entirely—but the silent labor of sustaining what you leave unfinished.

    There is a distinction now—subtle, but irrevocable.

    It did not arrive through resolve, but through depletion—through that slow recognition.

    That devotion without reciprocity becomes erosion. I no longer extend myself toward you with the same unguarded impulse.

    Not because the feeling has diminished—but because it has clarified.

    You remain consistent in your inconsistencies—present in fragments, attentive in intervals, returning just enough to ensure nothing dissolves.

    And I—I have ceased to assemble meaning from what is partial.

    There is a composure in me now that was not there before—not detachment, not absence—but a contained awareness that does not pursue what does not arrive whole.

    I have come to understand that what holds substance does not require persuasion, does not depend on endurance, does not ask to be maintained by one.

    So I withdraw my effort from what was never equally carried.

    Not in resistance, not in finality—but in preservation.

    You remain within that familiar distance—accessible, yet never fully offered.

    And I remain—but altered. No longer oriented toward you, but returned to my own center of gravity.

    There is a stillness here that does not ache—a quiet reordering of where I place my energy, of what I permit to remain unfinished within me.

    And in this—without declaration, without urgency—I arrive at a certainty I do not need to speak aloud: what does not meet me in its fullness will no longer hold me in its absence.

    Because I have stood in the quiet of this long enough to understand the difference between what is shared and what is endured alone.

    And I have endured enough. Not loudly, not visibly—but in the private chambers of a feeling that was never returned with equal weight.

    And still—I do not regret you. Not the moments, not the knowing, not even the cost. But I can no longer remain where I am not fully received.

    And so—without resistance, without bitterness, without the need to be understood—I release what never chose me in the way I chose it.

    And in the quiet that follows, in the space you no longer occupy in the same way—there is something unexpectedly tender: the return of myself. And with that knowing—unforced, undeniable—I remain whole.

    The End

  • Inescapable

    This is written from a place of quiet weariness. Where I see clearly and still do not leave, where something remains. Not because it is easy, but because it will not loosen its hold on me. There are moments when it gathers in my chest, so completely I could cry from exhaustion. Not because I do not understand. But because I understand, and remain.

    ••••••••

    When you grow tired.

    Understand that I have been standing for some time – within a quiet depletion.

    A subtle undoing that gathers without spectacle without witness – without relief.

    It accumulates – not from absence – but from the persistence of what remains – from the repeated deferral of what has already taken shape.

    In everything – but admission – In moving alongside something undeniable – While denying its rightful form in preserving composure.

    While something within me presses with increasing clarity – Against its containment- Against the careful discipline -We impose upon it.

    I recognize it – In the measured duration of your nearness – In the deliberate incompleteness.

    Leaving me suspended As though finality itself Were a boundary – We are unwilling to cross – As though definition- Would demand more than we are prepared to concede.

    And yet – What exists does not diminish – It gathers – It consolidates itself – In the spaces you leave unoccupied – In the quiet disarray – Of my interior world – In the gradual yielding of the structures – I once believed sufficient.

    There is no reprieve in this – No restoration. Only a sustained interior tension. Precise. Unarticulated. And yet entirely present.

    That neither dissipates. Not resolves into something gentler. It is exacting in its continuity.

    It endures without permission. Without confirmation. Without the courtesy of resolution.

    And still – I remain within its influence. Not out of uncertainty.

    For I – Perceive it with an exactness. That admits no illusion. But because there is within you – A force – I do not readily dismiss.

    A quiet insistence – That continues to draw me inward. Despite the fatigue it leaves in its wake.

    It is not softness. It is not yearning alone. It is something more exacting.

    Something that persists. Even as I grow weary of its lack of conclusion.

    Even as I begin to understand – the cost of its continuation. There are moments in which I consider departure – Not as escape – But as preservation.

    And yet even in that consideration – I feel its return – Not as urgency.

    But as inevitability. And so I persist. Not unaware. Not untouched. Not unaltered. But still unwilling – Or perhaps unable to withdraw from what continues to exist between us with a certainty that requires nothing.

    That offers nothing. And yet remains – Unrelinquished – Unresolved – And entirely – Inescapable.

    To be continued . .

  • Symmetries

    Stood inside myself

    As one stands in a garden

    Already bloomed

    Not searching

    Not gathering

    Only aware

    Of the fragrance

    There were moments

    That brushed against me

    Soft as wind through leaves

    They did not carry me away

    I let it pass

    Through the open doors of my senses

    Without closing them

    Without following

    Because I now know

    That not everything

    Must be held

    Some things

    Are meant to be felt

    And left intact

    I remain settled

    In my very own skin

    Intentional

    Unchanged

    Somehow

    More than myself

  • Sunblood

    i did not fall into you
    i opened

    like a wound that recognized
    its own knife

    you arrived quietly
    no thunder – no claim

    and still
    everything in me
    shifted its allegiance

    i was whole before you

    i tell myself this
    like a prayer that doesn’t hold

    yet now

    there is a before
    that feels uninhabited

    you touch so little

    and still
    i am rearranged

    light does this
    it enters and suddenly
    the room remembers its dust

    you stand in me

    like something uninvited
    and necessary

    and i

    i become
    terribly available to absence

    you leave

    this is your gift

    this is your violence

    to exist in me without weight

    to burn without flame

    tell me

    what is this

    that asks nothing

    and takes
    everything

    i do not call it love

    love is too small

    too human

    too forgivable

    this is something
    that survives

    even when
    you are not here

    and i

    i remain

    lit

    and ruined

    by it

    To be continued . .

