
I left my keys
in the lock
all night
then spent the morning
looking for them.
Are you dissociating
like me
or have we all
started leaving
before we go?

I left my keys
in the lock
all night
then spent the morning
looking for them.
Are you dissociating
like me
or have we all
started leaving
before we go?

She keeps it.
She knows better
and keeps it anyway.
Not because she believes.
Not because she is waiting.
But because love
does not leave
when the truth does.
So she carries it
without naming it
like something injured
like something
she should have put down
a long time ago.
And every now and then
she looks at it
and thinks—
I cannot believe
you are still alive.

Sylvia,
I needed you older.
Not thirty.
Older.
I needed more pages.
Not because Ariel
was not enough.
Because I got older
and your pages
did not.
At some point
I crossed into years
you never wrote from.
That is where
I started missing you differently.
There was a time
I could find myself
inside what you had made.
Not perfectly.
But enough.
I was phrased by her.
I could still find
the girl.
The rage.
The body
too close to the mind.
The mind
that would not leave
the body alone.
But I needed you later.
I needed Mirror
after the face changed.
I wanted to know
what happened
when the face looking back
had lived long enough
to become unfamiliar.
I needed Tulips
after all that red
was no longer
an emergency.
What happens
when being alive
is simply something
you keep doing.
I needed Lady Lazarus
after resurrection
lost its spectacle.
After getting up again
was no longer
a return from anything.
Just morning.
Another body
to inhabit.
Another day
to move through.
I needed the bees later.
I wanted to know
what fear became
after you had lived
with it long enough.
If you still asked it
to leave.
If you learned
where it lived.
Maybe your language
would have changed
with you.
Maybe Mirror
would not have been
the same mirror.
Maybe Tulips
would not have carried
the same red.
Maybe Lady Lazarus
would have meant
something quieter.
Maybe love
would have become
less about beginning
and more about
what a woman does
after she has already
been disappointed by it
and still cannot
give it up.
After she has seen
what it can fail to be.
After she has mistaken
attention for tenderness
silence for depth
waiting for devotion.
After she has promised herself
she will know better
next time.
And then she does.
And it changes nothing.
She still believes
there is something
worth staying open for.
That is the part
I needed you to write.
Love
after you have survived
enough of it
to know better
and still cannot
bring yourself
to become someone
who no longer believes in it.
I needed your language
after youth.
After certainty.
After the first grief.
The body
after the body changed.
Desire
after knowing better.
Grief
after everyone else
thought it should be over.
The years
when time
does not answer
what you thought
it would.
Sometimes
you survive something
and that is all.
No lesson.
No beautiful transformation.
You are simply
still here.
And then
there is tomorrow.
I am in those years now.
I wanted the books
you never got to write.
The later ones.
The ones where grief
had been around
long enough
to stop feeling new.
Where desire
had already disappointed you
and still returned.
Where the woman
on the page
had lived long enough
to contradict
the woman she had been.
I wanted to open
one of those books
and find
this version of me
already there.
Not the girl.
I know where
to find her.
I was phrased by her.
I mean
the woman after.
The one
who knows better
and still wants.
The one
who has become older
than some of her grief
but not free of it.
The one
who thought
she would understand
more by now.
I needed one page
from that woman.
One sentence
that did not resolve.
One line
written from an age
you never reached
that I could put
my hand on
and think—
there.
That is me.
Not healed.
Not wiser.
Not finished.
Just there.
You gave me language once.
I wanted to know
what your language
would have become
if you had lived
long enough
to need new words too.
Somewhere
in the pages
you never got to write
I still believe
there might have been
a sentence
waiting
for the woman
I became.
I have learned to disappear without moving.
My body stays.

It sits in the chair.
It answers when spoken to.
It lifts a glass.
It crosses one leg over the other.
It knows how to imitate me.
No one notices
when I leave.
Sometimes
I hear my own voice
from far away
and wonder
who taught it
to continue without me.
I can smile
at exactly the right moment.
I can touch your hand.
I can look directly at you
while something inside me
keeps moving backward.
I do not know
where I go.
Only that everything
becomes more distant
without moving an inch.
The walls recede.
Faces lose their edges.
My name sounds
like something
I once answered to.
And still
my body remains.
Patient.
This is what frightens me:
how little I am required
for my own life
to continue.
Sometimes
I catch myself in a mirror
and for one second
I do not recognize
which one of us
has been waiting.

