I keep looking out the window
because for once
the world is beneath me.
Not in a cruel way.
Just enough
to remind me
I am still above
something.

I keep looking out the window
because for once
the world is beneath me.
Not in a cruel way.
Just enough
to remind me
I am still above
something.

Sometimes
I am fine
but my soul
needs a window seat.
One of those
last-minute flights
they’re always advertising.
You know the kind.
Cheap enough
to make you suspicious.
The kind where
you don’t ask questions
because questions
are how you end up
staying home.
I don’t care
if they put me
in the last row.
If the seat
doesn’t recline.
At this point
I just want to go.
Not because
I am broken.
Because sometimes
melancholy
needs a different sky.
A street
that has never seen me
overthink.
A café
where my name
means nothing
except coffee.
A museum
where I can stand
in front of a painting
and let someone else’s blue
explain me
for a while.
I don’t want
a perfect trip.
I want forty-eight hours
where my mind
stops chewing
on the same sentence.
Where silence
is not punishment.
Not waiting.
Not something
I have to translate.
Just clouds.
Just engines.
Just me
pressed against
a little airplane window
watching the world
get small enough
to forgive.
I thought God
would answer
with thunder.
Instead
God left me
with my own hands.
How cruel.
How holy.
To be placed
inside a life
that keeps breaking
and still feel
something in me
rise.
Not clean.
Not saved.
Not even brave.

Just this blue ache
dragging itself
out of the dark
one trembling line
at a time.
I have begged
without calling it begging.
I have reached
for things
that could not stay.
For people.
For mercy.
For proof
that I was not alone
inside my own body.
And still—
my hand rises.
As if some part of me
knows something
I keep forgetting.
As if love
left a signal
under my skin.
As if God
did not come down
because God
was already here
moving through
the ruin
teaching my own hands
how to reach me.

I have only begged
one man.
God.
Well…
That isn’t true.
God isn’t a man.
See?
This is why language
frustrates me.
What I mean is—
the only being
I have ever fallen apart in front of
is God.
Not because
He needed convincing.
Because I did.
I have never begged
another soul.
Not to stay.
Not to love me.
Not to choose me.
I have always believed
that if I had to beg
the answer
had already been given.
Maybe that’s why
this has unsettled me.
Not because
I lost myself.
Because for one brief terrible moment
I thought about it.
We must stop meeting like this—
me arriving just before four in the morning
with another part of my life still clinging to me.
You are already here.
Already open.
Already waiting.
As if you knew
I would find my way back.
I always do.
Not because I have something beautiful to say
but because there are nights when language
is the only place I can set something down
without dropping it.
So I bring it here—
the conversations that refuse to end
the silences that somehow say more
the people who stay with me
long after they’ve gone.
You have seen me do this before—
turn memory into metaphor
grief into something I can look at
without looking away.
You remember the woman who thought
she had imagined her entire existence.
The one who searched old photographs
looking for proof
that she had once been alive.
You never corrected her.
You never hurried her.
You simply waited.
Patiently enough that one day
I stopped wondering
whether I belonged here.
I should come to you with lighter things—
coffee
my sons
the morning sun finding the kitchen floor

ridiculous things my cats do
that make me laugh
when I wasn’t planning to.
I should tell you about the days
that didn’t leave a bruise.
Maybe one day I will.
But not tonight.
Tonight
I found my way back.
And there you were—
exactly where I left you.
Still waiting.
Myself and I.
There are two of us.
One wakes up
and opens the curtains.
The other
is still holding the night
by its throat.
One says
get dressed.
The other says
not yet
I am still bleeding
in a place
the day has no permission
to enter.
One makes coffee
answers messages
finds the keys
remembers her name.
The other
stands barefoot
inside the body
asking God
to lower the volume.
I have lived this way
for years.
One woman surviving.
One woman witnessing.
One woman
holding the morning together
with whatever light
she can steal
from the curtains.
One woman
coming undone
quietly enough
not to frighten
the furniture.
And I am tired.
Tired of splitting myself
just to make it
through a day
that keeps asking me
to be ordinary.
Tired of sending
one half of me
into the world
washed, dressed
polite
while the other half
kneels somewhere
inside me
swallowing thunder
swallowing the scream
before it becomes sound.
But this morning
I did not silence her.
I did not tell her
to behave.
I did not dress the ache
in something pretty
so the day
could tolerate me.
This morning
I let both of us speak.
No shame.
No performance.
No small lie
to make the sorrow
easier to hold.
Just myself
and I
two women
inside one name
one carrying the keys
one carrying the dark
both tired
of being alone
with me.
And maybe healing
is not becoming
one woman again.
Maybe healing
is opening the door
and letting every version
of myself
come home.
I was never good at portraits.

Bone structure
killed the feeling.
The jaw.
The eyes.
The terrible need
to make someone
recognizable.
I did not want
to measure his face.
I wanted to survive
what it had done to me.
So I did not draw him.
I drew the woman.
Lowered.
Covered in the grey
I could no longer keep
inside my body.
She makes me shiver
because she is not asking
for anything.
Not an answer.
Not a hand.
Not a man
to turn around
and say her name.
She simply stands there
with the weight
made visible.
And I understand her.
Because there are things
that live inside us
until art gives them
somewhere else to go.

I needed an image
before language
kept me hostage.
Before one thought
became another thought
became a room
I could not exit.
So I gave it no face.
No mouth.
No tired eyes
to forgive.
I gave it a woman.
And somehow
that frightened me more.
Because she was quiet.
Because she was beautiful.
Because she looked
like the part of me
that had stopped waiting.
Pride
is a beautiful blade
until it starts turning
in your hand.
I have seen it
sit in a man’s mouth
for days
polished
silent
starving.
You wear yours
like a clean shirt.
Buttoned high.
No blood showing.
But I know.
I know the climate
inside a closed room.
I know the sound
of a door
pretending
it was never opened.
And you
you keep standing there
with the whole river in you
acting thirsty.
A man can build a bridge over a river
and still drown in a sentence.
That is the tragedy.
Not that you feel nothing.
That would be easier.
It is that you feel
and still choose
the museum of yourself.
Everything behind glass.
Your hands.
Your fear.
Your almost.
Even your tenderness
walks in late
wearing someone else’s coat.
And me?
I am tired
of being the fire
that makes a coward
feel warm.
I am tired
of being the mirror
a man visits
only when he wants
to remember
he is alive.
Pride in me
has no throne.
It is not made
of stop
or silence.
It is a woman
standing barefoot
in the middle
of her own storm
saying
I loved you.
Then saying
and still.
Still
I will not live
inside the small room
your fear prepared for me.
Still
I will not make
a religion
out of waiting.
Still
I will not confuse
your closed mouth
for depth.
You may keep
the key.
I was never
waiting
to be opened.
In one photograph
my mother is carrying me.

In the other
I am carrying my son.

Same age.
Two women
holding their children
before life asked them
to prove
they could survive
being left.
She had me.
I had him.
And between us
something was left open
not a lesson
not a punishment
just the door
life forgot
to close gently.
My mother was six
when they left her.
Six.
A little girl
in a room
that was not home
a bed
that did not know
her body
a hallway
with no mother
coming through it.
People always have reasons.
Divorce.
Distance.
Survival.
History.
Fear.
But children
do not live
inside reasons.
They live inside rooms.
They listen
for footsteps.
They learn the door
before they learn
the world.
And still
that child
became my mother.
The best mother.
She is prose.
Not simple.
Never simple.
Prose like rice.
Laundry.
Hands.
A forehead checked for fever.
Call me when you get there.
Prose like love
with its sleeves rolled up.
She was a writer
but before I knew
her words on paper
I knew the language
she made in the house.
Food.
Worry.
Sacrifice.
The daily grammar
of staying.
She made motherhood
her full-time work
until it became
the pillars
holding up
our house.
Then there I am
same age
with my son
inside my life
still young enough
to believe
being loved
meant being held.
And life
asked me too.
Not at six.
Not in a school.
But in the room
where a woman
should never be left
with a newborn
and a body
still open
from becoming
a door for life.
I learned then
what my mother
must have known
too early:
that something
can leave the room
and still live
in the body.
But I stayed.
Not beautifully.
Not without fear.
But I stayed.
And maybe
that is what passed
between us.
Not the eyes.
Not the mouth.
The terrible grace
of becoming
the place
a child can return to.
She answered
with a house.
I answered
with my arms.
Two women.
Same age.
Different photographs.
Both carrying
a child
against the oldest
kind of fear.
And still
nothing in us
handed the child
back to the dark.
She stayed.
I stayed.
And maybe
that is the holiest thing
a woman can do
after the door
has taught her
its cruelty
stand there
with the child
in her arms
and refuse
to become
another leaving.
A man can build
a bridge over a river
and still drown
in a sentence.
Imagine.
All that steel
learning to trust the air
All that weight
held up
by numbers
by hands
by some faith
in crossing.
The river moves below him.
The bridge holds.
The world passes over.
And still
place one true thing
in his mouth
and the water rises.
Men.
God.
What a grand
broken design.
They can raise bridges
over rivers
send rockets
through the dark
pull cities
from dust
teach stone
to stand upright
turn paper
into money
turn fear
into kingdoms
turn silence
into inheritance.
They can find the loose wire
the buried leak
the pressure
before the break.
They can carry beams
on their shoulders
cross borders
command rooms
build roofs
dig graves
hold rifles
bury fathers
sign contracts
open roads
through mountains
make machines obey
the smallest movement
of their hands.
They can measure weight
distance
risk
profit
ruin.
They can look at fire
and know what feeds it.
Look at water
and know where it will go.
Look at a broken thing
and say
there.
That is where
it gave way.
And still
still
one simple sentence
can become impossible.
I was wrong.
I was afraid.
I am sorry.
I do not know
how to say
what is happening
inside me.
All that strength.
All that skill.
All that visible mastery.
And the smallest truth
still standing
like a river
he cannot cross.
But inside himself
a hallway
without a lamp.
A room
no one has entered
in years.
Truth sitting there
patient
plain
waiting
like a chair
beneath a white sheet.
And the door
is not locked
from the outside.
That is the grace.
That is the terror.
The key is not
in the world.
Not in the work.
Not in the money.
Not in the father
who swallowed his own voice
and called it manhood.
Not in the long drive home.
Not in the prayer.
Not in the bottle.
Not in the body
that keeps moving
so the heart
will not be heard.
The key is there.
In him.
Warm
from being carried
all these years.
But to open the door
he would have to enter
without the beautiful armor.
Not the worker.
Not the provider.
Not the good man.
Not the quiet man.
Not the one
who says
I am fine
while smoke
darkens the ceiling.
Just him.
Uncovered.
Unmanaged.
Known.
And inside
the quiet wreckage
of the self.
Fear
with its hands folded.
Shame
looking down.
Wanting
unable to leave.
The harm done
still breathing softly
in the corner.
So he builds
everything else.
Bridges.
Houses.
Names.
Distance.
A life
with every window
facing outward.
And the world admires it.
The world loves
a man
who can carry weight
without asking
why the stones
keep finding him.
The world loves
the useful one
the steady one
the one who bleeds
with discipline
and calls the wound
character.
But morning knows.
Morning has never cared
for performance.
Morning opens
the curtains
with its pale, clean hands
and shows
the bridge
the river
the sentence
the man
still standing dry
on the wrong side
calling it depth.
All that thunder.
All that labor.
All that history.
All that survival
stacked around him
like proof.
And still
the smallest door
inside him
waits.
Not sealed.
Not forbidden.
Only unopened.
Not because
he cannot open it
but because opening it
would make him
answerable
to what has been living there.
And there it is
the bridge
the river
the sentence
the morning
the key
resting
in his own hand.
Even metaphors bleed.

That is why I trust them.
Because they do not arrive clean.
They come dragging the night behind them
carrying feathers
carrying bandages
carrying the red little truth
plain language was too afraid to touch.
A wound is not only a wound.
It is a mouth
the body grows
when silence
has stayed too long.
And language
keeps coming back
with blood on its knees
trying to name
what touched me
without becoming
the hand
that hurt me.
But this is what I know.
Everything I make beautiful
has first passed
through the wound.
The bird.
The night.
The bandage.
The sternum.
All of it
came from the same place.

All of it
left red.
So no
I am not cured.
I don’t even know
if I want to be.
I only know
the wound keeps opening
and language keeps entering
and somehow
I keep calling that
survival.
Even metaphors bleed.

And still
we keep placing small things
over what is large.
A bandage
over a wound.
A word
over a scream.
A hand
over the sternum
as if the body
can be convinced
to stay closed.
But some pain
is too wide
for anything clean.

Some wounds
do not want covering.
They want the truth
to sit beside them
without looking away.
I have tried
to be careful
with what hurts.
I have tried
to dress the ache
in language
to make it decent
to make it something
a person could hold
without being frightened.
But the wound knows.
It knows the difference
between cure
and concealment.
It knows
when tenderness
is only a bandage
and when tenderness
is a hand
willing to stay.
So do not ask me
if I am healed.
Ask me
if I am still breathing.
Ask me
if the wound
has become a mouth.
Ask me
what it says
when the room is quiet
and no one comes
with a cure.
Even metaphors bleed.