  • Half Dark

    Half bright

    This in between

    Keeps me awake

    As if all I ever wanted

    Suddenly – was

    No longer distant

    Safe space to rest my head

    A parenthesis made of rain

    Irreducible amounts

    In this immensity

    Impossible

    Becomes possible

    Exquisitely

    Like a rising sun

    And it’s imperialcy

  • rəˈzôlv

    You asked

    If I ever sleep

    I – do

    My mind circles

    In – rəˈzôlv

    This dazzling dark

    And its allegories

    Live above these lines

    You watch me

    And my insufficiencies

    When it comes to love

    And that is okay

    Because without it

    I would not be

    Myself

  • Utmost love

    Does God have a voice

    Does it speak in flowers

    Must be magical

    In a desire no less luminance’d

    Than a birthing womb

    A miraculous fortress

    With no sounds or wounds

    Resolute and most bright

    -Motherhood

  • To my sons

    When I struggle

    With your absence

    You call me

    My stomach beats

    A thousand marches

    Aches to be so many miles away

    If I had no sight

    I could find you both

    In the greatest of multitudes

    This haptic perception

    Reminds me

    That light

    Is sufficient

    If you dare to see it

  • For me

    Mirrors are like mouths

    In this anarchy of metaphors

    I thrive

    If you’re reading this

    Every ounce of truth

    Lives from left to right

    Like a vowel beehived in eternity

  • Catalina

    The day my mother married

    Hers, weeped

    Futurity of leaving Cuba, gone

    She grieved her only child

    All efforts to bring her home, futile

    Through the years

    And under a fleet of angels

    I saw myself

    Reflected in her

    Superbly waiting for motherhood

    Incessant fire, love that burns

    Like a tower, in me

  • Realities

    My dad would always tell me, repeatedly.

    ‘You don’t pick the wrong men, they pick you’

    This always resonates when finding myself in that sort of situation.

    I’m quite imperfect couldn’t keep a marriage, not for lack of trying.

    Tried to give my sons the illusion of balance. That didn’t last, it was soul crushing.

    My sons are now grown men, and have a clear understanding of my side of the story.

    Yes, there are two sides.

    A high percentage of women leave – to live – not to be with someone else.

    I’ve lived, loved, and raised two men.

    Empty nest, feels loud.

    Their happiness and relationships, validates all efforts.

  • Personal

    My first ink experience was 26 years ago.

    Will never forget my parent’s faces, over a tiny butterfly on ankle.

    Dad would say ‘do you want to be a walking newspaper’

    After 18 months of metastatic cancer and home hospice he parted to a dimension of familiarity, lush greenery filling his lungs with oxygen.

    I grieved, and edited every square inch of my arm, as my mental health spiraled.

    At times I regret the crowdedness of colors.

    A tabloid – I suppose.

  • Outgrown

    you

    sold

    small

    amounts

    of myself

    because, i

    deliberately

    unloved, you

  • 109

    Orbits of grace

    At the in’s of me

    Right here

    I fall

    110

    Times a day

    Like something

    That still glows

    Tucked, under

    A single address

    My land of traumas

    Heightened with fear

    A place that holds

    My childhood

    So terrifyingly

    Deciphering torment

    And the inability

    To seek help

    From people

    Who watch you

    Fall, in less dirt

    Painful terrains

    This is Cuba – 1979

    Martyrs of disguise

    Making parenthood

    Less fiable

    As everyone

    Is too busy

    Surviving

    Their

    Own

    Imprisonment

    I’ve been

    A lonely walker

    For decades

    This life

    Has taught me

    To believe

    That above my name

    There is a vacancy

    A beautiful sky

    With blue lips

    That speak for me

    Making peace

    For the rest

    Of my existence

    Like a road

    That is long

    Yet spangled

  • Above Ground

    cartels quiver

    while man

    somewhat

    and unwillingly

    surrenders

    his fist, for love

  • With You . .

    I am

    Unsure

    Of what I feel

    You taught me

    Strength

    The

    Unimaginable

    Kind

    Circumstance

    Brings me here

    A place where I can

    Hang my words

    And, my unraveling

    Thoughts of you . .

    Jan 26, 2026

  • Time . .