I want to live on a mountain
where the mornings smell like wet stone
pine split open by rain
and cold earth.
Where the windows stay open
and the curtains move
even when no one is touching them.
No phone beside the bed.
No little red numbers
telling me who needs me.
Just a blue bicycle
leaning against the house
its frame cold with morning
one tire resting in the grass.
I would leave before the sun
came all the way over the ridge.
The road would still be damp.
My tires would press
dark half-moons into it.
There would be fog
caught low between the trees
and birds somewhere above me
I could hear
but not see.
I would ride past wildflowers
past fences silver with dew
past places with no names.
The air would taste green.
It would sting my face
and fill my lungs
until there was no room left
for anything else.
No voices.
No unfinished conversations.
No one asking
where I am.
Only the small metallic click
of the bicycle chain
the soft crush of gravel
my breath
going in and out.
I would have a small house
higher up the mountain.
A wooden table.
A white cup.
A bed beside an open window.
At night
the sheets would smell like wind.
Sometimes rain
would begin in the dark
and I would wake
to water tapping the roof
and the whole mountain breathing
outside my window.
I think I would sleep differently there.
Deep enough
to forget myself.
And every evening
I would ride home
while the light disappeared
from the road.
The trees would turn black first.
Then the mountain.
Then my hands
on the handlebars.
And for a few minutes
there would be nothing in the world
but the blue bicycle beneath me
the smell of rain coming
and one small light
burning in the window ahead.
Mine.
I think
I could be happy there.

Bricks. Roof. Trees. Sky.
Beige. Green. Blue. White.
Four tangible things.
I was taught this fifteen years ago, and somehow I have carried it everywhere since. When panic comes, look outward. Name what is real. Give the mind something it cannot argue with.
A roof is a roof. A tree is a tree. The sky is blue.
Start there.
Inhale slowly. Exhale longer.
Again.
Panic is strange because even when you know exactly what it is, your body does not care.
My mind says, I know this feeling.
My body takes longer to trust me.
So I pull over.
I park beneath a tree, lean the seat back, and wait. Because that is what you do. You wait for your body to catch up with what your mind already knows.
You are okay.
You are okay.
You are okay.
And then panic does this other strange thing to me.
It takes me backward. Not to one particular day, but to that old maternal terror of loving something I cannot control.
That fear.
The one that says, fix it, fix it, fix it, even when there is nothing you can fix in that exact second.
It makes me younger somehow.
Not in years.
In fear.
So I do not follow it there.
Bricks. Roof. Trees. Sky.
Come back.
There is a bird in the tree above me. I watch it flap its wings, chirp, move from one branch to another. Its entire purpose, for that moment, is exactly that.
And I envy it.
Not because it is free.
Because it is only where it is.
No yesterday. No next thing. No inventory of everything that could go wrong.
Just branch.
Wing.
Sound.
Gone.
Birds are fleeting that way.
Maybe that is why I notice them when I am afraid. They arrive without explanation and leave before I can ask anything of them.
And for a second, I follow that instead.
My breathing gets better. I can feel myself coming back into my body.
And then I cry.
Not because I am more afraid.
Because I am not.
Because sometimes after all that fear, there is nowhere for it to go except out.
So I let it.
I write this down quickly because later I know what I will do. I will be fine. I will get up. I will drive. I will go do whatever comes next.
And I will say, I had a panic attack, as though those four words could possibly explain what it felt like while I was inside it.
So I write it now.
Before I make it smaller.
Before I forget the fear.
Before I forget the relief.
The tree.
The breath.
The bird.
Bricks. Roof. Trees. Sky.
Come back.
The bird lifts from the branch.
And I do too.
I have spent so much time
trying to become
someone
who didn’t love you.
Nothing changed.
Except
the person
trying.