That is why I trust them.
Not because they make the wound beautiful
but because they know
how to stand near blood
without pretending
it is only red.
Do not come here with a cure.
Come without your clean hands
without your small consolations
without the hurry
to make me whole
before you have understood
where I broke.
I am not bringing you pain
because I want it healed.
I am bringing it
because silence
has become too heavy
to carry alone.
Some wounds
do not ask to close.
They ask to be witnessed
while still open
to be seen
without shame
to be touched by language
and not immediately
turned into a lesson.
So come empty.
Come tender.
Come knowing
there are places in me
where even mercy
must kneel first
and ask permission.
Out of my body.
That is how today feels.
Like I am here
but not all the way.
Like some part of me
stepped out quietly
and did not turn around
when I called.
So I grip myself.
Not for beauty.
For keeping.
Because the self
is a fragile thing
when sorrow
keeps touching it.
I have cried
as much
as it rained
on my city.
And still
nothing in me
feels washed clean.
There are days
I do not recognize
myself.
Because wanting to forget
can make a stranger
out of your own skin.
Because ache
does not always cry.
Sometimes it enters the body
and moves the furniture.
Sometimes it sits
where the breath should be
and refuses
to explain itself.
Because silence
can stand in a room
like another person
and still
say nothing.
Maybe reincarnation
is not returning
as someone else.
Maybe it is waking up
inside the same woman
again
after every grief
that promised
to finish her.
And still
my hand stays.
Tired.
Human.
Holding.
As if tenderness
has nowhere else
to go.
As if I am both
the one falling
and the one
who cannot bear
to let her fall.
Because I have already lost
so many versions of myself
I cannot afford
to lose this one too.
Leave.
Verb.
Imperative.
A word
with its door open.
Not a question.
Not a wound
asking to be kissed.
Not stay
dressed in hope.
Leave.
A command
the body understands
before the heart
stops arguing.
Subject implied:
you.
Object implied:
what is killing you.
The hand is stained.
The road is waiting.
The woman
does not turn around.
Even grammar knows
some sentences
save themselves
by ending.
What if animals hated?
I mean really hated
Not like us
with our explanations
Our little lamps
placed around the wound
Our need
to make what hurt us
look almost beautiful
I mean hated
from the body
From the ribs
From the place
that knows danger
before the mind
starts acting educated
What if the deer
hated the wolf?
Not because the wolf is evil
Forget evil
That is such a human word
Maybe she hates him
because he is coming
Because the grass changed
Because the air did
what air does
when something wants you for the wrong reason
Maybe her hatred
is her whole body saying absolutely not
And what if the rabbit
hated the fox?
Not for hunger
We all have hunger
But for the crouch
The softness of it
The way he makes waiting
look beautiful
The way he becomes still
before the damage
Haven’t we known this?
Haven’t we seen something calm
and confused it
for something kind?
Haven’t we let something close
because it did not come running?
Because it did not bare its teeth?
Because it said nothing and somehow
that felt safe?
I know
You have felt it too
That small animal in you
lifting her head
That private no
That little sickness
in the stomach
when something is not right but not wrong enough for the world
to give you permission
to leave
And because you are human, you begin the betrayal
Maybe
I’m overreacting
Maybe he didn’t mean it
Maybe the cage
is not a cage
if the door
was opened gently
But I don’t know anymore
I don’t know
when we became so good
at arguing
with our own blood
The deer does not do that
The deer does not stand there
wondering
if the wolf
is thinking of her
The bird does not apologize
to the hand
for wanting the sky
The rabbit does not write poems
about the fox
and call it closure
Only we do that
Only we stay
and decorate the danger
Only we make curtains
for the cage
Only we light candles
inside the mouth
Only we confuse
being wanted
with being safe
And maybe hatred
is not always poison
Maybe sometimes
hatred is the last clean thing
left in the room
Maybe it is the body
finally refusing
to be polite
about its own ruin
Maybe it is the soul saying
No
No
do not come closer
No
do not make a home
out of my softness
No
do not enter my life
like warmth and leave me calling the burn
my fault
Maybe animals hate
only long enough
to survive
Maybe the deer hates
until she runs
Maybe the rabbit hates
until the field opens
Maybe the bird hates
until the hand is gone and the sky returns
to being sky
And maybe that is the part we never learned
How to let hatred
carry us away instead of keeping us inside
How to leave
without making a shrine
out of what almost ate us
How to stop looking back
to see
if the predator
feels lonely
Maybe the animal knows
Maybe she always knew
Maybe hatred
before we made it human, was not ugly at all
Maybe it was mercy
with a pulse
Maybe it was the body
saving itself
Before the heart
could turn around
And forgive the knife
because the hand
that held it
was trembling
I gave him
my most precious sanctuaries
Not the bright rooms
Not the ones
where I laugh
pour coffee
answer the world
with my shoulders back
No
I gave him
the hidden rooms
The rooms
with no windows
The rooms
where I take off my name
And become only breath
only woman
only trembling
I gave him
the bed
where I vanish
from everyone
The silence
where I confess
without language
The body
I had spent years
calling back
from the dead
And he entered
softly
Almost reverently
As if some part of him
recognized
the altar
As if his hands
knew enough
to lower their voice
He knows reverence
That is what hurts
Then he left
And spoke to me
Of work
Of home
Of all the ordinary lives
waiting for him
outside my door
And I stood there
inside the room
he had already abandoned
Holding the ruins
of my own tenderness
Wondering
how a man
could enter a sanctuary
And not know
he had been kneeling

Delete a poem
to start another
That is the poem
That is the ceremony
One small death
inside a white screen
One mercy
I give myself
before language hardens
into something
I no longer recognize
I erase the line
that almost said it
I erase the word
that tried too hard
I erase the version of me
that wanted to be understood
so badly
she began explaining
instead of burning
And then
There it is
The emptiness
Clean
Terrifying
Mine
A field after fire
I have deleted so many poems
that were almost beautiful
So many lives
I almost lived
So many women
I almost became
because someone loved me wrong
Or almost loved me
Or stood close enough
to make me believe
heat was the same thing
as home
But I am learning
Not everything unfinished
deserves a shrine
Not every ache
needs a monument
Sometimes the holiest thing
is the backspace key
Sometimes the bravest thing
is to look at what you made
from pain
and say
No
Not this
Not yet
I can suffer better than this
I can love better than this
I can make
a cleaner wound
So I delete the poem
to start another
And for one bright second
I am not ruined
I am not abandoned
I am not the woman
waiting beside the sentence
for someone to arrive
and finish her
I am only here
Beginning again
with nothing but the ache and the audacity to believe it can still become beautiful
Little moments
little moments.
That is how I survive
the enormous things.
Not by becoming brave
all at once
not by understanding
what keeps hurting me
but by returning
to the small life
that waits for me
without asking questions.
It is Sunday afternoon.
The rain has passed.
The light is back
on the windows
like nothing happened
and maybe that is what light does
it returns
without explaining
where it has been.
And I am here
trying to gather myself
without making a scene.
A cup of water.
A shirt pulled over my head.
My feet on the floor.
The room quiet enough
to hear what I have been carrying.
Then my own hand
my left hand crossing over
to grip the indentation
of my ribs
that small hollow
my body made
as if it knew
I would need somewhere
to hold on.
More like instinct.
Like a woman
holding herself closed
so nothing tender
falls out.
And almost at once
my head tilts to the right
my face finding
the slope of my shoulder
the warm place
between skin and arm
and I breathe myself in.
Not perfume.
Not anything placed there
for the world.
Only clean skin.
Only the quiet scent
of having been
in water too long
that soft, familiar scent
of clean skin
after too much water.
And something in me
recognizes it
as happiness.
Small happiness.
Private happiness.
The kind no one sees
because it happens
inside the body
before it becomes
a word.
And there it is—
the strange mercy
of my own life.
My ribs under my palm.
My breath still rising.
My face against my shoulder.
My own scent
calling me back
to myself.
There is magic in that.
Not the kind
that arrives loudly
or saves the room
from burning.
The other kind.
The kind that stays
with you
in the ordinary light.
The kind that says
without words:
come back.
Come back
to the body.
Come back
to the cup of water
the clean shirt
the floor beneath you.
Come back
to the light
moving across the room
as if it still believes
there is something here
worth touching.
Come back
to this Sunday afternoon
that has no idea
how much beauty
it is asking you
to survive.
Little moments
little moments.
The ribs.
The breath.
The hand.
The shoulder.
The skin.
The life
that does not leave me
even when I forget
how to stay.
And still
somehow
I do.
The day arrived dark
heavy with water
as if the sky had lowered
its whole blue body
into my chest
And I cried
I cried the way rain cries
without shame
without apology
falling because it must fall
There are feelings
that do not fit in the hands
There are sorrows
too alive
to be sealed away
So I let them come
The window blurred
The trees bowed
The world became water
And then, slowly
the sun returned
Not as a miracle
But like a hand
finding my face
after I had forgotten
I still had one
Light touched the wet leaves
It entered the room
It found me there
still breathing
still woman
still mine
So I wiped my tears away
Not because the ache was gone
Not because love had become simple
Not because my heart
had grown quiet
I wiped them away
because I belong to myself
before I belong
to any sorrow
Because I have carried storms
and still opened my doors

Because even after rain
the earth does not apologize
for shining
And neither will I
The clouds had their mouth
against my skin
Now the sun
comes back for me
Trying to grasp their maturity
is thrilling
in a way I still cannot understand
No one tells you this
They tell you about the leaving
the empty rooms
the quiet house
the laundry becoming smaller
the food lasting longer
than it should
But no one tells you
what happens after
How your world
reconditions itself
How one day
you speak to your son
and hear a man answer back
How his voice
carries the weight
of his brother’s voice too
and for a second
you are standing
inside both of them
These men
have surpassed my height
They are broad now
Deep-voiced now
Private now
Their lives moving
with a force
that no longer needs
my hands
And still
they began in me
That is the part
that makes me almost dizzy
They were once
a flutter
a hunger
a foot beneath my ribs
a name I had not yet learned
how to call across a room
Now they stand in the world
as if gravity
belongs to them
And I stand here
trying to understand
how something can leave you
and still make you larger
How love can grow taller
than the body
that carried it
How a mother
can be emptied
and expanded
at the same time
No one tells you
that after they leave
you do not become less
of a mother
You become a mother
with more sky in her
I know he is not my forever
It took me until tonight
to understand that
And strangely
it was not grief I felt
It was peace
Maybe because
I have been preparing
for this
my entire life
First a country
I left it once
and it never stopped
leaving me
Then my father
I thought the earth
might have the decency
to pause for a moment
It didn’t
Then the years
when my sons
still reached for my hand
At some point
you understand
that loving something
and keeping it
are two entirely different miracles

The other day
I found one long
bright strand of my hair
resting against his shirt
I reached for it
He looked down
and softly said
be careful with that
I have carried those words
around ever since
Because for one impossible second
it seemed to me
that it was not the hair at all
It was some quiet part of myself
the daughter
the mother
the woman who survived
all those leavings
that had crossed the distance
between two people
and chosen
without asking me
to remain
I know he is not my forever
But I think tonight
I finally understood
that forever
was never the thing
I was looking for
I think
I only wanted proof
that after losing
a country
a father
and the years
when my sons
still reached for my hand
there was still
some living part of me
capable
of leaving itself
behind

My father loved cardinals.
He said they carried something the other birds did not, as if a little piece of the evening sun had decided to grow wings.

After it rains, they are always the first ones I notice.
Not singing.
Just there, red against the washed-out branches, waiting for the world to collect itself again.
I think love must be something like that.
Not the storm.
Not the breaking.
The small, stubborn thing that returns afterward.
The earth breathing its deep green breath.
The wet leaves shining
like they have been forgiven.
The quiet that settles over everything
not empty, just healed enough to begin again.
I stand outside my door
and watch the cardinal
tilt its head toward the sky, and for one unbearable second
I cannot tell
whether I am missing my father or simply remembering
that nature grieves too.
Maybe that is all love ever was
not holding on
but returning
again and again
to the places
where something beautiful
once lived.
My mother and I share the same blood.

B Rh-negative.
The same rare inheritance.
The same river moving through us.
The same red history traveling from one body into another.
She carried me beneath her heart for nine months.
An entire season of becoming.
Blood teaching blood how to assemble itself.
Bone finding bone.
A spine.
A mouth.
Ten fingers opening toward a life neither of us had seen.
She made my body.
This is no small thing.
The original shelter.
The dark and sacred room where I began.
But the older I become the more I understand that being born from someone does not guarantee being understood by them.
The womb creates a body.
It does not necessarily create recognition.

My mother and I share the same blood.
B Rh-negative.
The same rare inheritance.
And still, we spent years trying to find a language large enough to hold us both.
My mother spoke.
God, how she spoke.
Stories.
Worries.
Grievances.
Disappointments.
The thousand daily abrasions of being alive.
She sat me down and handed me pieces of adulthood long before I was large enough to carry them.
And because I loved her
I did.
I listened.
I absorbed.
I learned the weather patterns of another person’s sorrow before I had learned my own.
I became her witness.
Her companion.
Her sounding board.
The child at the other end of conversations meant for grown women.
Perhaps that is why language became my native country.
Why I reach for words the way other people reach for prayer.
Why I cannot leave a question unanswered.
A feeling unnamed.
A loose thread hanging from the hem of a perfectly good life.
I learned early that everything must be examined.
Everything discussed.
Everything understood.
And I am tired.
Not of my mother.
Never of my mother.
I love her.
Love has never been the problem.
The problem is that love and understanding are often mistaken for twins when they are merely neighbors.
So we spent years waving to one another across a distance neither of us knew how to cross.
Then there was my father.

A man who seemed perpetually occupied by some private cosmic adventure.
A man of so few words that silence gathered around him like a second skin.
Yet I could sit beside him for an entire afternoon and feel more understood than I did in conversations that lasted years.
He never asked me to carry his grief.
Never handed me the weight of his interior life.
He simply made room for mine.
And when he died everyone assumed I was grieving a father.
What I was grieving was recognition.
The rare miracle of being witnessed without explanation.
Without performance.
Without the exhausting labor of translating myself into a language someone else might finally understand.
Perhaps that is why unfinished things haunt me.
Why I pull every thread.
Why I interrogate every silence.
Why I stand before mysteries demanding they surrender their meaning.
I spent my childhood holding one end of conversations that never seemed to end.
Of course I grew into a woman who wants answers.
Of course I became someone who believes every story deserves a conclusion.
But lately
I am beginning to suspect
that not everything unfinished
is broken.
That not every silence is withholding something.
That some people love us through language.
And others through presence.
That understanding sometimes arrives speaking.
And sometimes arrives and simply sits beside you.
The same blood does not guarantee recognition.
The same house does not guarantee understanding.
And yet—
love persists.
My mother and I
still waving across the distance.
My father gone and somehow still answering me.
The child I was
standing between them
learning two different dialects of devotion.
One made of words.
One made of silence.
And all these years later
I am still trying to become fluent in both.
Last night I left a glass of water beneath the moon.

What else was I supposed to do with all that longing?
By then the ache had become atmospheric.
It occupied every room.
Followed me from place to place.
Even appetite abandoned me.
For days I had mistaken silence for conclusion.
A closed door for a vanished house.
The moon remained behind the maple trees.
The water remained beneath the moon.
And I went to bed carrying a grief
I had not yet earned.
By morning the glass was still there.
But not entirely.
A small amount missing.
Just enough to make wonder more persuasive than certainty.
I drank it anyway.
The whole glass.
And then something stranger happened.
The catastrophe I had been preparing for failed to arrive.
The mausoleum stood empty.
The flowers had no recipient.
The eulogy had lost its audience.
I had spent days mourning something that was still alive.
Last night I left a glass of water beneath the moon.
What else was I supposed to do
with all that longing?
This morning the glass weighed less.
By evening, so did I.
There must be two of you.