    There’s one

    There’s two

    There’s three

    Of me

    In this triplicity

    I count aphorisms

    When it’s difficult

    To speak . .

  • Here Comes the Sun

    You can’t

    Start a fight

    In a lonely

    Home . .

  • Impetuous

    A subtle lullaby

    Bronzed

    As the earth rotates

    Such wonder

    Touching a vain

    Girl’s heart. . .

  • Shades of Purgatory

    I once knew

    How light was spent

    Its trickling effects

    As faith pointed

    With a golden rod

    My own despair

    Sat in a womb of fear

    Aware it was not science

    My conscious inadvertently

    Reversed millions of words

    Narrowing it down to one

    -God

  • Quiet Resentment

    Heavy lines

    Mounted over me

    These purple nights

    Drowning super stars

    Forgetting what it is to write

    Phosphorus dynamite

    Encircles and intertwines

    Muting one decade at a time

  • Land of Decimals

    My youngest flowers

    Hem above the heavens

    In unparalleled storms

    As God landscapes

    An elegy for the unborn

  • Early Poems

    This so called, craft

    Floats, steady, and upwards

    Myself, in a time of mirrors

    – August

  • Just hold . .

    Stone COLD

    Hold ON

    You’re still STRONG

    NERVE pain loneliness

    I haven’t LEARNED anything

    EXCEPT for the LINES across your FACE

    MORE human, than YESTERDAY

  • To write, is . .

    Like random twilights of dust

    So distant, only God could see

    Yesteryears, my love

    And yesterwants

  • Daylight

    Knocking darkness

    Out of nights

    Even in these shadows

    Truthfully speaking

    I prefer daylight

    The hardest

  • Next Train . .

    I am adapting

    Cowardly, but adapting

    This is distinction

    Between surviving

    And existence

  • Poetry

    My mercy

    A need to substitute

    My mouth, for a dream

    Different homes

    Pincushions for doorknobs

    Damnit I love you

  • ‘Brightness Of My Dark’

    One must be blind

    Stripping God of its own light

    Things none of us could be

    The profound luster in lines

    It’s happening to me

    A wound, too echo’d to reveal

    That love is not found in days

  • Notes . .

    A writer sometimes retains only those poems that find no place. A strange ineffable experience of the mind, its enormous success of self love

    Almost fierce

    Cannot be

    Until Am is Am

    My very veins

    In its desire to be

  • Love Overmuch

    Tigers brilliantly move

    Bright limbs of mortals

    Overpowered and mute

    Utmost – love

    No more still

    Than your tongue’d speech

  • To be broken . .

    Fight for insight

    God’s copyright

    In this interior of light

    My signature becomes

    A wrath that requires no reason

  • Almost . .

    Forgot

    How still

    Your mind is

    This is not

    A compliment

    It’s rhetoric,

    It chokes

    The good parts of me

  • ‘in no particular order’

    Hang over my feet

    Like lousy flowers

    That love just like me

  • Edge of Time

    Thought

    Much less

    of me

    Flask-less-ly

    You waited

    Like spirits

    Hanging over

  • For The Love of Blue

    Veils of what I’ve done wrong ..

  • Night’Comes

    Covers us in blue

    In the instant

    Of this instant

    Memory invents

    Another present

    A circular courtyard

    With superstitious

    Flashes of light

    Intended to cover

    Every crack in our horizon

  • Mimic

    The eternities of a second

    My whole life to solve

    Pitiless searches for a body

    To grow old with

    Nameless sensations

    Such a cruel thing

    To miss the dead

    With this immeasurable clarity

    Like gravid drops of hope

    Spinning over itself

    Tirelessly, till we learn

    How to love, again . .

  • Untimely

    The furthest of reaches

    Sex seal serpentines

    These syllogisms

    Transform me

    Inside is outside

    It is everywhere

    And nowhere

    Invented

    Devoured

    – Man

  • Nobody Knows

    We live in identical rooms

    We blankly wake, we greet

    From one balcony to another

    Successively for a hundred years

    Between now and tomorrow

    We will spend the rest of our days

    Growing gardens out of angry stars

  • We Grind our Teeth

    Like birds

    With a grape to blame . .

  • His Heart

    Immune to mine

    Interiors of gray matter

    Granular minerals

    Sleepy-colors

    Obsolete to some

    – Love

  • Lessness

    Communicate

    A little more

    Than twice

    Like syllables

    Gain enormousness

    Looking for us

    In the middle

    Of the night

  • Táctil

    There’s no such thing

    As neatness

    When it comes

    To our minds

    I breath

    You flicker

    Incalculable

    Of course . .

  • L’absente

    Tried to draw

    The sound of you

    All I found, was . .

    A flying crate

  • Overused’Spaces

    Collide like us

    Like they

    Like me

    And we

  • Virtue

    Solid line

    Straight shooter

    Surrounded by time

    Jan 11, 2020