Tag: loss

  • Hallways

    For as long as I can remember, my dreams have had architecture.

    Not mountains. Not oceans.

    Hallways.

    Hospital corridors. Hotels. Schools I have never attended. Houses that belong to no one I know. Fluorescent lights. Closed doors. Numbers I cannot quite read.

    There is always another room. I am always trying to find it.

    Sometimes I know what is behind the door. Most of the time, I do not.

    Lately, I have begun to wonder whether I have spent my entire life this way—not in rooms, but between them.

    A hallway is not meant to be lived in. It exists only because there is somewhere else to go. No one chooses one as a destination. No one says, this is where I will stay.

    And yet, so much of my life has happened there: in waiting, in becoming, in the long, unfinished passage between one version of myself and the next.

    A few months after my father died of lung cancer in 2014, I had a dream.

    I was inside a hospital. People were moving quickly through the corridors, rushing in and out of rooms, carrying papers, calling to one another. There were doors everywhere.

    Someone stopped me and said they had pulled my father out for me. He was in a room down the hall.

    Room 214, maybe.

    A woman in scrubs caught my arm before I reached it.

    They had found a cure, she told me.

    Not for every cancer.

    For his.

    They had brought him back.

    Even in the dream, I knew this was impossible. My father had been cremated. I remember thinking it clearly.

    He was cremated.

    But I followed her anyway.

    Hope has never required evidence.

    He was lying in a hospital bed, thin and fragile, the oxygen cannula still beneath his nose. He looked exactly as I remembered him near the end.

    But he was breathing.

    That was all I could see.

    He was breathing.

    I went to him as if I had been handed a miracle and was afraid it might be taken back if I asked too many questions.

    I told him they had found a medicine. I told him it was saving people. I told him he did not have to die anymore.

    He looked at me.

    Then he reached for my hand.

    He had very little strength, but his fingers closed around my wrist with surprising force.

    “Let me rest,” he said.

    Then he turned onto his side.

    Underneath him were the ashes.

    All of them.

    Ashes beneath the body that was still breathing.

    I woke terrified.

    For years, I remembered the dream as a message about death. Now I am not sure it was.

    Maybe the hallway had been there all along.

    There have been many of them since: the corridor outside my father’s room, the hallway outside my sons’ bedrooms when they were still young enough to need me, the airport passage where one of them walked away in uniform and did not look like a child anymore, the narrow stretch of my own house after everyone has gone home, a restaurant after closing—chairs turned over, lights lowered, the day emptied out of it.

    Even now, I am often standing somewhere between what was and what comes next.

    Not grieving as I once did.

    Not free of it either.

    Not the woman I was.

    Not yet the woman I am becoming.

    A hallway.

    The cruel thing about hallways is that you can still see the door behind you. Sometimes you can still hear voices through it.

    But you cannot live there anymore.

    I have spent years trying to return to rooms that no longer exist: the room where my father was alive, the room where my sons were children, the room where I believed love, if it was deep enough, would eventually become honest, the room where I knew who I was.

    But memory is not a key.

    It opens nothing.

    It only lets you stand close enough to remember the shape of the handle.

    Maybe that is why my dreams keep building hallways.

    Rooms suggest arrival. They suggest certainty. They suggest that something has finally been decided.

    Hallways do not lie that way.

    They admit that we are between things. They admit that the person who enters is not always the person who comes out. They admit that sometimes there is no revelation on the other side.

    Sometimes there is only another corridor.

    Another number.

    Another door.

    I used to think transition meant I was lost. Now I think it may be the most honest place a person can stand—not where she was, not where she is going, but in the long passage between them.

    And perhaps that is why my dreams never give me a destination.

    I have spent so much of my life becoming someone else that my subconscious no longer bothers building rooms.

    It builds another hallway.

  • The Hinge

    i saw myself
    standing in the grocery line of my own life

    hands full of things
    i did not choose

    no one tells you
    how quietly it happens

    how you keep saying yes
    until your hands forget
    what no —feels like

    i watched myself swallow it—a bird

    not the kind they print on curtains

    but the ragged one
    ink-splattered
    off balance

    with a wing
    that can’t decide
    if it is breaking
    or beginning

    i say bird
    you say anxiety
    the doctor says reflux
    my mother says pray

    my body says:
    listen

    behind the sternum
    that almost-ache
    that isn’t pain

    that drop in the gut, that sudden remembering
    you are alive

    and not
    where you thought
    you would be

    i have become
    a species of almost-flight

    i negotiate with gravity
    in quiet rooms
    and call it duty

    some call it love
    some call it
    be reasonable

    i have learned
    the choreography of staying

    how to smile
    while something in me
    paces

    i saw a woman
    that woman was me

    setting a table for ghosts

    one plate for my father

    one for each son
    in their uniform of distance

    their chairs pulled out
    but empty

    and one
    for the self
    that slips out the back door
    when no one is looking

    she pours water
    for all of them

    her hands don’t shake

    she does not drink

    the bird in her chest
    has feathers made of memory
    a beak made of unfinished sentences

    its claws
    hook into the soft places
    where decisions live

    and the world keeps saying
    be calm
    be grateful

    while the sky
    indecent in its openness
    says nothing

    i ask it for instructions

    it gives me none

    only this:

    witness

    the bird does not die
    when ignored

    it grows patient
    it grows precise
    it learns your habits

    it learns
    how long you can stand yourself

    and waits

    for the moment
    you mistake silence
    for peace

    and then

    it moves

    not loud
    not dramatic

    just enough
    to ruin the lie

    i am not telling you to leave

    i am telling you to notice
    the exact second
    your breath changes

    the pause
    before you explain it away

    the shift
    you pretend not to feel

    that . .

    that is the hinge

    that is where your life
    opens

    or stays closed

    you are not broken

    you are over-kept
    over-held
    over-explained

    you are wings
    taught to apologize for air

    so stand there

    in your kitchen
    in your car
    in the long corridor
    of your thoughts

    stand there
    and feel it

    the press
    the pulse
    the almost

    the part of you
    that still wants more
    even now

    call it bird
    if you want

    call it hunger

    call it the refusal
    to live
    half a life

  • Time . .

    There’s one

    There’s two

    There’s three

    Of me

    In this triplicity

    I count aphorisms

    When it’s difficult

    To speak . .

  • Land of Decimals

    My youngest flowers

    Hem above the heavens

    In unparalleled storms

    As God landscapes

    An elegy for the unborn

  • Next Train . .

    I am adapting

    Cowardly, but adapting

    This is distinction

    Between surviving

    And existence

  • Edge of Time

    Thought

    Much less

    of me

    Flask-less-ly

    You waited

    Like spirits

    Hanging over

  • For The Love of Blue

    Veils of what I’ve done wrong ..

  • Lessness

    Communicate

    A little more

    Than twice

    Like syllables

    Gain enormousness

    Looking for us

    In the middle

    Of the night

  • To me . .

    the world spins 

    ready to loose, and peel

    comparable to a star

    proudly moving through water

    there is no equal

    more beautiful 

    than her roseness at my feet

    i admit here, i seek shelter 

    a shelter of brightness 

    when most of my most, is dark

    cross high and unstrange