The discovery arrived this evening with such certainty that I nearly laughed. Not because it surprised me. Because it explained so much.
For months I had been under the mistaken impression that I was speaking to only one man.
Meanwhile, an entire second population appeared to be living inside him.
One of them leaves fingerprints on the soul.
The other continues through the day.
One enters a room carrying enough electricity to alter the arrangement of furniture.
The other returns home without a trace of ash.
Both seem equally convinced of their authenticity.
At 8:46 p.m.
I placed my head out the window and watched darkness collect itself in the trees.
The wind carrying the scent of rain that had fallen elsewhere, and I found myself wondering whether the two of you know each other.
Whether one sends letters to the other.
Whether they pass each other in narrow hallways.
Whether one ever pauses at the sound of the other’s footsteps.
I hope they do.
I hope they sit together and exchange stories.
Otherwise —
I cannot imagine the loneliness.
And for the first time it occurred to me that perhaps I had been mistaken.
There are not two versions of you.
There are simply two men sharing the same address.
One arrives carrying fire.
The other arrives Tuesday.
And suddenly the mystery was no longer how they existed.
The mystery was how they survived each other.
How they shared the same life.
How one biography contained them both.
I felt tired suddenly.
Not for myself.
For them.
And then for you.
Because I have spent my entire life being only one person.
Which is exhausting enough.
The wind moved through the trees.
And I wondered if the man who stood in my house ever misses the other one.
If, on certain evenings he catches sight of him crossing the distance.
A familiar silhouette.
A shadow carrying fire.
Gone before he can call out.
Perhaps that is why I have always felt a tenderness for birds.
They leave.
But they leave whole.
The wing does not migrate separately from the sky.
The song does not arrive three days after the bird.
Nothing is divided.
Nothing remains behind to haunt the trees.
And there, with my head resting in the open night, I arrived at a thought so gentle it almost escaped me.
Tonight I felt tired for you.
Not because I finally understood you.
Quite the opposite.
Because I realized both men were real.
And somehow, beneath the same name, behind the same eyes, inside the same life, they continue forward together.
Otherwise—
I cannot imagine the loneliness.
Your face was not a face
It was morning itself

The kind of morning
that arrives before grief
Before the knowledge
that fathers can die
I kept trying to look at you
But the light was too bright
As though love
after all these years
had finally become visible
And then you held me
The way fathers hold daughters
when there is nothing left to explain
No language
No questions
No unfinished sorrow
Only the certainty
of your arms around me
I woke hours ago
Yet something remains
The light has followed me
into this afternoon
It rests quietly
over everything
Over the silence
Over the ache
Over this ordinary day
unfolding exactly as days do
The room is ordinary
The world is ordinary
But I am not entirely here
Some part of me
is still standing
inside that light
Still breathing
the scent of starch
from your shirt
Still trying to look at you
Still closing my eyes
against that unbearable brightness
Still your daughter
And for the first time
in a very long time
the silence does not feel empty
It feels illuminated
When I first opened my eyes
I was not entirely awake
Nor entirely asleep
I still do not know
which side of consciousness
I occupied
Only that he was there
My father
Or the memory of him
Or whatever remains of love
after the body has gone
I saw him
Or perhaps I felt him first
The unmistakable scent
of a freshly ironed shirt
Cotton
Starch
Warmth
The fragrance of a man
who believed appearances mattered
who pressed his collars carefully
who stepped into the world
with dignity buttoned to his throat
And then
something happened
that language still struggles to hold
I felt his love

Not remembered love
Present love
The kind that exists
when a child collapses into a parent’s arms
and discovers
that fear cannot follow them there
I could not see his face
Every time I tried
the light became unbearable
Not painful
Just impossibly bright
I would lift my eyes
and immediately close them again
Overcome
Not by fear
By radiance
As though love itself
had become too luminous
for ordinary sight
So I stopped trying to see
And instead
I rested against him
Against the crisp cotton
of his freshly ironed shirt
Against the familiar scent
of starch
and home
I buried my face there
the way children do
when they have cried enough
And suddenly
there was no grief
No loneliness
No years
No death
Only peace
The kind that asks for nothing
The kind that explains nothing
The kind that simply wraps itself
around a wounded heart
and says
rest now
I do not know
if I dreamed him
I do not know
if the mind
hungry for comfort
created the moment itself
I only know
that when I woke
the feeling remained
The warmth remained
The certainty remained
And for one impossible instant
the distance between the living
and the dead
felt no thicker
than a bedsheet
lifting in morning light
I never saw his face
But somehow
that is not what stayed with me
What stayed
was the embrace
The starch on his shirt
The scent of being loved
The overwhelming brightness
And the strange understanding
that after all these years
what I missed most
was not my father’s face
It was the feeling
of being his daughter
And so
I come here
Digitally bent
with exhaustion
From you
From myself
From the endless labor
of translating a life
into something a stranger might recognize as their own
And from those who read me
My faithful witnesses
The ones who have learned
the weather of my language
Who know when a bird
is not a bird
When a doorway
is grief
When rain
is longing wearing a disguise
When a wound
has simply changed its name
They follow the migration
from the literal
into something far more alive
Not metaphor as decoration
Metaphor as resurrection
The ordinary transformed
until it begins breathing
Until a chair becomes absence
A house becomes memory
A river becomes devotion
A single feather
becomes an entire human life
trying to lift itself
from the earth
And what astonishes me still
Is that they come
Again and again
Not to consume the story
To inhabit it
To leave pieces of themselves
between the lines
To recognize a sorrow
I believed belonged only to me
And somehow return it less lonely
There is a sacredness in that
A quiet exchange
The oldest miracle I know
One human being saying
I have never lived your life
And yet I know this room
Perhaps that is why
I remain faithful to language
Even when it disappoints me
Even when it fails
to cross the distance
Even when I place
the most tender thing I possess
into another person’s hands
And hear only silence
Still
I cannot abandon it
A bird does not abandon the sky
A river does not abandon the sea
And I do not know
how to abandon words
They have carried me too far
Buried too many dead
Lit too many darkened rooms
Kept me alive
through too many winters
So I arrive here
carrying another fragment
Another shard of light
Another unfinished prayer
Not because I possess answers
Because I possess language
And language
When offered honestly creates a bridge
where there was only distance
A lantern
where there was only dark
A witness
where there was only solitude
Perhaps that is why I continue
Not for publication
Not for praise
Not even for understanding
I continue because somewhere beyond this glowing screen someone is waiting for the exact shape of a sentence that will make them feel less alone inside their own becoming
And if I can give them that
even once
then every unread letter
every unanswered question
every mile I have traveled
through the wilderness of myself has not been wasted
Because despite everything, despite the silences, despite the distances, despite all that language cannot save
I still believe
it saves something
and sometimes
something
is enough

Ambiguity is unnatural to the earth
The earth chooses
Rivers carve
Lightning strikes
Winter strips every tree bare
without apologizing for what it intends to take
Even dusk
does not linger forever
between becoming and disappearance
It surrenders fully
to night
Only human beings
know how to remain in uncertainty
Only we can stand trembling
inside the doorway of love
for months
sometimes years
unable to enter
unable to leave
asking another heartbeat
to survive on implication alone
The sea would never do this
The sea crashes honestly
It throws its entire body
against the shore
again
and again
until even stone understands
what is being said
But ambiguity—
Ambiguity is a season
that does not know whether it is mourning
or blooming
It is rain suspended inside clouds
so long
the sky begins to ache from carrying it
And perhaps that is why it exhausts the soul
Because the body was not designed
to live forever
inside — almost
Not almost touched
Not almost chosen
Not almost loved
There is a particular grief
in being cherished softly
by someone
who cannot bear
to say your name
like a certainty
A terrible loneliness
in being held
while simultaneously
kept at a distance
Like standing ankle deep in the tide
for so many seasons
the salt begins entering the bloodstream
And still
Some cruel instinct of the heart
continues listening for thunder
believing silence
is merely the sky
thinking
Until one day
you look toward the horizon
and realize:
The storm was never coming
The storm
was the waiting itself
When I see birds
I can almost smell them
An odd thing to confess aloud
They smell like a wound drizzled by morning rain
like dust lifting softly from pavement after weather
like roses still carrying the cold breath of dawn
Not unpleasant
Just painfully alive
Ancient somehow
As though feathers preserve memories
the body spends years trying to outlive
Strange how scent reaches the soul before thought does
One breath
and suddenly the past becomes physical again
The ache gathering beneath the ribs
the overwhelming feeling
of having lost something beautiful long ago
That invisible meeting place between longing and recognition
The way certain scents return us
not only to people
but to former versions of ourselves
Softer selves
unguarded ones
the selves that still believed tenderness
could exist without disappearance attached to it

And perhaps that is why birds unsettle me
Because when they cross the evening sky
carrying the fragrance of rain and distance and earth
something inside me rises toward them instinctively
Not joy exactly
not sorrow either
But the unbearable remembrance
of who I was
before longing became part of my nature
I am not obsessed with birds
It is worse than that
I watch them because somewhere
inside their suspended bodies
I keep seeing myself
And perhaps
that is why I keep watching them
Not to study them
To capture them in stillness long enough
to understand
what in me
continues surviving this way
Because what devastates me most
is how beautiful their endangerment is
How every living thing
appears most holy
at the exact moment
it could disappear
There are birds
who damage themselves quietly
Not from storms
From devotion
In captivity some begin feather-plucking
Small repeated griefs
where the body
unable to escape its own longing
turns inward against itself
The beak returns
again and again
to the same tender place
Chest
Wing
Breastbone
Until the aviary floor
becomes covered
in the evidence of attachment
I understand that now
How the soul
when unable to fly freely
toward what it loves
sometimes begins consuming itself instead
And still
the bird continues singing
That is the part
that ruins me
Not the wound
The devotion surviving beneath it
The instinct to keep returning
to the very place
where the heart exhausts itself
Because birds are creatures of imprinting
Once attachment enters the nervous system
the body remembers
Migration paths
Familiar calls at dusk
The exact direction
of returning
And what is longing
if not the body
trying to migrate back
to the place
it believes warmth once lived?
Meanwhile
my dignity survives quietly
inside the attachment
like a woman standing perfectly still
inside rising water
hoping no one notices
how hard she is fighting
to keep breathing
Still graceful
Still composed
Still answering softly
while entire oceans
move beneath the skin
Some evenings
I watch the birds crossing
the darkening sky
and feel something inside me
recognize itself in them completely
Not freedom
But suspension
The beauty of remaining airborne while exhaustion slowly enters the wings
And perhaps
that is what devotion truly is
Not love at its beginning
But love after it realizes
the light may never stay
and continues flying toward it anyway


My dignity lives here
In the first image
where everything is still charcoal and restraint
Where the bird is almost disappearing
into all that white silence
pulling something dark and endless
from the center of itself
as though love
had entered the body quietly
and forgotten how to leave
That was the beginning
The sacred stage of longing
The stage where silence
still felt noble
Where I believed
if I carried my ache beautifully enough
it might become survivable
So I answered softly
Smiled softly
Learned how to make a home
out of fragments
A lingering hand
A familiar voice at dusk
The unbearable tenderness
of someone leaving slowly
because part of them
does not wish to go
And I never asked
the impossible question
Stay . .

Then came the color
The bruising
Blue for all the sorrow
I folded inward
so no one would have to witness it
Red for every part of me
that continued loving
even after understanding
love alone
cannot keep a person near
And suddenly
the longing was no longer contained

It spread through everything
Through the wings
Through the throat
Through the hollow cathedral
of the chest
where attachment had already begun
lighting its candles
That is what these images are, I think
The progression
of a soul trying to preserve its dignity
while quietly drowning in devotion
At first
the suffering is elegant
Almost holy
But grief is alive
And living things
eventually bleed through

So the bird darkens
The colors deepen
The silence grows teeth
Until one day
even dignity itself
begins fighting for oxygen
inside the attachment
And still
The bird continues singing
That is the part
that dismantles me
Not that it is wounded
But that it continues loving
while wounded
Continues turning its small trembling body
toward warmth
even after realizing
the light is already leaving

Some nights
I want to tear myself free from it completely
To become a bird myself
To split open the evening
with all the things
human dignity will not let me say
To fly blindly into the dark
Rather than remain here
composed
while my soul floods quietly beneath me
Because I cannot remember
ever loving like this before
Not with this much ache
Not with this much silence
Not with this terrible instinct
to preserve grace
while the heart is collapsing
And perhaps
that is the saddest thing
about being human
how we continue singing
long after we understand
no one is coming
to save us
from our own devotion

I surrender to the sun
while the birds sing recklessly
through the trees
like they are drunk on oxygen and light
The swing moves softly beneath me
The breeze slips across my legs
the side of my face
warm and cool at once
touching me
with both hands
And suddenly
the whole afternoon feels romantic
the wind
the creaking wood
the gold light spilling through leaves
like heaven forgetting to close a door
For once
I do not want anything more
than this

I sit motionless
until the world stops feeling louder
than my own breathing
I loosen my hands
from the steering wheel
I remind myself
that fear is not prophecy
That the nervous system
can turn uncertainty
into catastrophe
if given enough silence
Outside
someone returns a shopping cart
Someone adjusts sunglasses
beneath a blue sky
Someone continues living
without realizing
another human being nearby
is quietly trying
to come back to themselves
I watch ordinary life carefully
when this happens
The woman loading groceries
The wind moving through trees
The automatic doors opening and closing
Small evidence
that reality remains intact
Sometimes I lower the windows
just to feel air move
Sometimes I put my hand against my chest
as if calming an injured animal
Sometimes I say my own name
softly inside my head
to remind myself
I am still here
And eventually
the world returns gradually
Not all at once
First the parking lot
Then the sunlight
Then my body
Then the understanding
that I am not losing my mind
Only carrying too much of it
at the same time
Sometimes the tears arrive so quietly
I notice only the taste
Salt gathering at the corner of my mouth
like the body attempting
to return itself to the sea
The instinct to disappear
To heal unseen
I think I am like cats in that way
I hide to cure myself
Inside parked vehicles
Empty driveways
Silent kitchens after midnight
Anywhere the world cannot watch me
trying to gather myself back together
Sometimes I taste my own tears
and think how strange it is
that grief is made of salt too
as though the body already understands
that survival occasionally requires
licking your own wounds
in solitude
Until eventually
the breathing slows
The thoughts loosen
The ordinary world resumes its shape
And I return quietly to it
carrying myself carefully
like something once injured
still learning
that not every silence
means danger
At night
my body becomes aware of you
the way the sea
becomes aware of the moon

Slowly
Then all at once
The windows are open
Rain moves somewhere beyond the trees
The room smells faintly of oil
warm cotton
jasmine dying softly in a glass

And my skin
My skin remembers your hands
with a devotion
that frightens me
The way you touched my waist
as though holding something
both sacred
and dangerous

The restraint of you
Not taking
Not claiming
Only resting your hand there briefly
while my entire body
opened beneath the silence of it

A woman can survive many things
Loneliness
Distance
Even absence
But gentleness
gentleness enters the body
and rearranges it

I think something inside me
permanently altered
the day I left the hospital
with my oldest son in my arms
and nowhere to go afterward
My stomach stitched in perfect lines
The nurses speaking softly around me
as if tenderness alone
could disguise abandonment
Outside
families loaded cars carefully
Fathers adjusting blankets
Women leaning back into passenger seats
flowers resting in their laps
like proof
they had been carried gently
through the violence of becoming

And there I stood
holding my newborn
trying not to let humiliation
be the first thing he inherited from me
So I called a taxi
I remember the driver asking for the address
and the terrible realization washing over me
I did not even have a key
to enter my own home
God . .
Even now
all these years later
I can still feel
the animal panic of it
Not woman
Not wife
Not mother
Animal
A creature trying to shelter her newborn
from storm weather
with nothing but her own exhausted body
The taxi dropped us off quietly
and I remember standing there
holding my son against my chest
the evening air cooling the sweat on my skin
realizing I had nowhere to go
So my neighbor let us inside
And something about that moment
scarred me more deeply
than childbirth ever could
Because the physical pain was irrelevant
None of it compared
to the humiliation
of standing outside your own door
with a newborn in your arms
feeling less like a human being
and more like some stray cat
searching desperately for shelter
before nightfall
And the terrible part is
almost no one knew
Not my family
Not friends
Not even my son
Especially not my son
Because I refused
to poison his love for his father
with the truth of what happened
So I swallowed it
Quietly
Daily
For years
And perhaps that is where
the real scar formed
not in flesh
but in silence
The performance
God . .
how wickedly I fought
to preserve appearances after that
I became composed
Functional
Capable
I built warmth around my children
while privately feeling
like some weather-beaten creature
dragging itself through winter
on instinct alone
People praised my strength
They had no idea
strength sometimes looked like
crying silently in bathrooms
washing your face
then walking back in
because small eyes were watching
and you refused
to let them witness the storm