I have journals everywhere.
Some are stacked on shelves.
Some are hidden inside drawers.
Some I have carried with me for years
without opening.
Every once in a while
I pull one out
and read a few pages.
Sometimes I recognize the handwriting
before I recognize the person.
I know I wrote it.
I know where I was living.
I know what was happening.
I know the names.
But I read the words
and wonder
What mental state was I in to write this?
The thoughts contradict each other.
One sentence believes something.
The next one destroys it.
Nothing stays true
for very long.
The language is abstract
conflicting
irrational
as though the words
were dropped from the sky
and I spent entire pages
trying to arrange them
into a life.
Sometimes, honestly
it makes no sense at all.
I used to think
that kind of writing
was profound.
Maybe some of it was.
But some of it
was simply confusion
given a pen.
And sometimes
I feel sorry for her.
I look at the handwriting
the words pressed too deeply
into the paper
the sentences running
into one another
and I almost want
to reach through the years
and hug myself.
It is surreal
to feel tenderness
for someone
who is still you
but no longer exists.
Back then
I never imagined
I would see myself differently.
I thought the way I felt
was permanent.
I thought every thought
was the truth.
I could not imagine
that one day
I would open those journals
and read them
from the other side.
That was a different stage
of my life.
I understand that now.
Every stage asks us
to become someone
we cannot yet recognize.
And maybe the purpose
is not to erase
who we were
but to look back
recognize her
forgive her
and keep moving.
Sometimes I want to tell her
that she will not always
feel this way.
That one day
she will read these pages
without falling back into them.
That healing will happen
so quietly
she may not notice it
until years later
when she opens an old notebook
and realizes
she is reading the words
of someone she once was
someone she still loves
but no longer has to be.
She would not believe me.
Back then
I could not see beyond
the next sentence.
I kept writing
because I thought
the words might save me.
But the more I wrote
the further I disappeared.
I was not writing
my way out.
I was drowning in ink.
I have never told a man
I loved him first.
Not because I didn’t.
Because I believed
love should recognize itself
before it had to be named.
I thought if it was true
it would arrive on your lips
before it ever reached mine.
Then you happened.
For the first time
I wanted to say it.
I carried those words
like water in my mouth
afraid that if I spoke
I would lose
both the water
and the thirst.
So I said nothing.
Instead, I loved you like the wind
the wind that finds your face
before you have opened your eyes
that moves through your hair
and catches in your breath
leaving you to wonder
what your heart remembered
that your mind could not name.
It hurts to love you
because the feeling is real
and has nowhere to go.
No place in your life
where it can remain.
So I carry it into mornings
into songs I cannot finish
into every quiet place
that still makes room for you.
I have questioned everything else
my judgment
my timing
the meaning of your silence.
But never this.
Never the love.
I only wanted one impossible thing:
for you to know
that somewhere in this world
you were loved
by a woman who had never told a man
she loved him first
and still could not bring herself
to tell you.
So if, on some ordinary morning
the wind finds your face
lingers for just a moment
and catches in your breath
let it be enough.
Let it carry the words
I could not.
Do you remember being a fetus?
Neither do I.
But once
I lived inside my mother.
I knew her first
without seeing her.

The sound of blood moving.
Her heart somewhere above me.
The strange underwater version
of her voice.
I wonder what laughter sounded like
from in there.
Whether it shook the water.
Whether sadness did too.
Whether I knew the difference.
When she walked,
the whole world moved.
When she slept,
I disappeared into her sleep.
I went everywhere she went
without knowing
there was anywhere else to go.
I had never seen light.
Never felt air
against my skin.
Never been alone.
I knew her
before I knew what a mother was.
Before I knew
there could be distance
between one body
and another.
There must have been
a last night inside her.
This is the part
I keep thinking about.
A last night
when I still lived
entirely inside another person,
and neither of us
called it goodbye.

Then morning came.
And for the first time,
her voice
was no longer underwater.
Sometimes I am tired of being me.
I have been with myself
for as long as I can remember,
and I have never learned
how to leave myself alone.
I notice everything.
A change in someone’s voice.
A silence that lasts too long.
Something I said three days ago
that no one else remembers.
I return to things
that have already ended
as though there might be something there
I missed the first time.
There usually is.
That is part of the problem.
I have made myself uncomfortable
for as long as I can remember.
I don’t know when I began
watching myself this closely.
I am tired of my own reflection,
not because I hate the woman in it,
but because I never simply let her exist.
I am always doing something to her.
Fixing.
Forgiving.
Remembering.
Reconsidering.
Even inside my own body,
I move the furniture.
I turn her face toward the light
and then away from it.
I look too closely.
At my face.
My body.
My age.
The things I should have done differently.
The people I should have stopped missing
a long time ago.
Nothing in me
is ever allowed to simply be.
Not even happiness.
I examine that too.
How long will it last?
What will ruin it?
Who will leave?
I ask too much of her.
Be younger.
Be wiser.
Be less afraid.
Stop missing people
who can live without you.
Stop needing answers
from people who have chosen silence.
Stop going back
to the exact place something hurt
just to see if it still does.
It does.
I go back anyway.
Sometimes I wonder
when I became someone
I was responsible for correcting.
When did I stop being a person
and become a problem
I was always trying to solve?
She has carried every version of me
without ever being allowed
to put one down.
And still,
I stand in front of her
looking for what needs fixing.
She must be exhausted.
I know I am.
A stanza is the bone.
Nothing—
not even a life—
can be carried
all at once.
Everything else
is me
trying not to come apart
in public.
My hand around my ankle
like I am keeping
some part of me
from leaving.

