Tag: literary writing

  • The Unwritten Years

    Sylvia,

    I needed you older.

    Not thirty.

    Older.

    I needed more pages.

    Not because Ariel
    was not enough.

    Because I got older

    and your pages
    did not.

    At some point
    I crossed into years
    you never wrote from.

    That is where
    I started missing you differently.

    There was a time
    I could find myself
    inside what you had made.

    Not perfectly.

    But enough.

    I was phrased by her.

    I could still find
    the girl.

    The rage.

    The body
    too close to the mind.

    The mind
    that would not leave
    the body alone.

    But I needed you later.

    I needed Mirror
    after the face changed.

    I wanted to know
    what happened
    when the face looking back
    had lived long enough
    to become unfamiliar.

    I needed Tulips
    after all that red
    was no longer
    an emergency.

    What happens
    when being alive
    is simply something
    you keep doing.

    I needed Lady Lazarus
    after resurrection
    lost its spectacle.

    After getting up again
    was no longer
    a return from anything.

    Just morning.

    Another body
    to inhabit.

    Another day
    to move through.

    I needed the bees later.

    I wanted to know
    what fear became
    after you had lived
    with it long enough.

    If you still asked it
    to leave.

    If you learned
    where it lived.

    Maybe your language
    would have changed
    with you.

    Maybe Mirror
    would not have been
    the same mirror.

    Maybe Tulips
    would not have carried
    the same red.

    Maybe Lady Lazarus
    would have meant
    something quieter.

    Maybe love
    would have become
    less about beginning

    and more about
    what a woman does
    after she has already
    been disappointed by it

    and still cannot
    give it up.

    After she has seen
    what it can fail to be.

    After she has mistaken
    attention for tenderness
    silence for depth
    waiting for devotion.

    After she has promised herself
    she will know better
    next time.

    And then she does.

    And it changes nothing.

    She still believes
    there is something
    worth staying open for.

    That is the part
    I needed you to write.

    Love
    after you have survived
    enough of it
    to know better

    and still cannot
    bring yourself
    to become someone
    who no longer believes in it.

    I needed your language
    after youth.

    After certainty.

    After the first grief.

    The body
    after the body changed.

    Desire
    after knowing better.

    Grief
    after everyone else
    thought it should be over.

    The years
    when time
    does not answer
    what you thought
    it would.

    Sometimes
    you survive something

    and that is all.

    No lesson.

    No beautiful transformation.

    You are simply
    still here.

    And then
    there is tomorrow.

    I am in those years now.

    I wanted the books
    you never got to write.

    The later ones.

    The ones where grief
    had been around
    long enough
    to stop feeling new.

    Where desire
    had already disappointed you
    and still returned.

    Where the woman
    on the page
    had lived long enough
    to contradict
    the woman she had been.

    I wanted to open
    one of those books

    and find
    this version of me
    already there.

    Not the girl.

    I know where
    to find her.

    I was phrased by her.

    I mean
    the woman after.

    The one
    who knows better
    and still wants.

    The one
    who has become older
    than some of her grief

    but not free of it.

    The one
    who thought
    she would understand
    more by now.

    I needed one page
    from that woman.

    One sentence
    that did not resolve.

    One line
    written from an age
    you never reached

    that I could put
    my hand on
    and think—

    there.

    That is me.

    Not healed.

    Not wiser.

    Not finished.

    Just there.

    You gave me language once.

    I wanted to know
    what your language
    would have become

    if you had lived
    long enough
    to need new words too.

    Somewhere
    in the pages
    you never got to write

    I still believe
    there might have been
    a sentence

    waiting
    for the woman
    I became.

  • The First Light

    The first light.

    A cool sheet.

    A long stretch
    that no one sees.

    I never open my eyes
    right away.

    The light reaches my face

    and I let it.

    I don’t know
    when this became
    a ritual.

    My hands move
    over my neck
    my shoulders

    not to admire
    what is there

    but to arrive.

    It feels almost
    like when you give yourself
    to someone.

    Only there is no one.

    Just morning.

    Just light.

    Just my body
    believing, again

    that light

    has never lied to me.

  • Point of Entry

    People ask me about technique.

    I disappoint them.

    I have never sat down
    to write a poem
    thinking about meter
    or form
    or whether the line
    should break here
    instead of there.

    That does not mean
    those things do not matter.

    It means they were never
    my point of entry.

    I don’t write
    because I understand
    what I’m feeling.

    I write
    because I don’t.

    I don’t know where a poem begins.

    I only know
    that sometimes
    I write a sentence
    and spend years
    becoming the person
    who can understand it.

    Maybe that is where the poem begins.

    Not in clarity.

    In the private disorder
    language has not yet learned
    how to hold.

    The poem arrives before the explanation.

    Before the lesson.

    Before the clean version
    people prefer
    after pain has been made useful.

    I do not trust that version.

    I trust the fragment.

    The unfinished sentence.

    The line that breaks
    because something in me
    cannot continue
    without silence.

    That is technique too.

    Not the kind I studied.

    The kind the body invents
    when the mind
    has no argument left.

    The poem knows before I do.

    It knows where I am hiding.

    It knows what I am circling.

    It knows the truth
    before I can survive
    saying it plainly.

    That is why I write this way.

    Not to confess.

    Confession suggests
    I have arrived somewhere
    with evidence in my hands.

    Most of the time
    I have not arrived.

    Most of the time
    I am still standing
    inside the question.

    And the poem—
    if it is honest—
    does not answer it.

    It simply stays there
    with me

    long enough
    for something true
    to recognize itself.