And maybe that is why
I dream of rooftops
Because roofs understand
what it means
to endure weather publicly
while splitting apart slowly underneath
Rain
Heat
Storms
Lightning
Still
from the street
they appear intact
Just like I did
But some nights
when the world quiets enough
I can still see her
that younger version of myself
stitched closed too quickly
holding a sleeping newborn
outside a locked door
already understanding
that survival
was no longer temporary
It was about to become
her native language
Some nights
I want to live on the roof

Not visit it
Not escape to it briefly
Live there
Make a small religion
out of shingles and weather
Drag blankets across the incline
let the night air raise goosebumps along my arms
learn the language of wind
instead of human disappointment
Because roofs understand things
houses do not
A house remembers too much
The rooms hold emotional fingerprints
The walls repeat old conversations quietly at night
Even silence feels furnished
But a roof
a roof faces the sky directly
It knows rain intimately
Knows the ache of August heat
Knows hail
lightning
the slow ruin of seasons
and still remains open to the atmosphere
I think I belong
to that kind of existence now
Open-air
Half-feral
Emotionally exposed to weather
I imagine myself there at midnight
flat on my back
watching clouds drag themselves
across the moon
like exhausted thoughts refusing sleep
The cold fronts arriving first as whispers
The smell of rain climbing upward from the earth
Tree branches below me
thrashing softly in the dark
like grief trying to become visible
And for once
nothing asking anything of me
No performance
No explanations
No pretending the body
is not carrying entire oceans of feeling
through ordinary life
Just me
and the terrible beautiful atmosphere
of being alive
Maybe spring would soften me there
Maybe summer storms
would teach me how to come apart correctly
Maybe winter
with its clean unbearable cold
would finally quiet
the constant machinery of longing
inside my chest
And maybe that is why
I ache for height
because sadness feels different
closer to the sky
Less like drowning
More like weather
Passing through
Electric
Uncontrollable
Briefly luminous
Some nights
I swear I could sleep there forever
letting moonlight collect along my skin
letting rain baptize every memory out of me
until I became less woman
and more horizon
something no longer trapped inside walls
but stretched endlessly open
beneath the enormous dark mercy
of night

I sit here digitally composing words across a screen
while somewhere far away
my son’s handwriting still exists on paper
creased softly at the folds
forty-five days old already
by the time it reached my hands
And nothing about modern life can compete with that
Not the blue glow of notifications
Not the speed of a text arriving mid-thought
Not the endless stream of people speaking
without ever truly touching one another
Because ink carries the body with it
The pressure of his hand
The pause between sentences
The places where he pressed harder
without realizing emotion had entered the page
I opened the envelope slowly
like people used to open news from war
carefully—reverently
already afraid of loving it too much
And somehow this letter lifted my spirit
in ways nothing else has been able to lately
For one suspended second
I forgot distance
Forgot oceans
Forgot time zones and deployments
and the unbearable mathematics of missing someone
I forgot the years moving forward
I was no longer standing in my kitchen
holding paper beneath morning light
I was simply his mother again
close enough to hear his voice in the next room
close enough to believe
love still travels faster than grief
And I wanted to archive this feeling somehow
Fold it carefully into a drawer
Place it beside kindergarten photographs
old report cards
little league schedules
the backpacks I could never throw away
As if tenderness could be preserved
like pressed flowers between heavy pages
As if a mother could save a moment
before life carried it off again
Because the terrible thing about joy
is how quickly it understands
it cannot stay
So I stood there quietly
holding the letter against my chest
like something alive
trying to memorize
the exact shape of being needed
the exact sound of my spirit returning to me
through his handwriting
And for a moment
this loud technological world disappeared
No algorithms
No scrolling
No noise
Only a mother standing silently
holding proof
that space and time are not always strong enough
to keep the heart from returning home
I still have the backpacks
Every one of them
Kindergarten dinosaurs
faded superheroes
broken zippers
ink stains
the straps worn thin
from years of carrying
small important things
They sit inside plastic totes now
stacked quietly in the house
like sealed chapters
of a life that happened too fast
Sometimes I open them
And suddenly
the years come rushing back
little lunch boxes
crumbs at the bottom
folded spelling tests
a forgotten pencil
the smell of childhood
still hiding faintly in the fabric
like time never fully left
People say:
why keep all of that?
But mothers understand
Because those backpacks
once moved through this house
attached to small boys
with untied shoes
sticky hands
and entire universes
still tucked inside their laughter
I carried them through
field trips
divorce
growing pains
late-night homework
broken hearts
and all the ordinary holy moments
that disappear before you realize
they are becoming memory
Now the house is quieter
The backpacks do not move anymore
But when I see them
I remember this truth
for a little while
I was the center
of somebody’s whole world
And maybe that is why
I cannot throw them away
Because inside those faded bags
lives proof
that love once ran wildly
through these rooms
calling me Mom
There are men
who will never say
I miss you
Instead they ask
Are you home?
Did you eat?
As if longing sounds less dangerous
when folded into ordinary language
And maybe for some people
it does
Maybe some hearts
were taught survival before confession
I used to think harbors
were built for ship for battered things
dragging entire storms behind them
for vessels returning at impossible hours
and their lights barely surviving the fog
But now I think
a harbor is simply
what happens
when something weary
finally finds the one place it can soften
Maybe that is why
you keep asking
Where I am
Not because you need directions
But because somewhere inside you
my existence has become a shoreline
something your spirit checks for
before resting
So now when I think of harbors
I no longer imagine docks or boats
I imagine two people
finding shelter
inside the sound
of each other’s voice



A woman facing water

Has existed in art longer than memory itself
waiting
grieving
remembering
becoming
The harbor is not merely a place in these sketches
It is the human condition
the shoreline between staying and leaving

I drew the figure again and again in charcoal
because charcoal behaves like memory
it smudges
disappears
darkens where touched too often
And the lighthouse became abstract on purpose
Some people are not meant to be rendered clearly
Some loves survive only in silhouette

So I kept stripping the image down
less harbor
less certainty
more white space
more silence
until all that remained
was a woman
an ocean
and the unbearable softness
of standing still
while something inside her
kept drifting toward shore

Watched a man bluefish near shore
and called him my friend
Not because I knew him deeply
but because loneliness sends strange signals across water
and sometimes another lonely thing answers
He drifted there beyond the tide line
half man—half sea
moving through the dark current
like a ship that had spent too many years
navigating storms alone
And I thought about love then
How women often stand at the shoreline
wanting arrival
Wanting something that docks fully
Something that lowers its anchor honestly
Something that says
here I am
I am no longer drifting
But some men love like the sea itself

They come close in waves
Retreat quietly
Return again under different weather
Not because they feel nothing
Because they feel too much
and fear what happens
when a heart finally reaches harbor
So they remain partly offshore
close enough to see the lanterns burning
close enough to hear tenderness calling from land
yet unwilling to surrender
their last route of escape
And women
women become lighthouse keepers in these loves
Faithful
Exhausted
Standing in terrible weather
trying to interpret distant signals correctly
Was that warmth?
Was that love?
Was that merely loneliness
passing briefly through the harbor again?
The fish-tail made sense to me then
Because some people belong partly to deep water
Partly to solitude
Partly to longing
They want intimacy
the way sailors want shore after months at sea
desperately
romantically
and with absolutely no idea
how to live there peacefully once they arrive
Still, there was gentleness in him
The tide carried him softly as though even the ocean understood
how exhausting it is
to spend a lifetime torn
between closeness and freedom

To be continued
If I could
I would place every fear I have for my sons
inside a small wooden box
and leave it out in the yard

I think about that box often
I imagine it sitting there alone beneath the weather
the grass growing slowly around it
rainwater darkening the wood
August heat opening tiny cracks along the lid
A plain little box
holding all the unbearable parts of motherhood
At first
the box would have held small things
Fevers in the middle of the night
Tiny shoes by the door
The sound of them crying from another room
The terrible helplessness of hearing your child cough
while the whole dark house waits with you
Back then
I thought motherhood was about protecting
I did not yet understand
that motherhood is mostly about enduring

So the years passed
and the box grew heavier
Into it went first heartbreaks
Late-night drives
Silences
The fear that arrives when your children begin
walking further and further away from your arms
And now my sons are men
Men in uniform
Men standing inside realities
I cannot soften for them

So now the box holds oceans
It holds unanswered messages
It holds the terrible imagination of mothers
It holds the sound of a phone not ringing
It holds every silent prayer
I have whispered into the light
If I could
I would leave the box outside forever

I would let rain kneel over it through the night
Let thunder shake it open
Let wind carry pieces of my fear away
through the trees
I would let winter freeze it stiff
Let summer split the wood apart slowly
until the earth itself
began carrying some of the weight for me
Because I am tired
of carrying the box inside my body
Tired of setting it beside my coffee each morning
Tired of carrying it room to room invisibly
while the world continues normally around me
And still
when I close my eyes
the box becomes lighter again
Inside it
I find warm little hands clenched in mine
Their laughter moving through the hallway
Maybe that is the true shape of motherhood

a small wooden box
filled first with tenderness
then with fear
then with all the love in the world
a human being can no longer survive carrying alone
I no longer dream
of extraordinary things
Not anymore

I dream of a quiet kitchen at dawn
I dream of open windows
A slow walk at dusk
beneath a sky turning the color
of bruised peaches and old paintings

I want less noise now
Less performance
Less of this endless human habit
of proving we are worthy of being loved
What I want now is simple
and therefore sacred
A sink full of dishes after dinner
The soft weight of my sleeping cats in sunlight
Music drifting through the house at midnight
And love
if it finds me again
must arrive gently
No grasping hands
No crowded silences
No love that mistakes possession for intimacy
I want someone calm enough
to sit beside my quiet
without trying to translate it
Someone who understands
that my space
my art, my time
the invisible interior life of me, has always been cageless
Not distant
Not cold
Simply alive in quiet ways
Like birds disappearing into evening trees
Like moonlight moving freely across the floor
Like poems arriving at 2 a.m.
asking for nothing except room to breathe
Because after all these years
I think love should feel less like fire
and more like light from another room
soft, steady, enduring
the kind that lets you remain fully yourself
while never letting you forget
you are deeply—gently
not alone
Morning to me arrives like a man who forgot his hat and came back quietly for it
Soft-footed—half-awake across the kitchen floor
like God still believes in us a little
My coffee breathes first
Outside sprinklers turn slowly through somebody else’s green lawn
And somewhere a woman opens a window
without knowing she just saved herself for another day
I love mornings
And their refusal to explain anything
I stand here barefoot
hair uncombed holding this warm cup against my chest
And for one holy second
I can hear my own soul breathing inside this quiet house
That’s morning
Not sunrise
Not birdsong
Not poetry
Just the beautiful human ache
of beginning again
There is something about rain in the late afternoon that makes the heart unable to hide from itself.
Maybe it is the softened light.
The sound of water moving through trees and gutters.
But the moment the rain begins, everything returns.
The people we loved.
The people we lost.
The lives we almost had.
The tenderness we still carry despite ourselves.
And suddenly I feel everything.
Every person I have ever loved.
Every version of myself that survived loneliness quietly.
Every moment tenderness entered my life and left before I was ready.
For one impossible moment they all come back.
My sons as babies asleep against my chest, warm and safe.
The sound of laughter moving through a house that once belonged to all of us.
And then the breaking of it.
The slow unbearable fracture of a little family I tried so hard to hold together with my bare hands.
A marriage that looked like a home from the outside but inside felt like disappearing quietly day after day.
The exhaustion of surviving inside something that no longer allowed me to fully exist as myself.
The terrible guilt of walking away.
The terrible necessity of it too.
And sometimes, when it rains like this, I still wonder.
Should I have stayed?
Should I have endured a little longer for the sake of my sons, the photographs, the illusion of wholeness?
But deep down I know remaining would have been its own kind of violence.
A slow crime against the self.
And so I left carrying both grief and freedom in the same trembling hands.
Rain brings all of it back.
Quietly.
The way grief actually lives inside the body.
You stand there listening to water move through the darkening afternoon while your phone stays silent beside you and suddenly the weight of being human feels almost unbearable.
Because love after fifty is no longer about fireworks.
It is about tenderness.
Someone remembering you.
Someone noticing your exhaustion.
Someone asking if you made it home safe in the rain.
And the heartbreaking thing is how little of that most people receive.
Most people are starving for softness while pretending they no longer need it.
Most people are carrying invisible loneliness through conversations about ordinary things.
And still
The heart continues reaching.
Even after loss.
Even after disappointment.
Even after entire lives collapse and rebuild themselves around absence.
The heart remembers warmth and spends the rest of its life searching for it again.
Outside the rain keeps falling steadily and inside every lit room
someone is remembering somebody they loved.
Someone gone.
Someone distant.
Someone they still carry quietly inside them.
And maybe that is why rain hurts so much because for a little while
everyone we have ever loved feels close enough to touch again.
the smile in your children’s faces
that breaks you open
before you can protect yourself
the way morning comes anyway
pulling light across a room
you didn’t think you could get up in
the breath that stays
even when you wish it would stop
even when you are too tired to carry it
the small hand that finds yours in the dark
and believes without question—that you will be there the moment you realize
you have to be
the light on the wall
that doesn’t explain anything
and still feels like mercy
the yes you didn’t plan to say
the one that leaves you trembling
the one that keeps you here
the chair you leave empty
and still return to
as if something might come back
the strength you never asked for
but were given anyway
the quiet that holds you
when you are falling apart
and no one knows
the forgiveness
that comes back
after you swore you were done
the love
you keep giving
even after it breaks you
even after it leaves you
again
and again
the nights
you sit alone
holding everything together
and no one sees
and still
you hold
the way you keep showing up
even when it costs you everything
the way you still care
after learning how much it hurts
the way you make space
for others
when no one made it for you
the moment you whisper
I can’t do this
and do it anyway
the life you are building
even when it feels like nothing is forming
the quiet strength
of not leaving yourself
when everything in you
wants to disappear
God is this
this breaking
this holding
this staying, the part of you that will not give up even when you beg it to
the hope that is not gentle or easy but relentless, the force that keeps your hands open and your heart turning
the reason you are still here, still loving, still choosing, still… after everything, still
there is a bird in the hinge

you know it
in the moment you almost choose yourself and don’t
I kept mine quiet, called it strength
it wasn’t —just
fear, well-behaved
it learned my breath, waited, pressed
until I felt it
so here—take him
and know—color is effortless the moment you stop holding it back

i saw myself
standing in the grocery line of my own life
hands full of things
i did not choose
no one tells you
how quietly it happens
how you keep saying yes
until your hands forget
what no —feels like
i watched myself swallow it—a bird
not the kind they print on curtains
but the ragged one
ink-splattered
off balance