My body
wrapped in denim.
My whole life
pretending
this is just a way
to sit.
I feel
so temporary.
The bracelet.
The shoe.
The watercolor flowers
beneath my skin.
I needed evidence
that I was here.
That I could drown
inside myself
and still come up
breathing.
There is a room in me
where everything I have ever loved
eventually becomes unbelievable.
I’ve been here before.
I know this room.

My mind cannot reconcile
two realities.
That you were here.
And that now
it feels
like I made
the whole thing up.
I want to kiss you
because silence
has become too crowded
inside me.
Maybe
if I reached
your mouth
I could finally learn
the grammar
of everything
you refuse
to say.

The first light.
A cool sheet.
A long stretch
that no one sees.
I never open my eyes
right away.
The light reaches my face
and I let it.
I don’t know
when this became
a ritual.
My hands move
over my neck
my shoulders
not to admire
what is there
but to arrive.
It feels almost
like when you give yourself
to someone.
Only there is no one.
Just morning.
Just light.
Just my body
believing, again
that light
has never lied to me.
People ask me about technique.
I disappoint them.
I have never sat down
to write a poem
thinking about meter
or form
or whether the line
should break here
instead of there.
That does not mean
those things do not matter.
It means they were never
my point of entry.
I don’t write
because I understand
what I’m feeling.
I write
because I don’t.
I don’t know where a poem begins.
I only know
that sometimes
I write a sentence
and spend years
becoming the person
who can understand it.
Maybe that is where the poem begins.
Not in clarity.
In the private disorder
language has not yet learned
how to hold.
The poem arrives before the explanation.
Before the lesson.
Before the clean version
people prefer
after pain has been made useful.
I do not trust that version.
I trust the fragment.
The unfinished sentence.
The line that breaks
because something in me
cannot continue
without silence.
That is technique too.
Not the kind I studied.
The kind the body invents
when the mind
has no argument left.
The poem knows before I do.
It knows where I am hiding.
It knows what I am circling.
It knows the truth
before I can survive
saying it plainly.
That is why I write this way.
Not to confess.
Confession suggests
I have arrived somewhere
with evidence in my hands.
Most of the time
I have not arrived.
Most of the time
I am still standing
inside the question.
And the poem—
if it is honest—
does not answer it.
It simply stays there
with me
long enough
for something true
to recognize itself.
I keep looking out the window
because for once
the world is beneath me.
Not in a cruel way.
Just enough
to remind me
I am still above
something.