with a wing
that can’t decide
if it is breaking
or beginning
i say bird
you say anxiety
the doctor says reflux
my mother says pray
my body says:
listen
behind the sternum
that almost-ache
that isn’t pain
that drop in the gut, that sudden remembering
you are alive
and not
where you thought
you would be
i have become
a species of almost-flight
i negotiate with gravity
in quiet rooms
and call it duty
some call it love
some call it
be reasonable
i have learned
the choreography of staying
how to smile
while something in me
paces
i saw a woman
that woman was me
setting a table for ghosts
one plate for my father
one for each son
in their uniform of distance
their chairs pulled out
but empty
and one
for the self
that slips out the back door
when no one is looking
she pours water
for all of them
her hands don’t shake
she does not drink
the bird in her chest
has feathers made of memory
a beak made of unfinished sentences
its claws
hook into the soft places
where decisions live
and the world keeps saying
be calm
be grateful
while the sky
indecent in its openness
says nothing
i ask it for instructions
it gives me none
only this:
witness
the bird does not die
when ignored
it grows patient
it grows precise
it learns your habits
it learns
how long you can stand yourself
and waits
for the moment
you mistake silence
for peace
and then
it moves
not loud
not dramatic
just enough
to ruin the lie
i am not telling you to leave
i am telling you to notice
the exact second
your breath changes
the pause
before you explain it away
the shift
you pretend not to feel
that . .
that is the hinge
that is where your life
opens
or stays closed
you are not broken
you are over-kept
over-held
over-explained
you are wings
taught to apologize for air
so stand there
in your kitchen
in your car
in the long corridor
of your thoughts
stand there
and feel it
the press
the pulse
the almost
the part of you
that still wants more
even now
call it bird
if you want
call it hunger
call it the refusal
to live
half a life

you think I stay
because I return to the same chair
because my hands find you and you accept them without question
you believe that is the whole of me

but you don’t know men
you don’t know
how a man can enter a room and nothing visible changes
and yet something does
a slight turning
like a field responding to wind no one else feels
I have watched it happen without meaning to notice
there is something beautiful in them
I have to say that
the way they move with a kind of quiet certainty
as if the ground has already agreed to hold them
you would like that about him
you already do
you know the man who bends down to you
who lets you lean into his hand
who asks nothing more than the moment he is in
you know only the man who pets you
but you don’t know
how those same hands can linger after they are gone
for years he was simply someone I knew
a presence that did not ask to be considered
beyond what it was
and then
one day
nothing happened
and still
something shifted
I cannot show you where
there is no place to point
no beginning you could follow
only a feeling
like the first sign of weather before the sky changes
you don’t know men
how they can remain as they are
and still become something else
inside you
now
when he reaches
I do not step away
it is not that I don’t see it
it is not that I don’t understand
it is that something in me has already answered
and afterward
I carry it
that is the part
you would not understand
how I return here
sit beside you
touch you as I always have
and still feel
what has passed through me
not where it happened
but where it stayed
you understand the world as something that arrives and remains
you understand what can be held
but you don’t know
how something can move through you
and leave no place behind for itself
and still be there
you don’t know men
how they can walk away
with nothing in their hands
and still leave something in yours
and yet
there is no anger in me
only a quiet awareness
that I am
not as I was
that something in me
has opened
and does not close as easily
you look at me
as though I am whole
as though I belong entirely to what returns
and I let you believe it
because you do not know my language
you do not know men
and still
I stay

you walk past me
like you’re still carrying the outside in with you
the door closes
but it doesn’t take it with it
keys fall
bag falls
your hands don’t
they reach for paper
like it won’t ask you anything back
you don’t look at me
not yet

and I want to tell you
it can wait
you can sit first
you can breathe
but I don’t have that kind of voice
so I stay quiet
like always
you work fast
too fast
like something is right behind you
breathing
calling your name
in a voice you don’t answer
I hear it
I wish you could hear it
the way I do
but I can’t give it to you
I can only watch
as your hands press harder
like pressure might fix it
I have seen you in other lives
same body
different light
this home has seen it too
birthdays
graduations
deaths
walls holding sound
long after it leaves
your sons became men
one by one
they walked out of these rooms
carrying pieces of you with them
the doors closed softer each time
and the house learned
how to be quiet
you used to turn toward it
now you turn inward
and I
I remember everything
you don’t say out loud
you move like a held breath
like if you stop
everything will rise at once
I want to tell you
it’s already there
it’s not waiting

but I am not made for words
so I sit
and breathe slow
for both of us
you go somewhere
I know the place
your body stays
but you leave it
your eyes change
the room feels it
I go with you
I always go with you
because I can
because you don’t know how to stay there alone
you give things up early
like you’re afraid
of what might stay
I want to tell you
not everything that stays
hurts
not everything that grows
will take from you

but I don’t have language
only presence
only this small body
that follows you
without question
there are others
I know them too
the ones you don’t speak about but carry anyway
I feel them
in the way your breathing breaks
in the way your hands hesitate
over nothing
I sit with you there
I wish I could say
their names with you
I wish I could tell you
they are still soft inside you
but I can’t
so I stay
there are nights
you are not here
even when you are
you sit in front of me
but you are somewhere deeper
and I want to call you back
I want to say
come here
stay here
with me
but all I can do
is walk closer
sit beside you
wait
and then
you come find me
not because I called you
but because something in you
remembers

my stillness
my quiet
my staying
your hand reaches
your body softens
your breath returns
and I feel it
that moment
when you come back into yourself
I would tell you
you don’t have to leave like that
I would tell you
you are safe here
I would tell you
you are still whole
even when you feel like you are not
but I was not made
for your language
so I stay
where you can find me
every time you forget
where you are
So I stay

this, comes from something I’ve felt for a long time but didn’t know how to show
the first time it happened I was twelve
standing in front of a mirror, looking at myself too long—something shifted

I could see my face, but I couldn’t feel that it was me, and that frightened me
since then, I’ve learned to recognize the feeling
it comes quietly
I keep talking, moving doing what I’m doing but I’m not fully inside it
this is what that feels like to me
like something begins at one point

here at the shoulder and then spreads outward
not as damage
not as pain
but as a kind of release
like I am still here but also moving beyond the shape that holds me
the lines are that movement
the color is everything that doesn’t stay contained
the body is what remains when something in me has already stepped away
I call it rumor in skin because it doesn’t arrive as something clear or visible
it begins as a feeling barely there
difficult to name
something moving under the surface before it can be seen
it spreads quietly
without asking
and by the time I recognize it
it is already happening

I start with a line

graphite—light
almost unsure of itself
because if I press too hard it becomes a commitment
and I’ve spent years
living inside commitments
that didn’t fully belong to me
I build it slowly
short strokes
adjustments
erasures
small negotiations with the page
I try to find the shape
something recognizable
something that makes sense
this is the part
I was taught to trust
the part that can be explained
justified
approved
I hear his voice here
clear
decisive
you can’t make a living with words
you can’t make a life out of art
so I learned
to keep it contained
to make it small enough
to exist without threatening anything
but it never stays
somewhere in the middle
my hand loosens
not because I decide to
because I can’t hold it anymore
and that’s when I reach
for water
I let it fall
not controlled
not measured

I let it touch the graphite
and pull it outward
and it spreads
past the edges
past the version
that was acceptable
past the place
where I could still say
this is just a drawing
and I watch it
because I know
this part is not about skill
this is release
this is the place
I was told
not to trust
words do the same thing
they start contained
careful
edited
safe
and then
they don’t
they spill
they move
they say things
I didn’t plan to admit
and I come here
again
and again
and again
not because I’m searching
because I cannot swallow it
I tried
for years
to keep it inside
to make a life
that didn’t need this
but something in me
refused
quietly
consistently
until it began to show up in my body
in that pressure
in that drop
in those moments
where everything looks fine
and still
something is missing
this
this is where it goes
this page
this space
this place where I don’t have to explain
or prove
or justify
this is where I am allowed
to exist
without translating myself

the bird appears here
or almost does
mid-flight
mid-fall
mid-becoming
I don’t try to fix it anymore
I let it stay unclear
because that’s the only way it feels honest
I used to think
if it couldn’t be something
I could live from
it wasn’t worth this
this time
this attention
this need
but now
I see it differently
this isn’t about making a living
this is about not disappearing
this is about giving shape to something in me that will not stay silent
and every time
I let it out
in lines
in water
in words
something in me
settles
not completely
never completely
but enough
to breathe
and maybe that’s what this is
not a career
not a plan
a place
where I don’t have to hold it all
where I can let it move
where I can let it be seen
where I can stop pretending
it isn’t there
and that
that is why
I keep coming back

God is in the wrist
no, before the wrist
in that small electric yes
that happens before I move

I sit with paper like a woman with too many thoughts
He says nothing
Which is how I know it’s Him
Then—a line
It goes crooked on purpose
Leans into green
Like it’s remembering a forest
I’ve never seen but somehow miss
I try to fix it
He laughs in sunlight

Yellow breaks open
right through the middle of my doubt
Splits it clean, spills everywhere
He guides like that
Not neat
Not polite
Not asking if I’m ready just pushing light
through whatever part of me is still resisting being seen
My hand follows
like it’s been waiting its whole life to stop pretending it knows where it’s going —with one drop of color

I didn’t plan that reach
I didn’t plan anything
That’s the miracle
God is not in the finished piece
God is in the ruin of control
In the moment I let the brush wander and it doesn’t get lost
He was never waiting
at the end
He was in every mark
I almost didn’t make

you don’t say it
but it rides shotgun anyway

window down, elbow out, that quiet between us doing all the talking like a highway that forgot where it was going
you ever notice that?
how a thing can live
without ever being born just pacing the inside of your chest like a stray that found the door
but won’t come in
that’s us

you trim the truth
like a man shaving in bad light
leave just enough shadow to look like something real
and I sit there—feeling the weight of it
I become a sound you almost say and then don’t—and it echoes louder than if you had
that’s where I live with you
in the almost
in the inch before contact
in the breath you take
right before you decide not to cross it
and it’s not that you don’t feel it
I’ve seen it
in the way your voice slows down
like it’s trying not to wake something up
in the way you stay too long for a man who’s just passing through
you linger like a question you already know the answer to
but won’t ask
and me
I let it happen
I let the silence build a house around us
no doors
no windows
just walls made of everything we won’t admit
funny thing is
it feels warm in there
safe, almost
until it doesn’t
until you leave
and the air changes
and I’m standing in the middle of something
that never had a name

trying to explain to myself how something so present can still be missing
how a man can hold you
without ever really touching you
how omission
quiet, careful, deliberate omission
can feel more intimate
than truth
and here’s the part that stays
not you
you go, you always go
back to the life that has edges, definitions, doors that close
but this—this unfinished thing this almost this sentence that refuses its period
it lingers
in the coffee cup you didn’t finish
in the chair that still leans toward me
in the air that remembers the shape of your voice
and I
I finally see it for what it is
not love
not absence
but a corridor
long, dim, echoing
where we met halfway
and decided
without saying it
to never reach the end
And I
I walk straight through them
Tried to forgive the silence by giving it a story
Told myself
Some truths are shy
Some words take longer to arrive
Some men speak in seasons
But even the seasons confess
They arrive
They leave
They mark their passing with undeniable change
I understand
that omission is not emptiness
And yet . .
I don’t catch you in lies you’re too careful for that.
You hand me daylight
without ever mentioning the night you walked through.
And I
I stand there, holding a clean sentence feeling the dirt underneath it.
Something is always missing but never named.
Like a chair pulled out
from a table I didn’t see set.
Like a door still warm
from being closed
just before I arrived.
You speak in completed thoughts, but I hear the hinge—that small metallic truth swinging somewhere just outside the room.
I tried to name you like weather, to soften the edges of you—but even storms confess.
Even the tide tells on itself.
So I begin to doubt
my own architecture
maybe the house was always this uneven
maybe the floor was meant to tilt like this
maybe the silence is mine.
But no—it’s the way you curate reality like a careful museum
every absence framed
as if it belongs.
And I walk through it,
quiet, hands behind my back, trying not to touch
what isn’t there.
To be continued
I watched the sun hide
and the birds went after it

not all at once, not in some perfect formation
you could name or study
just one lifting then another then more until the sky itself looked like it had decided not to stay still
like something moved through them and they answered
no thinking
no pausing
no weighing what it meant
just wing
and direction
and me —I stayed
because that’s what we do
we stand there
and understand it
we know the sun is leaving
we know it comes back
we know this is the oldest pattern
there is
light goes
light returns
we’ve made peace with it or at least we pretend to
we tell ourselves
this is how things continue
and still—they go
small bodies
holding the last heat of it
as if they can feel
the exact moment
it slips out of reach
and they refuse
to let it go quietly
they follow past where it makes sense past where there is anything left to follow
and I watch them
thinking how strange it is
they don’t know
what we know

they don’t know about tomorrow
or return
or the comfort
of things coming back
to them
light is not a promise
it’s an occurrence
it was there
it touched them
it warmed them
and now it isn’t
and that is enough
to move
so they move
and we don’t
we stay
we explain
we name it
so it hurts less
we say
it’s fine
it’s supposed to happen
we say
it will come back
we say
wait
and we do
we learn how to stand still
inside loss
and call it understanding
and then
when everything is gone
when the sky empties itself of even the idea of light
there’s always one

a songbird somewhere
you can’t see
still singing
not louder than the dark
not enough to change anything
just steady
like it missed the ending
or chose not to believe in it
and that’s when it turns
because we say we’re different
we say we understand
but we do it too
just not with wings
we call things back
in quieter ways
in memory
in longing
in the way we return
to what is already gone
and sit there with it
as if it might shift
we replay voices
we hold onto warmth
long after it has left the room
we don’t rise into the sky
but we follow
in thought
in feeling
in the quiet insistence
that something that mattered should not end so cleanly
and I stand there
between them
their instinct
and my knowing
knowing the sun will return without being called
knowing there is no need
and still
feeling it
that pull
deep and unreasonable
to call it back
as if, just once
it might listen
Habit of Following
you come from a woman from a body that carried you without question, from hands that knew you before you spoke, from a kind of care you never had to ask for

you were held before you understood what holding was, fed before you knew hunger, loved before you knew how to return it
you were soothed when you didn’t understand your own discomfort
you were seen before you knew how to be seen, you were answered before you knew how to ask

and then you grow into a world that teaches you distance teaches you how to move forward, how to leave, how to harden, how to forget what it felt like to be kept
and you come back to us as men standing in front of women as if we are something new, something to figure out, something to reach
but we are not new
we are the same place you once lived inside
so why do you do this
why do you stand so close and still not see us
why do you reach
without knowing what you’re reaching for
why do you touch without understanding what you’re holding
why do you move through us as if we are surface
not all of you
but most of you
and it repeats
the same distance
the same absence
the same quiet disconnect
as if something in you
chose forgetting
over remembering
because you don’t know us
not the way we feel you before you speak
not the way we notice what you don’t say
not the way we hold what passes through you without you ever stopping to see it
we feel your hesitation your distraction, your presence when it’s real
and your absence when it isn’t
we feel when you arrive
and when you don’t
and still
we are expected to remain
as if closeness is something that happens
just because you are near
but it is not
it is as if you forgot completely what it was like to be known without asking, to be cared for without earning it, to be held without having to arrive
and now you move through us as if we are surface—but we are not
we are still that same quiet place, still able to hold, still able to know
still capable of seeing you in ways you don’t yet —see yourself
but no longer willing
to be forgotten
while you stand inside us
you come from us
and still
you don’t remember
how to see us
how to feel us
how to meet us
in the very way
we once held you
charcoal—comes from something that burned all the way through its excuses

no color to charm you
no gloss to lie for you
just carbon—the aftertaste of fire
sitting in your hand
like it knows exactly what you’re avoiding
I take it anyway
it dirties me first
before
I make a single mark