I wasn’t planning on writing tonight.
But I have learned not to trust that sentence.
In 2011, I gave my thoughts a room and called it a blog.
God.
That feels strange to say out loud.
Back then, metaphor found me when my mind was losing its grip. I decorated grief. Not because I was brave. Because I didn’t know what else to do with it. I made it beautiful so I could survive looking at it.
There were times I felt like I had imagined my entire existence. Not metaphorically. Literally. Like my life had become something I dreamed and forgot waking up.
So I went looking for myself.
Photographs. Drawers. Memories.
Anything that could prove I was here.
This happened.
I happened.
Then my father died and something happened to language. Not all at once. More like a room growing quiet until one day you realize the conversation is gone.
So I retired this blog as if it had never existed. As if words could be cremated too.
Years passed.
Life happened.
The kind of life that sounds impossible when you place it all inside one sentence.
And now here I am posting so much it is almost comical. Rapid-fire confessions from a woman who keeps insisting she wasn’t going to write today.
The truth is, I don’t like to say I’m a writer. Because I’m not.
I am just a woman trying to understand why an ordinary thing can suddenly split open and reveal an entire lifetime.
Because I don’t really write about what I’m writing about.
The thing is never the thing.
A refrigerator is not a refrigerator. A sunset is not a sunset. A silence is never just silence.
Everything opens. Everything has a second mouth.
And some feelings arrive so hungry they refuse to leave until they are fed.
So I leave them here. Not because they are beautiful. Not because they are finished. Because I am tired of being the only place they exist.
And maybe that is all this blog ever was.
Not a stage.
Not proof.
A room.
A small room inside the noise.
Somewhere my thoughts could sit down before I had to become a person again.
Trying to grasp their maturity
is thrilling
in a way I still cannot understand
No one tells you this
They tell you about the leaving
the empty rooms
the quiet house
the laundry becoming smaller
the food lasting longer
than it should
But no one tells you
what happens after
How your world
reconditions itself
How one day
you speak to your son
and hear a man answer back
How his voice
carries the weight
of his brother’s voice too
and for a second
you are standing
inside both of them
These men
have surpassed my height
They are broad now
Deep-voiced now
Private now
Their lives moving
with a force
that no longer needs
my hands
And still
they began in me
That is the part
that makes me almost dizzy
They were once
a flutter
a hunger
a foot beneath my ribs
a name I had not yet learned
how to call across a room
Now they stand in the world
as if gravity
belongs to them
And I stand here
trying to understand
how something can leave you
and still make you larger
How love can grow taller
than the body
that carried it
How a mother
can be emptied
and expanded
at the same time
No one tells you
that after they leave
you do not become less
of a mother
You become a mother
with more sky in her
My mother and I share the same blood.

B Rh-negative.
The same rare inheritance.
The same river moving through us.
The same red history traveling from one body into another.
She carried me beneath her heart for nine months.
An entire season of becoming.
Blood teaching blood how to assemble itself.
Bone finding bone.
A spine.
A mouth.
Ten fingers opening toward a life neither of us had seen.
She made my body.
This is no small thing.
The original shelter.
The dark and sacred room where I began.
But the older I become the more I understand that being born from someone does not guarantee being understood by them.
The womb creates a body.
It does not necessarily create recognition.

My mother and I share the same blood.
B Rh-negative.
The same rare inheritance.
And still, we spent years trying to find a language large enough to hold us both.
My mother spoke.
God, how she spoke.
Stories.
Worries.
Grievances.
Disappointments.
The thousand daily abrasions of being alive.
She sat me down and handed me pieces of adulthood long before I was large enough to carry them.
And because I loved her
I did.
I listened.
I absorbed.
I learned the weather patterns of another person’s sorrow before I had learned my own.
I became her witness.
Her companion.
Her sounding board.
The child at the other end of conversations meant for grown women.
Perhaps that is why language became my native country.
Why I reach for words the way other people reach for prayer.
Why I cannot leave a question unanswered.
A feeling unnamed.
A loose thread hanging from the hem of a perfectly good life.
I learned early that everything must be examined.
Everything discussed.
Everything understood.
And I am tired.
Not of my mother.
Never of my mother.
I love her.
Love has never been the problem.
The problem is that love and understanding are often mistaken for twins when they are merely neighbors.
So we spent years waving to one another across a distance neither of us knew how to cross.
Then there was my father.

A man who seemed perpetually occupied by some private cosmic adventure.
A man of so few words that silence gathered around him like a second skin.
Yet I could sit beside him for an entire afternoon and feel more understood than I did in conversations that lasted years.
He never asked me to carry his grief.
Never handed me the weight of his interior life.
He simply made room for mine.
And when he died everyone assumed I was grieving a father.
What I was grieving was recognition.
The rare miracle of being witnessed without explanation.
Without performance.
Without the exhausting labor of translating myself into a language someone else might finally understand.
Perhaps that is why unfinished things haunt me.
Why I pull every thread.
Why I interrogate every silence.
Why I stand before mysteries demanding they surrender their meaning.
I spent my childhood holding one end of conversations that never seemed to end.
Of course I grew into a woman who wants answers.
Of course I became someone who believes every story deserves a conclusion.
But lately
I am beginning to suspect
that not everything unfinished
is broken.
That not every silence is withholding something.
That some people love us through language.
And others through presence.
That understanding sometimes arrives speaking.
And sometimes arrives and simply sits beside you.
The same blood does not guarantee recognition.
The same house does not guarantee understanding.
And yet—
love persists.
My mother and I
still waving across the distance.
My father gone and somehow still answering me.
The child I was
standing between them
learning two different dialects of devotion.
One made of words.
One made of silence.
And all these years later
I am still trying to become fluent in both.
Cuba is like love
Beautiful enough
to ruin people