Good
I don’t trust anything
that lets me stay clean
It drags across the surface like it’s pulling something out not placing something down
a line—too honest
another—already arguing with me
there’s no fixing it
only facing it
press too hard—it snaps
hold back—it exposes the hesitation like a cracked voice
mid-sentence
it reads the body better than I do
every tremor
every second of doubt
every moment I almost chose to be careful instead of real
it keeps all of it

even when I erase
and I do
it leaves a smear like a fingerprint at a crime scene
you were here
you meant that
or you didn’t
but you touched it
charcoal doesn’t care
about pretty
about finished
about approval
it cares about contact
about that split second
when the hand stops negotiating and just goes
reckless
accurate
unprotected
it’s not drawing
it’s exposure
a slow stripping
of whatever polish
I thought I needed
until what’s left
isn’t impressive
isn’t composed
just true enough
to make me look away
and then look back
because that’s the trap

once you see it
you can’t unsee
the version of yourself
that showed up in the mark
not the curated one
the other one
the one that doesn’t ask
to be liked
only to be left
on the page
exactly as it is
dark
unfinished
and impossible
to clean off completely
what do I do with this
please tell me
what does a woman do
when a man can sit in front of her feel everything
and then walk out of it like it never asked anything of him
what do I do with it

when the body won’t settle
when the hands won’t rest
when something in me feels slightly outside of itself
like I’m watching
my own mind
try to make sense of you
of the way you stayed
and didn’t stay
of the way something opened and you closed it
without even touching it

what have you done
no—what has this done
because it sits in me like something unfinished
like something that refuses to find a place
and I keep going back to the same few seconds
the same shift the same moment you became someone else without moving
and I’m here
holding both versions the one who leaned in
And the one
who looked at me after
like nothing had crossed

and it makes me feel
ill
not sick
not broken
just… off
like something in me
knows this mattered
and something in you
wouldn’t stay
and I don’t know
how to put that down
I don’t know
how to return
because —I have left before
I have walked away
from things that broke me
I know how to go
I know how to close a door
but this
this feels like something
I stepped into
that won’t let me out and there’s this thought
I can’t quiet
what if I made it all up
what if it only ever lived
on my side
and still

even with that
I can’t walk away
because I didn’t imagine
the feeling
I felt it—fully
and maybe that’s it
maybe I went all the way in and you didn’t stay there
and now I’m left with something that feels real
but has nowhere to land and tonight —I tried to draw it and my hands trembled
like they knew before I did— what I was touching
and I had to stop
because something in it made me nauseous
like seeing it outside of me
made it undeniable
and now—there’s nowhere to put it back

so I come here to digitally cure myself
and still —it stays awake in me and I keep thinking how can you sleep
how can you sleep
knowing this
or not knowing it at all
how can you close your eyes when something like this
is still moving in me
Nowhere to Land
(2:00 a.m.)
I wasn’t trying to write.
I picked up charcoal
because I needed somewhere to put it.
Whatever this is. Just lines. Nothing finished. Nothing that stays still long enough to make sense.
I kept trying to shape it
into something I could recognize.
Couldn’t.
Every time I thought I had it—It moved.
So I stopped trying to make it look like anything.
Just let my hand follow it. That’s when it felt closer.
Not right—just… closer.
Same thing here.
I’m not writing to explain it. I don’t even think I can.
I’m writing because it won’t sit still inside me.
Because it keeps happening and then disappearing like it was never there.
And I’m left with it
Whatever’s left of it
trying to hold onto something that doesn’t hold back.
So this isn’t a story.
It’s not even a thought all the way through.
It’s just me trying to catch something in the moment it almost becomes real.
Before it moves again.

I keep seeing you
in the middle of things
Never where anything starts, never where anything ends
You just show up, and I let you
Like it’s something I agreed to a long time ago without realizing it
We talk—we always talk—about everything that doesn’t matter
Because the one thing that does would change everything
And we’re not willing to do that
So we don’t

We just stay here
Living inside movement,
letting it keep going
because stopping it
would force it to become something real
And I think that’s
what’s wearing me down
Not you
Not even this
Just the way
it never gets to land the way I feel it and then have to pretend
I don’t
The way you look at me
like something is there
and then leave like nothing is
I don’t think you’re lying
I think
You’ve learned
how to live inside it
without letting it touch
the parts of your life
that would break
I haven’t
And maybe that’s the difference between us
You go back to something solid, something defined,
something that makes sense to the world
And I stay here—in something that only exists when you’re standing in front of me
And I hate that sometimes
I hate how real it feels
when you’re here, and how quickly it disappears when you’re not
I hate that I’ve learned
how to adjust to that
How to hold it without asking for more
Without asking you to choose it
And I’m tired
Not loudly—Not in a way anyone would see
Just in that quiet place
where something keeps going long after it should have stopped
And still—I stay
Not because I don’t know better
Not because I’m waiting
But because something in me still believes
this isn’t nothing
That it matters in some way that doesn’t have a place to exist

So I stay—in something that moves, but never arrives
And maybe one day
I’ll get tired enough
to step out of it
Or maybe I won’t
Maybe I’ll just keep
living here—in this quiet, unfinished space
Where something real
keeps happening
without ever becoming anything
I can call mine

Since when do birds sing at night ?
I lie there listening
Wondering
If I’ve missed this my whole life
Or if something in me has only now grown quiet enough to hear it
It doesn’t sound mistaken
It doesn’t sound lost
Just one note
Then another
Falling into the dark as if it belongs there

Since when does the night allow this?
I thought it was meant
to close things
To gather everything inward
To soften it into silence
But the bird does not soften
It continues
As though the hour is not an ending but an opening
And I begin to wonder
Since when have we decided there is a right time to be heard ?

Because the bird does not wait
It does not hold back
until morning makes sense of it
It sings because it is awake
And I am awake too
In the same dark
Under the same quiet sky
Carrying something just as restless
Just as certain
Just as unwilling to be quiet

And it comes to me simple, undeniable
We are not different
We have only learned
To wait
The bird has not
It sings as if the hour
cannot contain it
And I lie there listening not only to the sound
But to the space it opens in me
And the question it leaves behind
Since when did I begin to believe – I had to be silent just because it was night?
‘NightBird’
It is the precise hand that separates me
From what I was permitted to name
And what I have always known beneath the visible
I say – body’
and mean a threshold
Just a place where things pass through
whether I consent or not
I say ‘silence’
and mean a room
that remembers everything
I say ‘love’
and mean the undoing
though I’ve called it other things to make it easier to keep
And here in saying one thing and meaning another
I begin to breathe not freely but sufficiently
As though metaphor
does the work for me
As though air is easier to accept when it arrives
in disguise
I do not take the world
as it is
I take it as something adjacent, tide, light
A turning I can tolerate and in that adjustment
it becomes manageable
Almost beautiful
And I
Still composed, still intact in appearance
Open just enough to continue
Without having to call it
what it is

My thoughts wander
Barefoot and unashamed
I say ‘leaf’
And I mean
The whole earth unfolding
I say ‘breath’
And I mean
The shared air of all who have live for me
Nothing is singular here
Nothing stands alone
Metaphor is my great companion
It walks beside me
Unbuttoned
Unafraid
Naming the world twice
So I may know it
Once more deeply
It takes the smallest thing in my hands
And makes it vast
A blade of grass
A pulse
Leaving me forever altered
And in love
Because, love is
The rupture
The bright unignorable incision that renders the literal, impossible
It is the precise hand
that separates me
from the wound
And from the words
that attempt to dress it
I am not the wound
I am not the language
that softens it
I am the edge
And
The exact place of entry

I step out of my home
and the wind, gentle and unhurried
Finds the curve of my spine
Like a hand remembering a shape it once held
The trees in their full green bodies
The sky without boundary
The birds
Writing their quick signatures across it
And I, too, am written there
I do not deny what stirs in me
I include it
This warmth that leans toward another
It belongs to the same order as sunlight
As breath
As the turning of the earth
I say there is love here
And the feeling is ethereal
Yet rooted

You ask me why I love being a woman.
I could speak of the ways we are taught to tend.
To hold, to soften.
A rocking chair postured in selflessness.
Moving for others, rarely for itself.
That is one truth, but not the only one.
There is a fullness I came to. Without asking.
Not given, not earned, something that lived in me long before I knew
how to name it.
The fullness I carry
belongs to no one
who might touch me.
It is not awakened, it does not wait.
I have lived in opposition to my own shape, called it discipline, called it virtue.
Until even silence grew tired of my resistance.
Now there is no argument.
My body
Stands, soft, unrevised.
If I am loved, it is incidental, a passing light through a room
already lit.

I did not mean to write this.
It came the way certain things do. Without asking, without a plan.
As if something in me had grown tired of remaining hidden.
Nothing here is finished. Nothing has been made whole.
This digital space holds what has shifted, what softened, what could not return to where it once rested.
If there is tenderness, it is small and easily missed.
If there is opening, it is not sudden, only a slow turning toward something.
I am still learning to trust.
There was a time I believed that staying closed was the only way to remain intact.
That if I held myself carefully enough, quietly enough, nothing could reach me that might take more than I was willing to give.
And I became very good at it.
I learned how to remain how to speak, how to move through the world with precision, with control, with a kind of quiet restraint that made everything appear unchanged.
But there is a quiet cost to that kind of living.
You begin to disappear from yourself.
You begin to forget what it feels like to exist without guarding every part of you.
You begin to live as something contained, not something alive.
And somewhere in that without my permission something in me began to resist.
Not loudly.
Not all at once.
Just enough to make it impossible to return to what I was.
And that is where these words come from.
From the place I kept hidden, not because it was empty, but because it was too full.
From a self that has always spoken in images
In petals that refuse their bloom.
In soil that remembers everything.
In light that does not arrive but waits until it is allowed.
My metaphors are not decoration.
They are translation.
They are the closest I can come to saying what I have carried, without breaking it open too quickly.
Without losing what it means to me in the telling.
If you know how to read them.
You will know me.
Not entirely.
But in the places where language hesitates.
Where meaning slips.
Where something is felt before it is understood.
Because . .
That is where I live.
Between what I can say and what I cannot.
Between clarity and concealment.
Between the self I offer.
And the one I keep just out of reach.
Words arrive to me.
And I must place them somewhere, before they begin to weep within me.
They do not come when I am ready.
They come when I am unguarded.
Late, when the world has quieted.
When the hour no longer belongs to anything but what I have kept inside.
Words keep me awake.
They find me in the stillness of 1 a.m.
Insistent, unresolved as if they have been waiting for the moment I can no longer hold them back.
And I write not because I choose to, but because I cannot leave them there.
Unplaced.
Unspoken.
Turning inward until they begin to break me open.
So this . .
All of this.
Is not a narrative.
It is not a resolution.
It is a record of what happens when I allow myself to remain present with what I feel.
Without forcing it into something easier, cleaner, or more complete.
Read this as you would something living.
With patience.
With care, without needing it to become anything other than what it is.
Because I am still here learning how to exist within myself without retreating.
Learning how to stay when every instinct tells me to close.
Learning how to let something be seen without disappearing in the process.
And these words . .
They are simply what remains.
When I choose, even briefly, to no longer hide.

You take me the way the sun finds a flower that never learned its morning
Not with warmth, but with a patience that does not leave
I had grown used to the dark
The kind that settles into the root
Until even the idea of opening feels like a mistake
The garden did not question me
It let me remain folded into myself
Petal against petal, a small life no one could enter
And no one could ruin
It worked
Nothing reached me
Nothing stayed
I waited for the taking
I knew how it went—how anything that sees you open does not stop
So I held myself tighter
Closed even against the light
As if survival meant never being seen soft again
And still
Something in me began to give
Not bloom, never bloom
Just a slight failure in my keeping
A single petal loosening as if it had grown tired of protecting what no one had come for
I felt it like grief
Sharp, quiet, uninvited
The body remembering something it had buried to keep living
You saw it
And you did nothing
You did not reach
You did not take
You did not ask for more
You stayed as if that one small opening was already too much to ask of me
And that
That is what broke me
Because I had been taught that anything that stays will hurt you eventually
That love is only a slower kind of loss
But you
You stayed exactly where I left you
As if I did not have to give you anything else
And so
I opened a little more
Not for you
Not even for the light
But because, for the first time
I felt something I did not recognize
The absence of harm
And it was unbearable
Because it meant
I had been closed all this time for something that was not here
And now
I do not know how far I can open
I do not know if the dark will return
But something in me
Something small, tired, still alive
Keeps loosening despite it
Because you did not take me when you could have
Because you did not break me when I was already open enough to be broken
Because you stayed long enough for me to feel what it is to be held in the light
And not disappear

Your blood is like mine
Not in name
Not in the quiet archives of family
But in the way it rises when the world leans close
It is a red tide
Salted with memory
Restless beneath the skin
Moving as the sea moves
Returning, returning
Even when there is nowhere left to arrive
I do not need to see it
I know it by your nearness
As though the hour itself had softened for you
How your leaving bends
Becoming a slow eclipse that refuses its own completion
There is something in you that does not close
Mine answers
It lifts within me
A warm insistence
A quiet rebellion against distance
We are not the same
No, we are not
But there is a crossing
A hidden estuary
Where your current meets mine
There, what should disperse gathers
What should end, lingers
Like heat in the evening walls
Like fruit left open to the sun
Like the last light that refuses to withdraw from the body of the day
Your blood is like mine
It does not forget the shore it has touched

Light moved differently today, not in rays
But in long, quiet exhalations
Spilling over rooftops
Over your shoulders
Over the place where my name almost lived on your lips
Everything was touched
By a softened glow
Not the kind that blinds
But the kind that remembers what it once was
I stood there
Half in shadow
Half inside a color
That had no name
Except the one my body gave it
When you looked at me like that
Like time had loosened its grip
Just enough
For us to exist without consequence
There was no urgency in you
No hunger that devours
Only that quiet pull
The kind that gathers in the spaces between words in a shared cup
In the unnoticed exchange of breath and heat
And something dangerously close to peace
If I closed my eyes
I could still feel it
That horizon bending slightly toward us
As if the world itself were conspiring to keep us suspended there
A moment longer
Not lovers
Not strangers
Just the two of us
Held gently
Inside a sky

Do not come near me carelessly
I have become fluent in the exquisite discipline of restraint
There was a time
When every bright impulse might have escaped me at once
Without reverence for consequence
I no longer belong to that kind of ruin
Now I know the holy intelligence of what is withheld
The grandeur of a silence so charged it can alter the temperature of a room
You stand there
And the air rearranges itself
Not because of touch
That would be too simple
Something passes between us
Subtle as a filament beneath glass
Invisible until it burns
Refined enough to make stillness feel like an event
I do not reach
I let the distance glow
I let it become unbearable with elegance
Because desire, when it has matured beyond appetite, does not beg for completion
It acquires gravity, and everything in its field begins, quietly, to lean
So if I cross toward you
It will not be from weakness
Nor from hunger without thought
It will be because
I have measured the cost of contact
And found it beautiful
And when I touch you
It will not feel like beginning
It will feel like recognition at its most dangerous
As though something ancient in the blood had been waiting
For precisely this permission
The End

But listen
Even lightning

Must gather itself before it cleaves the sky
I have gathered
I have stood inside the anatomy of collapse and named it rehearsal
Have felt the surge rise beneath my ribs
And chosen—not to extinguish it—but to contain
There is power in the unspent
There is dominion in the held breath that does not betray itself
You think stillness is absence?
No—it is a field of charged quiet
A storm disciplined into elegance
A body that could unravel the room and instead chooses to remain
So do not come near me expecting softness alone
I am composed of forces that negotiate with fire
That bend impulse into precision
That hold entire voltages behind an unshaken gaze
And if I touch you—it will not be by accident
It will be because I have decided exactly how much of the current you can survive
To be continued . .