An island of salt and longing
where everything beautiful
learns to survive
beside absence
You carry it long after leaving

Cuba is like love
because it survives on contradiction
You stand before the sea
thinking something so beautiful
should have saved everyone

And yet beauty has never been protection
Still
people return to it in their minds forever
Like first loves
Like impossible loves
Like homes that continue living inside the body
long after the body has gone elsewhere

My youngest wrote me a letter
Forty-five days ago
and I cannot stop thinking about the fact
that his love had already been traveling toward me
while I was still living ordinary life unaware of it
Forty-five days
Forty-five mornings I woke up not knowing
a piece of him already existed in the world
trying to find its way back to me
Do you understand how devastating that is?
That while I was awake or asleep
his handwriting was somewhere moving through darkness
sealed inside trucks
resting in forgotten bins
crossing highways at night
all because my son sat down one day
and missed me enough
to let his hand speak
And suddenly modern life feels so empty to me
These instant little messages we fire at each other all day
without breath in them
without weight
without silence
But a letter
a letter suffers distance
It earns arrival
For forty-five days
the page carried his touch without mine
The same hand I once held crossing parking lots
The same hand that learned how to write its own name
while I stood nearby believing time moved slowly
God
I did not just read his words
I felt time itself collapse
And there he was again somehow
inside the pressure of certain letters
Forty-five days old already
By the time I touched the page
he had already changed a little
Laughed at things I did not hear
Walked through evenings I did not see
Carried worries silently without me beside him
That is motherhood perhaps . .
the lifelong ache
of realizing your children continue becoming people
in rooms you cannot enter
Still
when I saw the word “Mom” written there
in the same familiar slant he has carried since boyhood
something inside me broke open so quietly
I almost mistook it for peace
Because after all the years
all the growing
all the distance
all the necessary separations life demands from us
some part of him
still writes home
like I am the safest thing he has ever known
the smile in your children’s faces
that breaks you open
before you can protect yourself
the way morning comes anyway
pulling light across a room
you didn’t think you could get up in
the breath that stays
even when you wish it would stop
even when you are too tired to carry it
the small hand that finds yours in the dark
and believes without question—that you will be there the moment you realize
you have to be
the light on the wall
that doesn’t explain anything
and still feels like mercy
the yes you didn’t plan to say
the one that leaves you trembling
the one that keeps you here
the chair you leave empty
and still return to
as if something might come back
the strength you never asked for
but were given anyway
the quiet that holds you
when you are falling apart
and no one knows
the forgiveness
that comes back
after you swore you were done
the love
you keep giving
even after it breaks you
even after it leaves you
again
and again
the nights
you sit alone
holding everything together
and no one sees
and still
you hold
the way you keep showing up
even when it costs you everything
the way you still care
after learning how much it hurts
the way you make space
for others
when no one made it for you
the moment you whisper
I can’t do this
and do it anyway
the life you are building
even when it feels like nothing is forming
the quiet strength
of not leaving yourself
when everything in you
wants to disappear
God is this
this breaking
this holding
this staying, the part of you that will not give up even when you beg it to
the hope that is not gentle or easy but relentless, the force that keeps your hands open and your heart turning
the reason you are still here, still loving, still choosing, still… after everything, still
you come from a woman from a body that carried you without question, from hands that knew you before you spoke, from a kind of care you never had to ask for

you were held before you understood what holding was, fed before you knew hunger, loved before you knew how to return it
you were soothed when you didn’t understand your own discomfort
you were seen before you knew how to be seen, you were answered before you knew how to ask