I am not the tremor you misread as fragility
I am the voltage beneath silk
The disciplined chaos that chooses not to unravel
My pulse does not betray me
It rehearses storms
Each errant rhythm
A clandestine rehearsal of thunder
I have already survived
Do not confuse my stillness with surrender
I have swallowed entire tempests without naming them
Have stood inside the structure of collapse
And called it breathing
There are galaxies stitched behind my ribs
Wild, incandescent things
And yet I sit here
Composed
Drinking the quiet
Like it belongs to me
I do not chase
I do not beg
I do not fracture at absence
I become it
I turn distance into dominion
Silence into a language only the deliberate can read
To be continued . .
Color does not sit on me
It enters
The way pigment enters canvas
Pressed
Worked in
Slowly absorbed
Until it can no longer be removed
I feel it first
As a warmth
A red laid beneath everything
A ground that breathes through the surface, rising in soft intervals with my pulse
It is not placed
It spreads thin at first, a wash of heat, then deepening
Thickening, until it holds inside me like something alive
Gold moves differently—
It lingers
A glaze across the ribs, caught in the curve of breath
Like light resting on bare skin just long enough to be felt
And blue
Blue opens me
A slow saturation
Wet into wet, bleeding through the edges of my body until even the quiet begins to expand
There is no clean boundary
No edge that does not soften under contact
Everything blends
Color into body, body into language
Language into something that cannot be separated once it begins
My hands know this
The way they move, the way they press, the way they follow what has already started beneath the surface
Every mark carries sensation
A pressure, a drag, a yielding
As if creation itself were a kind of touch that does not stop at the skin
And I let it happen
This layering, this slow insistence, this quiet undoing of distance
Until I am no longer working with color
But inside it
Held in it
Moving with it
A body that has become its own surface
Warm
Open
Continuously receiving what enters and chooses to stay

You arrive here not as a beginning—but as something rewritten by its own hands.
Your children have stepped out of your body into their own weather, calling you less, needing you in quieter ways—like a photograph still warm from the sun.
Your parents soften into time, their voices folding, their strength becoming memory while they are still standing.
And you—you are no longer who you were when everything required you.
Now, you require yourself. You move differently—with a kind of knowing that drips slowly from the center of your chest.
This is not loss.
This is space.
A clearing where your name sounds new again.
Your hands—once full of everyone—begin to open, and in that opening something wild and unrestrained begins to breathe.
You are not starting over.
You are rearranging—like light when it realizes it no longer has to prove its brightness.


I have begun to release what was never entrusted to me—not you, not entirely—but the silent labor of sustaining what you leave unfinished.
There is a distinction now—subtle, but irrevocable.
It did not arrive through resolve, but through depletion—through that slow recognition.
That devotion without reciprocity becomes erosion. I no longer extend myself toward you with the same unguarded impulse.
Not because the feeling has diminished—but because it has clarified.
You remain consistent in your inconsistencies—present in fragments, attentive in intervals, returning just enough to ensure nothing dissolves.
And I—I have ceased to assemble meaning from what is partial.
There is a composure in me now that was not there before—not detachment, not absence—but a contained awareness that does not pursue what does not arrive whole.
I have come to understand that what holds substance does not require persuasion, does not depend on endurance, does not ask to be maintained by one.
So I withdraw my effort from what was never equally carried.
Not in resistance, not in finality—but in preservation.
You remain within that familiar distance—accessible, yet never fully offered.
And I remain—but altered. No longer oriented toward you, but returned to my own center of gravity.
There is a stillness here that does not ache—a quiet reordering of where I place my energy, of what I permit to remain unfinished within me.
And in this—without declaration, without urgency—I arrive at a certainty I do not need to speak aloud: what does not meet me in its fullness will no longer hold me in its absence.
Because I have stood in the quiet of this long enough to understand the difference between what is shared and what is endured alone.
And I have endured enough. Not loudly, not visibly—but in the private chambers of a feeling that was never returned with equal weight.
And still—I do not regret you. Not the moments, not the knowing, not even the cost. But I can no longer remain where I am not fully received.
And so—without resistance, without bitterness, without the need to be understood—I release what never chose me in the way I chose it.
And in the quiet that follows, in the space you no longer occupy in the same way—there is something unexpectedly tender: the return of myself. And with that knowing—unforced, undeniable—I remain whole.
The End

Did not arrive at this lightly.
This quiet, persistent regard has established itself within me. Without any assurance of return.
As though it had always known how to inhabit me before – I had the language to refuse it.
You were never meant to reside here in this manner. I have known you within the ordinary hours.
In conversation that carried no weight. In laughter that did not ask to be remembered.
In that quiet familiarity that rendered everything. Effortless and unguarded.
But also, in the moments where composure failed me. Where I did not conceal myself, where something in me gave way without resistance.
You have seen me there—
Not as an observer.
But as one who remained, who did not turn away from what was difficult to hold, who received what I had not intended to reveal.
You have known my silence with a precision that unsettles me, recognized its weight before I could name it.
Read the subtle alterations in me with a clarity that has, at times, exceeded my own.
There is a familiarity in you that reaches beyond language.
As though you have learned the internal blueprints of me, without ever being instructed.
And somewhere within that knowing, something altered.
Not abruptly, not sufficiently to be named. But with the quiet inevitability of something taking root beneath the surface of what appeared unchanged.
I care for you in a way that does not demand. And yet- cannot convincingly claim.
It requires nothing.
There is a tenderness in it, yes. But also a gravity that settles into me with a patience I cannot interrupt.
Because to care in this manner is to remain within the presence of something that neither fully arrives nor entirely withdraws.
Something that exists in a suspended condition between what is felt and what is permitted.
You exist within that interval. Not absent, not wholly present, and still you alter me.
Not through declaration, not through certainty, but through the quiet persistence of your being.
Through the way you remain just near enough to be undeniable, and just beyond what I can claim.
Not for what might be, not for what has not come to pass, but for what is.
This quiet, unclaimed connection that neither of us has been willing to relinquish.
It rests between us. Like something living.
Unacknowledged, and yet fully formed.
Something that continues not because it is sustained, but because it has not been undone.
And I do not resent you for it.
I simply recognize what it asks of me. To feel without resolution, to remain without conclusion, to understand without release.
And in this immensity
I no longer attempt to resist.
To be a continued . .
This is written from a place of quiet weariness. Where I see clearly and still do not leave, where something remains. Not because it is easy, but because it will not loosen its hold on me. There are moments when it gathers in my chest, so completely I could cry from exhaustion. Not because I do not understand. But because I understand, and remain.

••••••••
When you grow tired.
Understand that I have been standing for some time – within a quiet depletion.
A subtle undoing that gathers without spectacle without witness – without relief.
It accumulates – not from absence – but from the persistence of what remains – from the repeated deferral of what has already taken shape.
In everything – but admission – In moving alongside something undeniable – While denying its rightful form in preserving composure.
While something within me presses with increasing clarity – Against its containment- Against the careful discipline -We impose upon it.
I recognize it – In the measured duration of your nearness – In the deliberate incompleteness.
Leaving me suspended As though finality itself Were a boundary – We are unwilling to cross – As though definition- Would demand more than we are prepared to concede.
And yet – What exists does not diminish – It gathers – It consolidates itself – In the spaces you leave unoccupied – In the quiet disarray – Of my interior world – In the gradual yielding of the structures – I once believed sufficient.
There is no reprieve in this – No restoration. Only a sustained interior tension. Precise. Unarticulated. And yet entirely present.
That neither dissipates. Not resolves into something gentler. It is exacting in its continuity.
It endures without permission. Without confirmation. Without the courtesy of resolution.
And still – I remain within its influence. Not out of uncertainty.
For I – Perceive it with an exactness. That admits no illusion. But because there is within you – A force – I do not readily dismiss.
A quiet insistence – That continues to draw me inward. Despite the fatigue it leaves in its wake.
It is not softness. It is not yearning alone. It is something more exacting.
Something that persists. Even as I grow weary of its lack of conclusion.
Even as I begin to understand – the cost of its continuation. There are moments in which I consider departure – Not as escape – But as preservation.
And yet even in that consideration – I feel its return – Not as urgency.
But as inevitability. And so I persist. Not unaware. Not untouched. Not unaltered. But still unwilling – Or perhaps unable to withdraw from what continues to exist between us with a certainty that requires nothing.
That offers nothing. And yet remains – Unrelinquished – Unresolved – And entirely – Inescapable.
To be continued . .
I pause the day to hold you
Your small body
That has never known excess
Only devotion
Ten years of the same quiet loyalty
Of returning to me
Without question
Without distance
You have so little to give
A small voice
A fragile frame
A life that asks for almost nothing
And still
You love me
With something that feels immense
It humbles me
The way you choose me again
And again
As if I have always been enough
I hold you
Not because you need me
But because
I need to remember
How love can be this simple
This faithful
This complete
•
Happy 10th
Sweet boy, of mine

There are forces
That do not announce themselves
They gather
Like constellations
Assembling behind the visible sky
Like a stone
Learning slowly to become a cathedral
Without ever being told it is sacred
This is where we arrive
Not at the edge of desire but beyond it
Where even longing feels too small to hold what has taken root
Something vast has entered the body
Not to burn it
Not to claim it
But to widen it
I feel it in the architecture of breath
In the way silence now carries weight
As if every quiet moment were holding up a ceiling of stars
You are no longer something I reach for
You are the shift in gravity
That reorders everything
The unseen axis around which my inner world turns without resistance
And I
I am no longer surface
I have become depth itself
A chamber where light arrives altered
Where time forgets its urgency
And lingers
As if it, too
Discovered reverence
There is no pursuit here
No distance to close
Only this immense, wordless recognition
As if something ancient
Has finally found the shape
It was always meant to inhabit
Blue animal
You were never the storm
You were the sky learning how to hold it
And I
Named your endless thirst a weakness
As if oceans could apologize
For their depth
As if magnitude
Were something
To be contained
The end

YOU ARE
The undertow
I mistook for stillness
The quiet muscle beneath the surface
Pulling whole coastlines without sound
You do not ask
You rearrange
Salt enters me the way memory does
Without permission
YOU ARE
A tide that studies my fractures
Filling them slowly
Until – I forget
Where I end
And you begin
My body
A map
You do not read
Only erase
YOU ARE
Who takes the names
I gave myself
And returns them
Wet
Unrecognizable
YOU ARE
Not hunger
But the patience of it
The long blue waiting
That knows
That I am learning
How to stand
At the edge of you
Without dissolving
I am learning
How to keep one bone
Unclaimed by the sea
YOU ARE
A surge
Of breath
That turns to liquid
Just before contact
Teaching my every nerve to anticipate you
YOU ARE
The pull behind restraint
The place where my hands
Forget their obedience
Again
And again
To be continued . .

YOU ARE
Like the sea
You write me
Inhale me
YOU ARE
A cold-lipped, deliberate, blue animal with a memory for bone
Taking my scattered language
My driftwood vows
My soft, collapsing promises and worries
In your mouth
YOU ARE
The shore
Over the paleness of a white page
Dragging me across it line by line
Until my silence leaves a mark
I have seen your tide
Bending the nudeness of my body
Like something hungrier
Something that loves the undoing of my hands
Ruining me
Making relics of what I have tried to forget
To be continued . .
Rain writes on me
With a thousand
Soft hands
It does not rush
I walk into it
As one
Walks into a memory
Already known
Already trembling
It falls on my mouth
My eyelids
The hollow at my neck
Where even I have hesitated to linger
And still
It stays
As if my body
Were a country it had always intended to discover slowly
As if every drop
Were a vow spoken in water
Knowing me
Not all at once
But completely

Stood inside myself
As one stands in a garden
Already bloomed
Not searching
Not gathering
Only aware
Of the fragrance
There were moments
That brushed against me

Soft as wind through leaves
They did not carry me away
I let it pass
Through the open doors of my senses
Without closing them
Without following
Because I now know
That not everything
Must be held
Some things
Are meant to be felt
And left intact
I remain settled
In my very own skin
Intentional
Unchanged
Somehow
More than myself
Tilt my throat to the sky
As if I belong to the sun
Not to be chosen
Not to be touched
But to be taken
By something
That does not ask
My name
But here
Light arrives
Like a blade
I do not flinch
I let it see me
And my pulse that has carried
Too many unsaid things
I have been quiet
In rooms
That did not deserve me
I have folded myself
Into smaller weather
I do not lower my face
I do not hide
The tender architecture
Of being alive

I built this house so windows could be more than just an opening to escape from
There is a chair that remembers the shape of my spine
A floor that does not demand I stand
Even the silence here is not silence
It hums low
Like a mother
Half awake – watching
Her children sleep
Here – I bring
My hands to my mouth
As if to keep something in
Or to keep the world out
I am not crying
But something has already passed through me
A small
Deliberate brightness
Something I chose
And kept it
Tonight I feel
As if I might spill
But nothing spills
Only a slow return
A gathering of scattered light back into the body
How strange
To be this tired
And still feel something holy
Not joy – not quite
But the absence of noise
That lets joy breathe

I am intact
I repeat this like fact
Like law
Still – something tilts
When you appear inside a sentence
Not wanting
Not waiting
Something closer to being marked without consent
My body notices before I do
A flicker
A tightening
As if a wire had been brushed somewhere beneath the skin
You speak
And it is ordinary
So ordinary it unsettles me
Because nothing in you reaches
Yet something in me answers
I refuse it – a future
I deny it – a shape
Still – it lingers
Not asking
Not leaving
And I
I gather myself around it
Contained
Deliberate
Even this betrays me
And still
We remain only what we say
The End

And still
I am not afraid
I have swallowed
Darker things, than this
I have carried absence
The undertow is not cruel
It is exact
It strips me
Not of love, but of illusion
What remains
Is something harder
Something luminous in its fracture
A pulse that does not ask to be held
A body that does not confuse
Touch with arrival
If you reach for me now
You will not find the me that floated toward you
Like an offering
You will find depth
You will find pressure
You will find a silence
And still
There is heat here
Strange
Feral
Uncharted
The kind that burns
Without flame
The kind that lives
In the center of a woman
Who has learned
How to disappear
Without ever leaving
I am no longer asking to be saved
I am becoming the thing
That survives the drowning
To be continued . .