and then you grow into a world that teaches you distance teaches you how to move forward, how to leave, how to harden, how to forget what it felt like to be kept
and you come back to us as men standing in front of women as if we are something new, something to figure out, something to reach
but we are not new
we are the same place you once lived inside
so why do you do this
why do you stand so close and still not see us
why do you reach
without knowing what you’re reaching for
why do you touch without understanding what you’re holding
why do you move through us as if we are surface
not all of you
but most of you
and it repeats
the same distance
the same absence
the same quiet disconnect
as if something in you
chose forgetting
over remembering
because you don’t know us
not the way we feel you before you speak
not the way we notice what you don’t say
not the way we hold what passes through you without you ever stopping to see it
we feel your hesitation your distraction, your presence when it’s real
and your absence when it isn’t
we feel when you arrive
and when you don’t
and still
we are expected to remain
as if closeness is something that happens
just because you are near
but it is not
it is as if you forgot completely what it was like to be known without asking, to be cared for without earning it, to be held without having to arrive
and now you move through us as if we are surface—but we are not
we are still that same quiet place, still able to hold, still able to know
still capable of seeing you in ways you don’t yet —see yourself
but no longer willing
to be forgotten
while you stand inside us
you come from us
and still
you don’t remember
how to see us
how to feel us
how to meet us
in the very way
we once held you
I am not unsure
Of what I feel
Only of where to place it
It lingers
Like morning
Through an open window
Resting on me
Softly warming
What I thought
Had settled
But never staying long enough
To belong
You are
Easy as breath
Something I don’t notice
Until you’re gone
And then
Everything feels
Just a little heavier
There is something
Between us
It finds me
Without asking
Pulls me closer
And then returns
To where it must
Leaving behind
The feeling
Of having been near
I don’t name it
I wouldn’t know
What to call something that lives
In the spaces
Between your words
Between your pauses
And what you take back
I feel it
In the way
You look at me
Like you see me
And then
Like you remember
You shouldn’t
I do not reach
Not because
I don’t want to
But because I understand
Some things
Are not meant
To be held
Only Felt
So I stay
In the quiet
You leave behind
In the space
That is never empty
Just unclaimed
And I watch
How you return
Without arriving
How you stay
Without staying
And still
Something in me
Moves toward you
Without moving at all
And somehow
That is enough
Like reflections on water shimmering
Just out of reach
Something I can see
But never gather
Something that exist
As long as I don’t try
To make it mine
And still
I stand here
Letting it touch me
Learning the shape of a feeling
That asks for nothing
And gives everything
Quietly
Without promise
Without future
Without a name
Just this
And me
Standing in it
Until it fades
Like the end of a day
Soft
Certain
And gone

Truth
Without mercy
Has no sound
It lives
With circumstance
In this exactitude
I softly land
And I like it
Adds warmth
To my being
Coldness here
Does not exist
I am free
As you startle
All of my senses

Thoughts
And
Its dispersiveness
Establish
No boundaries
In me
Some, go on paper
Some, sit on high grass
Delighted and pure
Some, say your name
Thirsty and untuned
Some, become satisfied
As nude to touch
Some, survive in a sphincter
Regulated and relaxed
Some, become butterflies
Hoping to awake like someone else
Some, stand in old age
Identical to yesterdays
Some, close their eyes
As briefness outlines their fate
Some, become trees
Scattered in time
Some, multiply when it rains
Measuring drops as faith
Some, exist in you
More secretly and afraid
Some, in darkness
Half lit decades
Of a young self
Some, become some
As all of these thoughts
Can only be shared
With
Who reads me

Night winds
Startles my roof
Such a ripeness
In season
Generations of birds
Tucked between branches
Feels like
I am – in
Nineteen eighty five
Everyone was home

Does God have a voice
Does it speak in flowers
Must be magical
In a desire no less luminance’d
Than a birthing womb
A miraculous fortress
With no sounds or wounds
Resolute and most bright
-Motherhood

Today feels loud
Soundless energy
Birds stopped singing
As if they know
Something we don’t
You tell me
I won’t be alone
Note how rooted
This situation feels
It hurts like hell
Drowning in puddles
When you promised
You’d always keep me afloat


My skull
A spy
Must admit
That tomorrow
I will do this again
It has power over me
Like war itself
In this patriotism
Of self reflection
I am lucky enough
To have a glimpse
Of my heart
Its two hands, grasping
What feels like love
The day my mother married
Hers, weeped
Futurity of leaving Cuba, gone
She grieved her only child
All efforts to bring her home, futile
Through the years
And under a fleet of angels
I saw myself
Reflected in her
Superbly waiting for motherhood
Incessant fire, love that burns
Like a tower, in me

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