And I
A chamber of salt and voltage, you flicker at the edge
Not absence, not presence, just a disturbance, in the surface of things
Your voice, a thin wire that fails to conduct
I have outgrown the need to translate you
See how I stand now
Unspooling light from my own marrow
No more orbit
No more leaning
Even the stars burn cleaner here
Without your gravity
Go
Become rumor
Become distance
Become nothing I must answer
I remain exact
Electric
Entirely my own
To be continued . .

I come here
Observe myself
From the inside
There’s a sea in there
Influenced by shooting stars
With enough spark
To resist your charm
In this reality
You become a bird
That speaks in maritime
To be continued . .

and now
it settles
not gone
not ever that
i feel it still
in the quiet parts of me
where things don’t ask
to be explained
it isn’t soft
no
it has teeth
it knows how to stay
without asking permission
and i
i let it
i don’t reach for you
that would be too easy
too human
and this
this – is something else
something that doesn’t beg
doesn’t promise
doesn’t belong
it just exists
between that space
where nothing is said
and everything is understood
i could pull it closer
i could burn it out
but both would ruin it
so i leave it
untouched
unnamed
alive
because there is a kind of love
that doesn’t need a future
to prove
it happened
and a kind of hunger
that learns
to live
without being fed
and still
it stays
not louder
not weaker
just deeper
like something
that chose
to become
part of me
The End

and still
light does not leave
it settles
low- under the skin
i move through rooms
as if carrying a second sun
hidden but insistent
everything touches it
water
glass
my own hands
and i feel it
something
that asks to be kept
even in absence
even in the long
unlit hours
you are not here
and still
something of you
circulates
not memory
something warmer
more exact
like heat
trapped in stone
after the day is gone
i try to name it
but language fails
it always fails
so i do not name it
i carry it
this quiet
this gold
this undoing
until my shadow
begins to burn in glow
To be continued . .

i did not fall into you
i opened
like a wound that recognized
its own knife
you arrived quietly
no thunder – no claim
and still
everything in me
shifted its allegiance
i was whole before you
i tell myself this
like a prayer that doesn’t hold
yet now
there is a before
that feels uninhabited
you touch so little
and still
i am rearranged
light does this
it enters and suddenly
the room remembers its dust
you stand in me
like something uninvited
and necessary
and i
i become
terribly available to absence
you leave
this is your gift
this is your violence
to exist in me without weight
to burn without flame
tell me
what is this
that asks nothing
and takes
everything
i do not call it love
love is too small
too human
too forgivable
this is something
that survives
even when
you are not here
and i
i remain
lit
and ruined
by it
To be continued . .

I was a quiet landscape before you
A single purposed bird
Illimitably moving
Towards – color
A consciousness
Where nothing is taken
Nothing is given
And still the earth opens
As if it cannot bear to remain one
I loved you here
Long after the sun withdrew its hand

Today
My heart
Lost its rhythm for a moment
Not like fear
Not like pain
Like a bird forgetting the pattern of its wings mid-flight
Startled by the sudden awareness of the sky
I told you, just that
And you
You did not question the sky
You became it
You held me
The way gravity holds the earth
Without force
Without permission
Without asking if it should
And my body
Which had been speaking in fragments
Fell back into a language
Older than thought
But you
You do not stay
You are not made of staying
You are like tide
Like wind
Like something
That belongs to movement
And I
I do not ask
The ocean
To become a shore
I have learned
What it is to live
Without arrival

I am not unsure
Of what I feel
Only of where to place it
It lingers
Like morning
Through an open window
Resting on me
Softly warming
What I thought
Had settled
But never staying long enough
To belong
You are
Easy as breath
Something I don’t notice
Until you’re gone
And then
Everything feels
Just a little heavier
There is something
Between us
It finds me
Without asking
Pulls me closer
And then returns
To where it must
Leaving behind
The feeling
Of having been near
I don’t name it
I wouldn’t know
What to call something that lives
In the spaces
Between your words
Between your pauses
And what you take back
I feel it
In the way
You look at me
Like you see me
And then
Like you remember
You shouldn’t
I do not reach
Not because
I don’t want to
But because I understand
Some things
Are not meant
To be held
Only Felt
So I stay
In the quiet
You leave behind
In the space
That is never empty
Just unclaimed
And I watch
How you return
Without arriving
How you stay
Without staying
And still
Something in me
Moves toward you
Without moving at all
And somehow
That is enough
Like reflections on water shimmering
Just out of reach
Something I can see
But never gather
Something that exist
As long as I don’t try
To make it mine
And still
I stand here
Letting it touch me
Learning the shape of a feeling
That asks for nothing
And gives everything
Quietly
Without promise
Without future
Without a name
Just this
And me
Standing in it
Until it fades
Like the end of a day
Soft
Certain
And gone

There is no space
Between us
My respiration
Zigzags
Every breath
Your bed takes
In this capacity
Blood – blazes
Knowing
I’ve been burned
Many times before
But with you
I am less contained
The suddenness
Of your hands
Intertwined with mine
Fails – to open
While our shadows
Become identical
In a synchronous rhyme

Took my first steps
On this corridor
Unleveled earthiness
Saw myself reflected
In a rush of energy
Becoming self aware
That I had just met my soul
It kissed my forehead
From birth to forever
With only God in between
Punctually swallowing
All of my blues
With such artistry
That when I glance at my children
I do it
With eyes closed
Because I too
Saw my life
Pointing back at me


SUN: Sit and Listen
“I stride to be
More useful than your words
In my absence
Loneliness comes
Are you still afraid of the dark
You connoisseur of light
Join me, let’s take
A snapshot of God
Air here is eternity
Inexplicable gravitation
Because here you don’t need a pen”

Truth
Without mercy
Has no sound
It lives
With circumstance
In this exactitude
I softly land
And I like it
Adds warmth
To my being
Coldness here
Does not exist
I am free
As you startle
All of my senses

Nothing has been spoken
Yet – it is loud
These feelings
Exist in a poem
Ink, and its elegance
Place arrows
On the palm of my hands
Metaphors that rise
With every consonant
A corresponding rhyme
That illustrates and loves

Gestational verbs
Is what we have
You measure love in weeks
While I hover
Like an aerialist
Over your skin
This equilibrium
Has turned sentences to lust
Leaving – me – ropeless

Half bright
This in between
Keeps me awake
As if all I ever wanted
Suddenly – was
No longer distant
Safe space to rest my head
A parenthesis made of rain
Irreducible amounts
In this immensity
Impossible
Becomes possible
Exquisitely
Like a rising sun
And it’s imperialcy

Poetry speaks to me
In a language
Made of bells
It engulfs me
In hues of pink
Making shadows of myself
Thousands and thousands of times
In this totality
I find you
Over and over again
Because it is you
I want

Night winds
Startles my roof
Such a ripeness
In season
Generations of birds
Tucked between branches
Feels like
I am – in
Nineteen eighty five
Everyone was home


Faithful you
Noiselessly
I have left you
-Underwood
There is familiarity
In your words
Much like a beating heart
Its synchronicities
Valves, through me
So graciously
These events
Over everything
Feels chronic
How do . . I
Reach out
Without these metaphors
Perhaps
You already know
And smiling
From a distance
Nodding to this energy

I have been
A fire
A cornerstone
Inside your mind
Easier to cry
When you’re not around
Because, loving you
Requieres a soft space
On the opposite side of my bed

You asked
If I ever sleep
I – do
My mind circles
In – rəˈzôlv
This dazzling dark
And its allegories
Live above these lines
You watch me
And my insufficiencies
When it comes to love
And that is okay
Because without it
I would not be
Myself

Does God have a voice
Does it speak in flowers
Must be magical
In a desire no less luminance’d
Than a birthing womb
A miraculous fortress
With no sounds or wounds
Resolute and most bright
-Motherhood

When I struggle
With your absence
You call me
My stomach beats
A thousand marches
Aches to be so many miles away
If I had no sight
I could find you both
In the greatest of multitudes
This haptic perception
Reminds me
That light
Is sufficient
If you dare to see it

You come to me
With hands
Made of rain
Annunciatively
Whispering my name
In this adverbial space
I become
Ever so nervous
Forever’ly
I swear

We’re not alike
I am – paused
You – straight’shooter
Fracturing the curvature of my spine
If you’re going to love me
Love me – well
Victoring these days
That feel like nights
Resurrected
By one giant sky

Mirrors are like mouths
In this anarchy of metaphors
I thrive
If you’re reading this
Every ounce of truth
Lives from left to right
Like a vowel beehived in eternity

Sometimes
Brightness
Feels
Disfigured
Shinning
So innocently
While I stand
In what feels like salt water
Sulfured, perhaps
Honed by your touch
Skeptical, by your embrace
Because in this clarity
I’ve figured out
You’re just wrong
For me

The air feels golden
Immaculate matter
High enough
For birds to fly
Flickering flight
Minimal effort
With every rise
I have
Loved
You
Here
– Scintillating

One word at a time
Spoken in the dark
Points with wit
Incendiary like us
And in this night’gold
Love reveals in verse
Divided where sun is most
Exigently, my love

Doors between us
You tell me
Be careful with my head
These ambitious thoughts
Must hide them
Like contraband
In this reverent space
I greet you
Making myself
An immediate cautery
Instead of shaking your hand

Today feels loud
Soundless energy
Birds stopped singing
As if they know
Something we don’t
You tell me
I won’t be alone
Note how rooted
This situation feels
It hurts like hell
Drowning in puddles
When you promised
You’d always keep me afloat


My skull
A spy
Must admit
That tomorrow
I will do this again
It has power over me
Like war itself
In this patriotism
Of self reflection
I am lucky enough
To have a glimpse
Of my heart
Its two hands, grasping
What feels like love
The day my mother married
Hers, weeped
Futurity of leaving Cuba, gone
She grieved her only child
All efforts to bring her home, futile
Through the years
And under a fleet of angels
I saw myself
Reflected in her
Superbly waiting for motherhood
Incessant fire, love that burns
Like a tower, in me

I see • you
Bringing rain
To my hands
Like a plant • waits
To become • a tree
Who am • I
To • you
In this whole earth
Equating love
For leaves

You
Seek me
Like a myth
Your hands
Fallen stars
Made up of punctuations
Leaving me
Speechless
With no reason
To wait
In this
Inflectional morpheme
You call, love

I am
Foolishly
Fragranced
By the way
You made me feel
Sir, you leaned
Bursting open
All my wounds
It must’ve been
Your wisdom
With women, like me
Mounted on brows of men, like you
Epitomizing, secrets over strength

Familiarity
And wants
In this existence
Just, lives here
Digitally tucked
In a forever
In this valiancy
And under
An extremest sun
I squint
Seeking
God’s own words
Instead of my own
How wondrous of me
Desiring to be
No less than
A cover of a poem

As much as I
Perceive the future
Its architecture
Comes to me
Most purest, splendid
Comparable to a womb
Shining down
From heaven
But in this present
I witness
And swear
Our brevity
Is a rigorous rhodium
Uttering love

God made you
Out of a clay
One granule
After another
Exquisite
Reversed
Intelligence
It is possible
We loved
While strolling
Upside down
Indeed, we have
I have observed you
Light suited saluting
A formidable crest
Please, hush now
Here comes silence
In this bright applause
-Man

I think of color
Conte technique
Over this pillow
I shade pebbles
Greater than your hands
Scattering through debris of seeds
In a place with so few trees
Hearing your echo intertwined with mine
What is ‘this’ passion
If you can’t meet me halfway
Sometimes
You feel like a void
That I follow
Without following you
A portraiture
The tonality
Of a single text

You make my flame slow
It’s not what I give that smokes
To draw what we both can’t kill
In this mackerel atmosphere
I love you
Down tidily
Waist deep
Men like you
More absolute
A general liberty to sting

How delicately you swallow
Swear this is true
The air in this room
Becomes a yes
For I have no reason to say no
Were flesh was involved

The fire you create
Keeps me up at night
Suspended, perhaps
In this tonality
My soul, alone
Fears reciprocity
I am a – faithfullest
We can’t be friends
Intimacy too lit
Feels like an infidel
In this physiology
I am no longer
The protagonist
It’s you, your heart
It’s pulsing valves
Such regurgitation
For a man, like you

i pass by
the oldest
mountain
denying
every stain
of rain
i should have resolved
the tactics of my faith

Splendor
And truth, alone
Rings more in me
My thighs become
Weak, invisible
And with this wonder
Spring soars in me
Lover you
Over my brow
Can I touch you
In this firmament
Orbits of grace
At the in’s of me
Right here
I fall
110
Times a day
Like something
That still glows
Tucked, under
A single address
My land of traumas
Heightened with fear
A place that holds
My childhood
So terrifyingly
Deciphering torment
And the inability
To seek help
From people
Who watch you
Fall, in less dirt
Painful terrains
This is Cuba – 1979
Martyrs of disguise
Making parenthood
Less fiable
As everyone
Is too busy
Surviving
Their
Own
Imprisonment
I’ve been
A lonely walker
For decades
This life
Has taught me
To believe
That above my name
There is a vacancy
A beautiful sky
With blue lips
That speak for me
Making peace
For the rest
Of my existence
Like a road
That is long
Yet spangled

you, in the flesh
(i) – in glass

too much exactitude
for my soul to hide
that you’ve lived
– in my ribs
on your own terms
silently wanting me
while (i) felt nothing
But – no’s
you, in the flesh
i – no longer in glass
tigers point at us
we rush we run
standing
in a mouth
of plasm
trading our skulls
for love

If time is love
How many corners
In a heart
That is burning
In entanglement
Too deep
Too loyal
To ever be
Afraid
Of you

cartels quiver
while man
somewhat
and unwillingly
surrenders
his fist, for love

some say it’s a bird
some say it’s absurd
but when I asked you
a nest was growing
beneath your bed
There’s one
There’s two
There’s three
Of me
In this triplicity
I count aphorisms
When it’s difficult
To speak . .
You can’t
Start a fight
In a lonely
Home . .

A subtle lullaby
Bronzed
As the earth rotates
Such wonder
Touching a vain
Girl’s heart. . .

I once knew
How light was spent
Its trickling effects
As faith pointed
With a golden rod
My own despair
Sat in a womb of fear
Aware it was not science
My conscious inadvertently
Reversed millions of words
Narrowing it down to one
-God

Heavy lines
Mounted over me
These purple nights
Drowning super stars
Forgetting what it is to write
Phosphorus dynamite
Encircles and intertwines
Muting one decade at a time



Stone COLD
Hold ON
You’re still STRONG
NERVE pain loneliness
I haven’t LEARNED anything
EXCEPT for the LINES across your FACE
MORE human, than YESTERDAY
Like random twilights of dust
So distant, only God could see
Yesteryears, my love
And yesterwants
You must be logged in to post a comment.